Jaws Retro Edition (Review)

February 15, 2026 by Indie Gamer Chick 1 Comment

Jaws Retro Edition
Platforms: Nintendo Switch, PlayStation, PC
Released February 13, 2026
Authorized Nintendo Entertainment System ROM Hack
Originally Developed by Westone
“Enhanced Edition” Designed by Jeremy Parish
Published by Limited Run Games
$14.99 jumped the shark in the making of this review.
This review was played on a Nintendo Switch 2

This is really just a review of Jaws: Enhanced Edition, the ROM hack included in Jaws Retro Edition alongside the original game. Make sure to read my original review of Jaws for the NES. That game is included in this package and all the reasons why I awarded it a YES! are unchanged. I played one quick round. It was still okay. There is one small quality-of-life update to the original game: you can now pick-up seashells on the edges of the screen. Well, at least you can as the diver. Still can’t with the sub. Before I get to the review of the new game, let’s talk about the emulator.

Since this isn’t EXACTLY a retro collection despite having two games, I’m going to do a quick summary of the Special Features in this caption. Please note the lack of LJN logos or branding in the special features. You get a heavily censored ad, box art (no Nintendo seal of quality, either), the original instruction book, plus a jukebox with all the music and sound effects. There’s also a CRT filter and three different borders (four if you count no border at all) and three aspect ratios. Pretty basic set of extras. Nothing to write home about, but I’m happy what’s here is here.

Jaws Retro Edition features a solid emulator with one damning omission. It gets the job done with a clean menu that offers a single save state file per game (two games total: Jaws and Jaws: Enhanced Edition) and plenty of rewind buffer. BUT, it’s missing a couple very important gems to be a true Infinity Gauntlet of Emulation. In fact, it might be missing the single most important feature of them all: button remapping. Oof. Remapping isn’t just an emulation feature but an important accessibility option. Were I to treat this the same way I would review a retro collection, I would stiffly penalize the entire set for it, probably awarding half the maximum value since button remapping is required for players to comfortably connect to the game on their terms.

I think it’s great that they included a warning to do the saving manually. Even Digital Eclipse missed that.

There’s also no quick save or quick load, which I prefer to menu-based save states features. Quick save/load is often missing in most collections so I’m used to it, and there’s also no jump-in full gameplay videos. Given the random nature of Jaws, I didn’t expect it and don’t miss it. Finally, because of how Enhanced Edition is designed where getting automatic fire is an upgrade you have to purchase, they had to not include autofire as an emulation option by necessity. I don’t like that. To me, autofire is an accessibility feature, not a gameplay feature, especially in a game like Jaws that requires so much nonstop shooting at times. But overall the emulator does a good enough job to not ruin the game, and really I guess that’s all I should hope for. Now, with all of that out of the way, the real reason to buy Jaws Retro Edition is that the original 1987 NES game has been reworked and expanded. The included ROM hack, Jaws: Enhanced Edition, is one the greatest ROM hacks of all-time.

Very cool.

Jaws: Enhanced Edition was designed by the man I consider gaming’s most underrated personality and my personal favorite gaming content creator: Jeremy Parish. I even made my own NES Works playlist. I mean I sort of had to since, for whatever reason, he included the intolerable Athena soundtrack in the chronological playlist, even though it makes no f*cking sense because it’s not content HE made and offers none of the history lessons people presumably subscribe to his channel for. It’s just….. noise. Horrible, horrible noise generated from one of the worst video games ever made. I’m already someone who, to the annoyance of my readers, plays most games muted or with the volume very low. I would never listen to an NES soundtrack for fun, even the ones I like. But history lessons on games? I love those, and Parish does some damn insightful ones, always providing the background of games in ways that are entertaining and forthright. He’s a historian who has, gasp, opinions. As a holder of many opinions, I like that. Hell, we both felt Jaws was very Atari-like in its design, and now I’m honestly wondering if I came to that realization on my own or my brain absorbed it from his video. If you’ve never seen NES Works, here’s his Jaws/Karate Kid video. We certainly disagree about Karate Kid. Oh, it’s bad and I gave it a NO! because I’m not insane, but I think it could have gone down as a solid game with some minor fine tuning, while he considered it one of the worst NES games up to that point. Oh come on, it’s not THAT bad, Jeremy.

Anyway, the Athena soundtrack story, and it’s a true story: years ago, I was in a nice, deep sleep during a week when I was green with the flu. I was so sick that it was a tiny miracle that I’d been lulled to sleep by the scholarly voice of Mr. Parish providing detailed histories of early NES games. And then, all of a sudden, I discovered that, if I’m startled badly enough, I’m capable of leaping four feet into the air from a laying-down position using only my ass. I learned this about myself when the soundtrack to Athena BLARED through my bedroom, seemingly fifty f*cking times louder than any of the other videos in the playlist. So I must like his work because, instead of never watching his channel ever again, I made and maintained my own NES Works playlist that’s basically the same as his, minus that Athena clip. Something HE SHOULD DO HIMSELF! By the way Jeremy, I hold grudges and I’m vindictive, and I will get my revenge. Oh yes. You’ll be nice and asleep when all of a sudden your home will be surrounded by speakers blasting Athena’s soundtrack so loud that it will liquefy your organs. I’ll wait for him to finish NES Works first, of course. I’m not going to ruin it for everyone else. I’m not a monster. Maybe now that he turned Jaws from an okay game into a pretty damn good one, I’ll just blast the soundtrack enough to get a tiny trickle of blood out of his ears.

Actually I quit maintaining the playlist and stopped listening to YouTube when I sleep. Burned too many times by volume issues. I’ll stick with Audible. BUT, I would go back to NES Works as something to fall asleep to if he pulled that Athena soundtrack from his playlist (since I’m like 60+ videos behind). Jaws: Enhanced Edition? That’s a good idea. A bad idea is inserting an obnoxiously loud (and bad) soundtrack for a terrible game into a playlist that has no other soundtracks. As far as I can tell, the only soundtrack in that playlist of 228 videos and counting is that one, and there’s no way to opt out of it. You have to make your own. It would be like if you threw on a Ken Burns’ Vietnam documentary marathon and, after a couple episodes, the marathon was interrupted for twenty minutes of machine gun noises and screaming. Then again, I would never want to go to sleep listening to anything by Ken Burns. I would (and did) for Jeremy Parish. Alas.

So what’s new with the “Enhanced Edition” of Jaws? Well first I want to stress that you should set your expectations accordingly. This is not a complete tear-down and rebuild like Deadpool did with Ninja Gaiden. This is an Iron Chef effort that utilized only the available ingredients. Jeremy Parish took the original 1987 Jaws and stretched out a game that could be beaten in thirty minutes into one that has a much, much meatier action. Instead of just playing until you kill Jaws, you now kill Jaws four times because the game now is divided into four segments, one for each movie (I’m kind of surprised he didn’t include a satire where Jaws wears sunglasses and smokes a stogie). Instead of just upgrading your attack power, you now have to upgrade your attack power, your speed, and your health, along with collecting other items. At the start of each segment, all your upgrades are lost and you must start over from scratch, with the only carry-over being the money you earned. And there’s a hard cap on the max money you can earn that increases with each chapter to prevent you from screw grinding on easier stages. Upgrades are no longer automatically done when you pull into the port. You can select and buy them manually and create your own strategy. It works SO good, too.

Jaws: Enhanced Edition (2026)

Don’t worry about the resetting between each level part, either. Even with that, Jaws: Enