Mystery Castle

When I started Indie Gamer Chick in July of 2011, I figured I’d be playing a lot of new ideas and experimental concepts. Ha. Silly me. Most of indie games take their inspiration from games of yesteryear. This is fine, especially when those muses are properties that have long since been abandoned. Take the Adventures of Lolo, for example. Here’s a franchise whose last American release came when I was two-years-old. A series popular enough that it had three full releases for the NES, and even more globally, but has gotten no love since. Hell, the Smash Bros series is by HAL, the studio behind Lolo, and yet it can’t even get so much as a trophy in the series. Yea, him and Princess Lala were villains in the Kirby series, but that isn’t much comfort. That would be like Fox saying “yea, we cancelled Firefly, but hey, you can see Captain Mal flipping off Jack Bauer in the background of an episode of 24 so it’s fine!”

Working title: The Adventures of No-lo.

Working title: The Adventures of No-lo.

I hadn’t played Lolo until I found an XBLIG called Aesop’s Garden, and someone said “well it’s just a Lolo clone.” It’s not, though the inspiration is clearly there. Since then, I found another Lolo-inspired indie gem, SpyLeaks, which I liked so much that I included it in my Indie Royale bundle back in 2013. While those games expanded the Lolo concept, people who wanted just a straight re-imagining of franchise might not have liked them. For those unambitious types, Mystery Castle is probably their best bet. It holds the distinction of being the only Ouya game I ever finished. I liked it just fine, but never bothered to review it on account of it, well, being an Ouya game. My reviews of puzzle games here are already as well received as a diagnosis of Gonorrhea, and the double whammy of being on a platform only owned by people who hate money made it seem like a waste of time to write-up. But now it’s on Steam and Xbox One, so here’s what I have to say about it: it’s fine.

I mean, you’re not going to be enthusiastically singing the praises of it to anyone. Mystery Castle’s gameplay is as forgettable as its name (one fan of mine mistook it for a remake of an NES game called Milon’s Secret Castle, which I guess is known for being horrible), but it’s solid. The idea is you’re a gnome. You have to puzzle your way through rooms, collecting diamonds to open up an exit. The formula is somewhat adjusted by having things like warps to push boxes through, lanterns to light invisible paths, or keys that only work on certain doors. The controls are a little too floaty, which is common for the genre because you sort of have to be able to move one-half-space at a time, or else it would be too hard to maneuver blocks into the correct positions. Veterans of Lolo will get used to it quickly.

I do appreciate that the boss fights are still puzzles, as opposed to Lolo 3 where you just basically Care Bear Stare the bosses like a shooter.

I do appreciate that the boss fights are still puzzles, as opposed to Lolo 3 where you just basically Care Bear Stare the bosses like a shooter.

So is it fun? Yea. I probably would have enjoyed it more if I had played it only a couple of stages at a time instead of trying to plow through it as fast as possible. Puzzlers can be exhausting to attempt in one sit-through, something that I’ll fully admit is unfair for game developers since their genre doesn’t lend itself to the review process. Especially when the game has a lot of needless dialog and explanation. Really, the only part I truly hated were the ice stages, which feel closer to a game called Starzzle that I reviewed a week after launching IGC. I’ve given up on developers ever figuring out that most gamers would rather lick rust than play ice stages. But, whatever. There’s enough new ideas to keep things relatively fresh from start-to-finish, enough so I think anyone wanting a game like this will be satisfied. While I still prefer Aesop’s Garden and Spyleaks, Mystery Castle is really good for what it wants to be. Really, this is closest in feel to a direct sequel to Lolo you’ll probably get anytime soon. If you like that series, you’ll enjoy this. If you don’t, you won’t. Easiest. Review. Ever.

Mystery Castle logoMystery Castle was developed by Runestone Games
Point of Sale: Steam, Xbox-One, Ouya

igc_approved1$9.99 (I think, not sure what I paid for the Ouya version) said “Thank you to all my readers for five incredible years of support. Here’s to the next fifty!” in the making of this review.

Mystery Castle is Chick-Approved and ranked on the Indie Gamer Chick Leaderboard

The Deadly Tower of Monsters

Growing up the daughter of a cinephile (that’s someone who loves movies, not someone who has to stay 1,000 yards away from schools), I’ve seen my share of 1950s B movies and exploitation flicks. And I don’t mean in the form of Mystery Science Theater riffs. I mean sitting there, actually watching the original film with someone so deluded that he sees the movie as a work of art instead of a cheap, quick, badly acted, horribly scripted, cynical piece of shit created by and starring people who wished they were dead.  Which is not to say *every* movie of that era was without merit, but there’s nothing inherently sacred about B movies. To be frank, sometimes I don’t even like Mystery Science Theater that much, because it’s the low-hanging fruit. Fish in a barrel. “Oh come on, they’re campy! Camp is charming! Old B movies are camp!” Bullshit. Being old doesn’t necessarily mean being charming. Fred Phelps was pretty old before he was dead, and he had all the charm of a backed-up toilet.

So yea, old movies aren’t my thing. Yet, I’ve always wondered why that era of films haven’t been used as source material for more video games. Sure, you have Destroy All Humans, It Came from the Desert, and Zombies Ate my Neighbors. But, no hit games, except maybe Destroy All Humans and even that got ruined with the sequel. I’m guessing you can add The Deadly Tower of Monsters to that list, since its ceiling is probably “cult hit” at best. That’s a shame, because it’s one of the most clever games in years. You’ve played games like it, like Gauntlet Legends or the Dark Alliance series: a (mostly) top-down sword and gun button masher. DToM should be tired and tedious right out of the gate. However, a novel framing device immediately freshens it up and keeps things interesting from start to finish.

They have pills for dick malfunctions these days.

They have pills for dick malfunctions these days.

The idea is, you’re actually listening to a DVD audio commentary from the director of the “movie” that you’re playing. The director is a hilariously out-of-touch sexist prick with passive-aggressive disdain for every person who he’s ever worked with. The gimmick works, making this a rare example of a comedic video game where the joke doesn’t become stale before the credits roll. The B-Movie setting works too, with bad “special effects” such as clearly visible strings on cheesy enemies. The “actors” are talentless hacks that have no charisma and deliver every line without any sense of emotion. The “plot” is laughably thin and random (apes! dinosaurs! brain creatures!). The trees look plastic. Deadly Tower of Monsters was clearly made by a team with actual fondness for 50s Sci-Fi movies. And a big twist at the end of the game that I didn’t see coming at all works wonderfully.

The setting feels almost authentic, but there are a couple of things that take me out of it. The director sounds too young, for one thing. I don’t mean in terms of vocabulary, but literally he has too young sounding of a voice. I sort of wish they had hired an actual B-director like Lloyd Kaufman or Roger Corman. I mean, come on. Those guys would have taken one look at the script and asked how soon they could do it. I also wish the game had focused more on really bad stereotypes of those cheap films. Flubbed lines, actors bumping into the set, props falling over, etc. There are a couple of gags like those, but not nearly enough. Heck, even the game’s attempt at cheap stop-motion animation with some of the creatures wasn’t close to right. The movement was too fluid and not jerky enough, though I appreciated the effort. Finally, while I hate to bust on this in any game, the graphics are not really that good at all. The theme doesn’t cover-up for that either, because the issues that ruined my immersion were decidedly “video gamey” instead of failing the spirit of the B-Movie angle. UPDATE: The PS4 version has much sharper graphics and a better sense of vertigo, though at a trade-off of some minor slowdown issues that I didn’t experience on Steam.

I'll be honest: I was in need of a good fisting at this point.

I’ll be honest: I was in need of a good fisting at this point.

As for the game, it’s a lot of fun. For the most part. While combat and shooting feels button-mashy (again, it reminded me of Gauntlet Legends in feel, not quality. Because this game is fun, and Gauntlet Legends sucks), there’s a wide enough variety of weapons (both short and long distant) and upgrades to keep things relatively fresh throughout. I do wish the game had a wider variety of moves though. What’s here is certainly not perfect. Deadly Tower of Monsters often relies too much on spamming the screen with enemies, and with no block-system beyond an awful rolling move, you’ll be subjected to more cheap shots than a $5 bottle of off-brand whiskey. Meanwhile, enemies can be too spongy, upgrades can require too much trinket-collecting to unlock, I really wish you could switch between the three-characters and their different moves on the fly instead finding pods to do it in, and boss battles can drag on too long without checkpoints. There’s also an AWFUL mechanic where you have to lean on a ledge and shoot down at enemies coming at you from below. The cursor is too small, too hard to see (and I can’t imagine how colorblind gamers will be able to use it), too loose, and staying “glued” to the mode is hard because even slight movements can pull you back to the normal mode of the game. Even when it seemed like I was only moving left and right, sometimes the shooting would end and I would go back to the normal game mode. This mechanic alone was the fatal flaw that prevented Deadly Tower of Monsters from becoming a top-five game on my leaderboard. It’s clunky, it’s ill-advised, it’s frustrating when combined with enemies in “normal” view that you can’t really defend yourself against while shooting at the “ledge-enemies.” It pissed me off so bad because Deadly Tower of Monsters is really fun, but I guess it had to include it’s legally-mandated percentage of indie badness.

Hopefully nobody stopped and said “sounds like a shitty game” after that last paragraph, because Deadly Tower of Monsters is genuinely fun. One of my favorite indies ever, in fact. While the combat is nothing special, the pace of acquiring new weapons is damn near perfect, and there’s so much hidden stuff to do that it never becomes a slog to progress through. Plus, the script is very funny. It’s what I call a “snicker ‘n smirk” game because while none of the gags are roll-on-the-floor funny, the jokes hit consistently enough that the smirk and the sound of a faint snicker will never fade throughout the game. And the creativity isn’t limited to just the concept. The gameplay centers around climbing a gigantic tower. While I was disappointed by the lack of a sense of vertigo, I was very satisfied with a neato play mechanic that allows you to BASE jump from the tower and fall to the bottom. This stuff reminded me of Pilotwings 64, in a good way. It’s the Yin to the ledge-shooting’s yang, with the only sour point being the same issues with the crosshairs in the ledge-shooting are present for the free-falling. I actually might go back and jump off the tower more, just for kicks. It’s that fun.

I'm sure some humorless white-knight types will be offended by the incredibly chauvinistic commentary from the director. I hope not, but in today's environment the thin-skinned fly off the handle for any slight. Hell, I'm sure calling someone "thin-skinned" is a micro-aggression. Like, it would be "dermatology shaming" or some such bullshit.

I’m sure some humorless white-knight types will be offended by the incredibly chauvinistic commentary from the director. I hope not, since the point is he’s supposed to be out-of-touch and a relic of a long-gone era. But, in today’s environment, the thin-skinned fly off the handle for any slight. Hell, I’m sure calling someone “thin-skinned” is a micro-aggression. Like, it would be “dermatology shaming” or some such bullshit.

The Deadly Tower of Monsters now holds a rare distinction in my gaming history book: it joins Portal 1 & 2 as the only comedy-centric games that stayed funny after multiple hours. There are so many wonderful gags here that complaining about the lack of other B-movie tropes seems nit-picky. I only did it because ACE Team (the studio behind Rock of Ages, an unsung multiplayer favorite of mine) clearly has the talent to pull it off. Yea, I’m sure budget limitations played into some of the nits I picked here until they were scabby. I also didn’t get to play it with multiple players, which I think probably would have taken the sting out of some of the more annoying aspects of combat. But, make no mistake, Deadly Tower of Monsters is a damn good game. Original, inspired, and hilarious. Do you know what annoys me most? It should have been a contender for the top spot on the IGC Leaderboard, but the flaws piled up so high that it instead barely missed the top 10. Regardless, it’s worth your purchase. Ironic, isn’t it? This tribute to B-movies is an A-quality title. Now, someone get cracking on a Robot Monster game. Hey, it’s in the public domain!

headerThe Deadly Tower of Monsters was developed by ACE Team
Point of Sale: Steam, PS4

igc_approved1$9.98 (normally $14.99) said “Simon is from the 70s, not the 50s you fucking numbskulls” in the making of this review.

The Deadly Tower of Monsters is Chick-Approved and ranked on the Indie Gamer Chick Leaderboard.

Square Heroes

My apologies for this review taking forever. I haven’t felt well in the last few weeks. As it turns out, my gallbladder was causing issues, and possibly committed suicide thanks to me viewing Terminator Genisys for a second time. This is sort of a trend with me. When I was a teenager, I had my appendix removed the night after I watched the two Mortal Kombat movies back-to-back. Last night, Brian and I watched Taken 3 and I woke up this morning thankful to not be coughing up blood.

Anyway, Square Heroes. It’s an online arena-brawler/shooter that supports up to six players, or four locally. Players control squares that can move freely in all directions. At the start of the game, you’re armed only with a clubbing weapon. Enemies spawn on the map that drop coins when you kill them. Early in matches, in addition to killing opponents, you have to kill the enemies to acquire coins. The faster you collect coins, the faster you gain access to weapons. Games can be straight up death matches (by kill count or on a timer) or territorial control, with team options for both. A few of my fans said “oh goody, another Towerfall clone” when they saw screenshots of it. It’s not remotely like that. There’s no platforming. You just move around the stage. It’s also not nearly as deep, frantic, as full of options, or as fun. But hey, it has online play!

Decent enough looking game, but kind of bland in overall artistic design.

Clean enough looking game, but kind of bland in overall artistic design.

Actually, Square Heroes is decent enough for a budget online title. The team at Gnomic Studios sent over a ton of copies for me to distribute to readers to assure that I had a full slate to play with. We all had fun to varying degrees. Especially early on, when we had no concept of strategy, ammo conservation, or the power of the weapons you acquire over the course of the match. We were quick to engage each-other. Early scuffles where you use the starter weapon to club at each-other with all the desperation of freezing arctic explorer who just stumbled upon an abandoned seal pup were hugely satisfying and even a little thrilling. We all more-or-less acquired the second and third weapons at the same time. Most of the players agreed that the third gun (a sniper rifle type of deal) is too slow and clumsy to be reliable. Still, we had a few fun shootouts and everything was fine. She said as ominous music gets cued up in the background.

AND THEN, some asshole got the fourth weapon, a rocket launcher, and made an astonishing comeback when previously down by a few points. Suddenly, matches became less frantic and slowed to a crawl while players focused on gathering coins and AVOIDING combat so they could be the first player to get the balance-crushing rockets. Square Heroes, no matter what mode we played in it, degenerated into a plodding race for that fourth gun. While it never became outright boring, I missed those insane early matches. We had enough people waiting that when someone quit, a new player joined in. The newbs would briefly liven things up, until they caught on to the concept and the action slowed down. With only a few exceptions, the first player to get the rocket launcher (or grenade launcher if they leveled up enough, though I thought the rockets worked better), typically won. I wish Square Heroes had options that either locked that gun, or just made it more accessible, since the race-for-it aspect caused almost every issue I had with it.

Didn't play much of the single-player stuff, but from what I did play, the AI was pitiful.

Let it be said: in the very first match we played, I got the first kill on my friend Cyril of DefunctGames.com.

Another problem is that there’s unlockable weapons that are based on experience points. I’m spoiled by Rocket League, an online-centric multiplayer title which anyone can jump-in and play without the need to grind up experience. Granted, the second big gun you unlock (the grenade launcher) was almost unanimously declared by the players I was with to be “not as good”, but just the presence of an experience system potentially spoils the “anyone of any skill level can play” nature of the game. I’m sure the developers included this to keep players invested in the game, or to give them a reason to play through the boring single-player stuff. But really, they should have focused on refining the gameplay itself instead of throwing more weapons and items in. The thing is, all the first weapons of each type you get are perfectly fun. Even the balance-adverse rocket launcher, provided you’re the one who gets it first. Gnomic should have left these as the only weapons, and focused instead of creating more gameplay modes or making the maps more interesting. Heck, even a “run” button would have been appreciated, especially since the game degenerated into a dash for the coins and an emphasis on running away from fights instead of picking them. A digital version of Ding-Dong-Ditch perhaps.

Square Heroes certainly lays the foundation of a pretty fun online game. We all enjoyed it, which is all you can really ask for. Of course, with any online game, it’s up to whether there will be a robust lineup of players a year from now. It’s just past 1AM on a Wednesday, about a month after the game came out, and there’s enough players to get at least one match going as of right now. Will that last? Who knows. Assuming enough players are there, you’ll have fun. Not an astonishing amount of fun or anything, but enough that the $4.99 price tag doesn’t feel like too much. It could use better maps that have interactive aspects instead of just caverns and nooks to hide in. It could have used a run button. It doesn’t live up to its potential at all, but hey, fun is fun. So Huey Lewis was right: it’s hip to be square!

HEY GNOMIC!
Square 4
Square 5Square Heroes was developed by the corpse laying on newspapers in front of me.
Point of Sale: PlayStation Store, Steam
This review only covered the PS4 version.

igc_approved1$4.99 couldn’t hit the broadside of a barn with the third “sniper” style gun in the making of this review.

Square Heroes is Chick-Approved and ranked on the Indie Gamer Chick Leaderboard.

Multiple review copies were provided to Indie Gamer Chick by Gnomic Studios. The copy played by IGC was paid for out of her own pocket. For more information on this policy, read the FAQ.

Kingdom

Kingdom, the first of 2016’s challenge-reviews from Indie Game Riot (they select a game they think I’m unlikely to select for myself, I purchase and review it, and they match my purchase price as a charitable donation to the Epilepsy Foundation) is one of my favorite indies ever. It didn’t start that way though. It’s follows the recent trend of giving players very limited instructions and almost no tutorial. Because, you know, “back in the day we didn’t need no stinkin’ instructions!”

Does anyone else find it disturbing that an entire generation of gamers brags about all the books they didn't read?

Does anyone else find it disturbing that an entire generation of gamers brags about all the books they didn’t read?


The idea is you play as the ruler of what looks like an abandoned KOA who must recruit people to help you build-up and defend the land, while you ride around on a horse and look stylish while wearing your crown. At the start of the game, you’re given a handful of coins, one of which you must spend to start a campfire that becomes the center of your kingdom, two of which you’ll need to recruit the first two guys at the camp you seemingly commandeer from them, and the rest you’ll spend assigning them their jobs. There’s only two available jobs at the start: builder and archer. Archers (poorly) hunt animals during the day to nab you coins, and (poorly) defend you from monsters at night. Builders (slowly) construct stuff for you. What kind of stuff? You have to figure that out on your own. The stuff you can assign them to build has no label identifying what it will eventually be. It’s mostly defensive in nature, but still, it assures that you’ll spend your money unwisely and die quickly your first few go-arounds.

You recruit people by throwing coins at their feet like street urchins.

You recruit people by throwing coins at their feet like street urchins. I find this comical for some reason.

I’ll never understand the “figure it out” mentality of some developers. I think the idea is supposed to be “tutorials are boring.” Yea, they can be, but so can aimlessly wandering. Solving the tutorial problem by such an extreme measure as not having one at all seems a bit drastic. Not to mention you might fail to hook people outside of your target audience. Like me. Imagine if you could spring one person from North Korea, and then give them $2 to buy one of our delicious American soft drinks. But then you unleash them in the soda aisle and give them no clue what are the good ones and what are the bad ones. You run the risk, even likelihood, that they’ll select something disgusting like a Dr. Pepper and be soured on carbonated drinks forever. I was hoping Steam starting a refund program would slow down the volume of them, since most gamers don’t have the patience I do when it comes to games like this. Sadly, it hasn’t. I would be curious what the refund rate is for Kingdom. That opening hour can be pretty demoralizing, and actually, really boring too. The only games that should have players repeatedly mumbling “oh, I get it” are puzzlers. Kingdom is a world builder/strategy/roguelike without the faintest hint of puzzles.

For what it’s worth, once you figure stuff out, the game genuinely is exhilarating. Not the “ta-da” moments where you figure shit out. There’s really nothing all that fun about that. But, once you get going and you start making progress, every extra day you survive is cause for celebration. I settled for starting with two archers, using the first coins they nabbed me to recruit a builder (you find more people at campgrounds), and spending everything else on the first two basic defensive walls. From this point, I fell into a good rhythm and went from only making it to day five to making it to day ten, upgrading my home base a few times, building a decent army, and having a sprawling land that is actually too big for anyone to reasonably expect to maintain on their own. Given the frankly so-absurd-it’s-practically-sarcastic difficulty spike that happens every fifth day when a blood moon causes a large army of monsters to attack, I was fairly proud of myself.

Kingdom’s main problem is that those spikes in difficulty completely throw the pacing out the window. They’re not remotely balanced or fair. Intentionally so, as it turns out. The trailer for the game is centered around its extreme difficulty, how little progress you’ll make, and how often you’ll die. It’s one of the worst trailers for a good game I’ve seen. It turned off at least one friend who I raved about Kingdom to, because it’s about as inviting as a fence made out of urine-soaked barbed wire and rabid rottweilers.

That’s one thing even the smartest developers, indie or otherwise, fail to grasp. In games where you die a lot, the dying part isn’t what’s fun. It’s surviving that keeps players coming back. Take my best run thus far. I finally made it to the dreaded day fifteen, which I had been warned was a roadblock for many people who were satisfied with Kingdom, but not in a happy-glowly kind of way. I had never made it that far before, but I had poured my resources into a defensive strategy AND had buffed-up my archers. Additionally, I had a large bag of coins and I knew that if you drop the coins, any enemies who pick them up leave the current raid. I was ready.

Ha.

Yea, I got FUBARed something good, losing roughly 80% of my total resources. Most players told me they would just quit and start over when this happens. Me? I’m no quitter. I persevered. Low and behold, I not only survived, but by day 18, I was actually in better shape than I was before I lost almost everything. “Bring it!” was my motto. Which the monsters did. On day 20. This time, they were flying. I was so not ready to fight flying things. Eventually, every person I had was dead and all that was left was me getting my crown knocked off, which is half of the fail-condition for the game, the other half being if one of the monsters picks up the crown. But, I kept recovering the crown just enough that the sun started to rise and I finally completed level 20, earning an achievement and literally dying a second later.

It was fucking awesome.

I avoid talking about graphics for the most part at IGC, but I should point out that, as far as this particular style of pixel-art goes, I think it's in the top tier. I only wish the characters & enemies were slightly larger and more distinct looking, but otherwise, top notch atmosphere and effects. See, I can be nice.

I avoid talking about graphics for the most part at IGC, but I should point out that, as far as this particular style of pixel-art goes, I think it’s in the top-tier. I only wish the characters and enemies were slightly larger and more distinct looking, but otherwise, top-notch atmosphere and effects. See, I can be nice.

The good stuff is really good. Once you figure it out, at least. Another problem with the lack of explanations is you could be having a killer run only to stumble upon something new that costs coins. Since you don’t know the effect of the new thing, it’s a gamble on whether you’ll benefit immediately or if it’s something you shouldn’t invest in at the stage you’re at. This is a roguelike. Making the wrong guess (and really, it is a guess,) could cost you hours of playtime investment. I found something that looked like a fancy outhouse and couldn’t resist the temptation to put money in it. Honestly I’m not sure what benefit I got out of it, but the result was my run went to crap. Which, in retrospect, I should have anticipated.

Kingdom frustrates me, but not in the way it wants to. It’s so intentionally unintuitive and unfair that it’s practically pretentious. But, despite that, it’s a really fun game. I mean, I’m going to get back to playing it some more as soon as I finish typing this. In fact, as of this writing, it’s one of the ten best indie games I’ve ever played. You don’t have to be good at it to enjoy it. I’m not. That’s why I’m so annoyed. Because I love spreading the word on understated, unsung indie gems. As someone who isn’t a fan of games that take joy in high body counts or throwing players in the deep end on their first day of swimming lessons, Kingdom was not a game made for me at all. And I love it. For all the muck I just raked up, every moment past the first hour or so had me dazzled AND on the edge of my seat. Amazing. Imagine what it could have been if it found a healthy middle ground. Maybe adjustable difficulties, or an optional tutorial that could be skipped by the type of sadomasochistic dweebs who get off on stuff like this. “Oh yesssss, I’ve been a naughty, naughty little twat. Whip me more you sexily aggravating game.”

headerKingdom was developed by Noio and Licorice
Point of Sale: Steam

igc_approved1$9.99 wants to know when someone will port the board game Key to the Kingdom to digital form in the making of this review?

Kingdom is Chick-approved and ranked on the Indie Gamer Chick Leaderboard.

Thanks to Patrick Scott Patterson and his Video Game Media Archive for the instruction book pic.

Kill the Plumber

Kill the Plumber is the latest “turn the tables” game. Turn the tables is typically a smoke and mirrors genre in the sense that it’s really just the same kind of games you’ve played before and only gives the illusion that they do something different. Take Default Dan, which appears to twist the Mario platforming formula by doing things like making coins and items kill you, while making enemies and spikes help you. In reality, it  just reskins the formula, changing nothing but the appearance. A moderately skilled ROM hacker could do the same thing to Super Mario Bros. on the NES, swapping the mushrooms with the goombas, or the coins with stationary fireballs. It would still be Super Mario Bros, a perfectly fine game, but the novelty would wear off quick. That’s why Default Dan was just alright as a game. Once you got past the novelty of good = bad and bad = good, the game had to stand on its own, and in the sense, it was just okay. Of course, in game reviews, people associate “just okay” with “likely to resurrect Hitler.” You guys do realize it’s okay to be okay, right?

It looks the part, no question about that.

Kill the Plumber: the name of this game, not Sega’s unofficial corporate slogan circa 1991.

Kill the Plumber genuinely does turn the tables, in the sense that you control the bad guys and legitimately do attack Not-Mario like enemies in real Mario game do. It still feels more like it’s done for novelty value than being a truly inspired concept, but at least the foundation is set properly. Unfortunately, everything past that crumbles once the game starts.

Say it with me, everyone: controls. Having good play control will not make your game, but having bad control will almost certainly break it. The controls for Kill the Plumber are atrocious. All movement feels like you’re underwater. Even worse, the controls can be very unresponsive. This becomes especially annoying with levels where you have less than one second at the start of the stage to begin moving. Like this one:

I should also note that, because the screen flashes white when you die, and because you will die instantly on this stage and immediately restart, I had to have someone else complete it for me because of epilepsy risks. I quit shortly thereafter. If no effort was made to make the game good, I don't really feel the need to suffer through it.

I should also note that, because the screen flashes white when you die, and because you will die instantly on this stage and immediately restart, I had to have someone else complete it for me because of epilepsy risks. That this could happen again was enough of a worry for me that I decided to walk away before finishing it. No regrets for that, it’s awful and kept getting worse. Thankfully, there’s a cheat code (type “warpzone” on the title screen) that unlocks all the levels, so that I could sample later stages and see if they got better. For the most part, they didn’t.

(For those who played my Mario Maker stages, I’m perfectly aware of the hypocrisy.)

You will die in just under one second if you don’t move to the correct spot immediately at the start of this stage, and that’s BEFORE you take the sluggish response into account. How sluggish? You can PAUSE THE GAME and the response time to that is slow enough that not-Mario can still be moving while the game is in the process of pausing, leading to you getting killed while the pause menu fades into existence. Holiest of all shits, that’s inexcusably bad design. This is hardly the only level with this problem, too. “Think fast” is a great mindset for a punisher like 1001 Spikes, but for a game that feels more like a puzzler submerged in liquid nitrogen, it just makes the whole thing boring.

The final boss fight (where you control the boss) is remarkable: the gravity is too heavy while the jumping is too light AT THE SAME TIME!

The final boss fight (where you control the boss) is remarkable: the gravity is too heavy while the jumping is too light AT THE SAME TIME! Credit where it’s due: Kill the Plumber kept coming up with new ways to annoy me.

Which is not to say Kill the Plumber does nothing right. Again, this is a genuine reversal of roles. Playing as not-Mario baddies who behave reasonably close to their real counterparts isn’t the worst idea a game has ever had. The concept is eye-catching and serves it purpose: you see it, you want to play it just based on the premise. That’s why I’m so frustrated with it. It’s sold brilliantly, but the execution misses in every way a game can. Awful control, some of the worst I’ve experienced for a game like this. Incredibly irritating levels of unfairness. Even the scoring system seems clumsy, and because of the tedious gameplay speed, you probably won’t want to replay stages to go for three-stars. The levels are short enough that it could be an enjoyable quick’n’quirk experience. Instead, it’s just a slog. There’s nothing wrong with Kill the Plumber that couldn’t have been fixed with more time and care, but as it stands, I really hated this game. Kill it indeed. Kill it with fire.

headerKill the Plumber was developed by Keybol
Point of Sale: Steam
Also available to play for free on Newgrounds

$3.99 (normally $4.99) said “too late, it’s already dead” in the making of this review.

SteamWorld Heist

SteamWorld Heist is the long-awaited fourth entry in the Ocean’s Eleven movie series. This time, George Clooney’s ragtag group of professional thieves break into Valve’s headquarters to steal Gabe Newell’s tankers full of bacon grease. Okay, so the actual story is a ragtag group of space robots looting other space robots, but really, the first idea needs to happen.

I’ll give this to Image & Form: they have balls. Big, huge, brass balls that go “clank clank clank” like you’re listening to James Harden practice 3-pointers. SteamWorld Heist is not a sequel to their critically acclaimed mining time sink SteamWorld Dig. It’s a completely different style of game, with a new set of characters and new gameplay mechanics. It’s set in the same universe and features a quirky cast of sassy robots, with the same graphics style and same smooth play controls. Once again, if I played the game in a vacuum with no knowledge of indie gaming and was asked “who made this?” I would have guessed Nintendo without hesitation. The guys at Image & Form are very, very good. And this time around, they took even more care (this from an indie developer who has imposed a strict “no releasing games needing patches” policy) to provide a longer, more layered and complex experience.

Huge thanks to Image & Form for only providing screenshots with QR codes, branding, and the duel screen stuff. We wouldn't want anyone to get a good view of what the game looks like, would we?

Huge thanks to Image & Form for only providing screenshots with QR codes, branding, and the full view of the 3DS. We wouldn’t want anyone to get a good view of what the game looks like or be able to tell what’s going on, would we? At least this picture has the robot I nicknamed “Ron Howard” on the right.

So why didn’t I like Heist as much as Dig?

Before I continue, I should note that SteamWorld Heist is one of the best indies of 2015 and goes far to stake SteamWorld’s claim to the most unsung awesome indie franchise award. Heist stands on its own as a good game, and if I had never played Dig, I wouldn’t be so weirded out by the radical departure Heist makes from the established formula.

But weirded out I am. Because SteamWorld Dig was a relatively fast-paced title that took the time sink formula of XBLIG top-seller Miner Dig Deep and gave it a point. SteamWorld Heist, on the other hand, is a turned-base real-time action strategy game, or TBRTASG for short. Which is both a crappy acronym and a mediocre opening rack to have in Scrabble, with GRABS, GARBS, and BRAGS being the best words you can make on your opening turn, none of which are really that good. Turn-based games are inherently slower and more methodical, so I wasn’t expecting the kind of thrills I got from Dig. Actually, I’m impressed that Heist lends itself so well to playing on 3DS. Turns go by relatively quickly and stages are short enough that if you only have 10 minutes to kill, you could probably knock out any stage in the game with time to spare. The action revolves around how you aim and fire weapons yourself, giving the game an almost Worms-like feel to it. In fact, I hope Image & From is planning a versus mode for Heist when it hits consoles. It would be like Transformers, only you can tell the robots apart.

Having said all that, being fast-paced for a turn-based game is still relatively slow. The more deliberate pace can be exhausting. Whereas I had trouble putting Dig down, I could only do one-hour sessions of Heist before pretty much any other activity seemed at least 10% more appealing, and I needed a break. Even the promise of opening up new characters, weapons, and upgrades wasn’t enough to give it that “just a little bit further” quality that makes some games so memorable and successful. Like Dig, the story didn’t really stick with me at all. In fact, taking the game from the old west setting and sending it into space comes dangerously close to jumping the shark, and the characters are all of the cookie-cutter “lowest common denominator” variety. Probably great for both little kids and their child brains and also Nintendo fans whose brains are merely stuck in child mode. I kid.

I, of course, am NOT a little kid. Which is why I would never give up on a boss for being too difficult and change the setting to "easy". I swear. STOP LOOKING AT ME WITH THOSE ACCUSING EYES!

I, of course, am NOT a little kid. Which is why I would never give up on a boss for being too difficult and change the setting to “easy”. I swear. STOP LOOKING AT ME WITH THOSE ACCUSING EYES!

Actually, I don’t know if SteamWorld Heist would hold your average kid’s attention. I had a couple of kids who played Dig and liked it a lot give Heist a whirl. It didn’t hold their interest at all, with one outright calling it boring. He’s wrong (and got a lump of coal from me for Christmas, serves him right), it’s certainly not boring, but I can’t stress enough that fans of SteamWorld Dig are by no means certain to love Heist. Whereas I think Dig could have appealed even to gamers who are not fans of the mining genre (which is a rarity given the blind hatred directed at those), I don’t think Heist would be as welcome to people who shy away from turn-based games of any type. Maybe I’m wrong, but that’s what my gut tells me, and my gut never steers me wrong. It also never fails to remind me when I ignore it, especially when we eat Mexican.

From a gameplay perspective, Heist is a very solid game, and the shooting mechanics are hugely satisfying. Again, think Worms in terms of how damn good it feels to hit those last-chance desperation shots that ricochet a couple of times and manage to find their mark. Heist is full of moments like that, those “I can’t believe I made that shot!” moments that make games like this worth playing. There’s even an incentive to come close but miss, in the form of collectible hats you can shoot off enemy heads that I can already visualize the achievements attached to when this hits consoles. It kind of makes bitter that I played this on achievementless 3DS, since I shot more hats off than failed Abraham Lincoln assassins. And the huge variety of weapons and characters assures that the firefights themselves never become boring. As far as action gameplay in turn-based games go, Heist ranks near the top.

Someone call for a sponge, because Cathy's chair needs another clean-up.

Someone call for a sponge, because Cathy’s chair needs another clean-up.

But, I had a lot of complaints. I don’t like how movement and moves are represented. Instead of using a grid, the game draws color-coated lines (which will probably earn Image & Form the ire of colorblind gamers) to show the maximum distance you can move on a turn, or the maximum distance you can move while still being able to fire a weapon. That works fine for the turn you’re currently on, but I never got a good enough feel for movement, even after 20+ hours, to be able to plan the next few turns out. Since movement stats can change depending on your characters and what you equip them with, stronger on-screen visuals showing spacing would have made the game so much smoother. I can’t help but wonder if Image & Form avoided having a grid because they didn’t want the slower, dorkier stigma grids bring with them. Heist is certainly aimed at all ages, but kids might associate grids with math class or something.

My biggest complaint by far is how bland the levels are. I’m guessing this is mostly due to the levels being procedurally generated. Yes, the system put in place sets limits on how the levels can be laid out, assuring that certain things are in certain spots no matter what, and it’s commendable when a developer creates a really good random generator. As opposed to when they don’t. But, when you rely on randomness, you lose an elegance of design. The action in Heist would lend itself beautifully to levels designed around combos and making the movements and the actions puzzle/logic based. But, because randomness determines a good portion of where enemies are located, where loot is located, etc, you lose that higher-intelligence that I still feel can only be done by human hands. Some games are simply more suited for randomness. Spelunky was. Downwell was. Hell, even SteamWorld Dig was. Heist I don’t feel is. The irony of procedural generation has always been that, because of the limits you need to impose on it to make it work, it ultimately makes all levels feel kind of samey. Which seems to go against the point of making levels random in the first place.

Oh, and by the way Image & Form, I respect the shit out of you guys but you can’t advertise a game as being randomly generated..
Steamworld 1

And then immediately back off that and say “no no, they’re really handmade! Sorta!” when someone like me complains that randomly generated stages are a detriment to a game’s potential.

Steamworld 2Which didn’t really bother me. It just made me laugh, in the same way a desperate used-car salesman says “no no, you don’t understand, it’s supposed to make that horrible noise.”

Of course, the real reason for procedural generation is that with it, you can claim “endless gameplay” and “never the same game twice”, padding out a game’s “replay” and giving gamers “more value for their money.” Wrong, wrong, wrong, WRONG!! Because Heist does no such thing. The story unfolds the same, and replay is tied directly to a game’s adjustable difficulty that rewards you for playing on hard, not whether the levels are the same each time you play them or not. Frankly, I didn’t realize the levels were changing during runs where I shot poorly, died, and had to restart. It’s not like Spelunky, where I can say “oh neat, the shop is right by the start of stage 2. That totally makes up for the fact that the damsel was behind seven fucking bombs worth of rock in stage 1!” I’ll take fifty amazing, intelligent levels over endless ones that are good at best, and bland at worst.

The problem is there’s an expectation on how much game a certain amount of money should get you. SteamWorld Heist is $20, and many gamers feel that for that price tag, you should get 40 hours worth of gameplay. But I paid $15 for Journey and got four hours out of it, and it was four of the best hours I had playing a video game. Strip out the random levels and SteamWorld Heist would have been good for 10 to 15 hours, easily. I put over twenty in it. As it is, it’s really fun, but I feel the ceiling was lowered because instead of giving us the best levels human beings can make, Image & Form took a lot of care and effort to create a system that can make the best levels a soulless computer can make. You can get away with that if you’re a fast-paced, white-knuckle score-a-thon, but not something like this. If not for the fact that the action is hugely satisfying, the variety of weapons are so fun, and the game has more charm than nearly any other indie franchise, I think people would remember this as a letdown. I loved SteamWorld Heist. It’s in my top-fifty as of this writing. I just know the potential was here to like it more, and I didn’t. Which is a shame. Then I could have ended this review with a cheesy line like “the only Heist involved stealing my heart.”

Which I just figured out a way to do anyway. HA!

SteamWorld logoSteamWorld Heist was developed by Image & Form
Point of Sale: 3DS eShop

igc_approved1$16.99 (Launch Price, normally $19.99) noted the irony that I negatively compared Heist’s attempt at doing random levels to better examples like Spelunky and Downwell, yet SteamWorld Heist outranks both of them on the Indie Gamer Chick Leaderboard in the making of this review.

A review copy of SteamWorld Heist was provided to Indie Gamer Chick. All games reviewed at IndieGamerChick.com are paid for in full by Cathy. On December 11, 2016, a full copy was purchased. For more on this policy, check out the FAQ.

SteamWorld Heist is chick-approved and ranked on the Indie Gamer Chick Leaderboard.

Zero Punctuation: Hatfall – Hatters Gonna Hat Edition

Two game critics were important inspirations for me when I started Indie Gamer Chick. One was Jim Sterling, whom I became friends with when he stumbled upon my Indie Ego editorial. The other was Yahtzee Croshaw, who is playing hard to get. I found both of them to be insightful, uncompromising, and hilarious. I hold both in high esteem. They’re what a game critic should be: informative but entertaining, and just egotistical enough to be adorable without obnoxiousness.

Someone pass me the vaseline.

Really adorable. Someone pass me the vaseline.

Both also moonlight in game development itself. Jim is a critically acclaimed voice actor. Yahtzee has made a series of free-to-play indies that inspired his Yahtzee persona. Given that I just reviewed a game Jim acted in, the hugely disappointing Volume, I figured I should check out my other idol’s work. Low and behold, he just happened to have two games release on Steam. One of them is a survival horror game, a genre typically as compatible with my epilepsy as a housefly is with a rolled up copy of the New York Times. So I chose Hatfall, the Zero Punctuation-based game. It’s actually a mobile game converted to Steam with a few upgrades. Which actually makes me wonder how dull the mobile version must be. Butter knife dull? David Attenborough documentary on the history of butter knives dull? BluRay special edition audio commentary on the David Attenborough documentary on the history of butter knives with special guest Ben Stein dull?

The core game is you move left and right catching hats one at a time. The further you make it, the more stick-figure lookalikes crowd the screen, forcing you to quickly figure out which one is you before the hat hits the ground. Sometimes the game also drops deadly projectiles in addition to hats, and it takes a little bit of practice to be able to tell the difference. Stages fly by quickly, eventually spawning a wizard event that has an additional effects challenge that earns you a present if you complete it. Presents open up mini-games. And that’s about it.

You'll want to play this minigame over and over again when you're trying to slay the evil hat God. Or just don't buy the game. Because it sucks.

You’ll want to play this minigame over and over again when you’re trying to slay the evil hat God. Or just don’t buy the game. Because it sucks.

Call me crazy, but I sort of figured a game based on Zero Punctuation would be more satirical of gaming. I also figured it would involve some sort of fast-talking commentary by Yahtzee himself. But nope, there’s none. My family was elated. “Oh, so we won’t have to hear that awful man’s voice that sounds like the Micro Machine Man did twenty years in the Tower of London for doing terrible things with cattle? Oh um, what a shame, Cathy” they said while high-fiving each-other between toasts of champagne. In fact, I’m pretty sure the only voice overs from Yahtzee are two words. Sometimes he says “WRONG!” and other times he says “noooice!” That’s it, unless I missed something. The running gag of misspelled words in the background continues from his reviews, but none of them are funny without the context of his commentary. All the humor is limited to the minigames, which have a couple of laugh-out-loud gags in them, especially one based around insurance fraud. Maybe because of the Zero Punctuation title I was expecting a more scathing and self-aware satire on games and gaming culture, like the Beginners Guide if it was narrated by a fast-talking, British-born Australian psychopath. Hatfall is just sort of lazy. This feels like a game Yahtzee would shit on himself if he hadn’t made it.

Hey look, an almost satire on one niche aspect of the gaming scene: anime dating sims. Except that scene is such a parody onto itself that it's really not funny here.

Hey look, an almost satire on one niche aspect of the gaming scene: anime dating sims. That’s topical, right? Except that scene is such a parody onto itself that it’s really not funny here.

Worst of all is the game isn’t remotely fun to play. Progress is slow. Items are too expensive. Scoring is low and grindy. There’s a multiplier you get at random from the wizard that could either double the points you get the next game or earn you another life during your next round. These only serve to make every round you play without those items feel like a slow waste of your time. You have to go to the game’s achievement page in Steam to view leaderboards (I currently rank #30 globally, which as far as embarrassing achievements go ranks up there with the time I watched the entire season of Power Rangers Samurai without getting up to use the bathroom). This is a shitty, shitty game. One that is occasionally funny, but not funny enough (especially when the awful Rondo stuff starts) to justify spending real money on it. There’s an old saying: never meet your heroes. For aspiring game critics, add to that “and especially never play your heroes’ games. Ever.” Well fuck, so much for the wedding. We could have made beautiful, horrible children together, Yahtzee.

Zero logoZero Punctuation: Hatfall – Hatters Gonna Hat Edition was developed by this asshole.
Point of Sale: Steam

$3.99 (normally $4.99) asked why, if he could make looking at Mega Man cover art so funny I nearly choked on my own tears, how come he couldn’t make this funny in the making of this review?

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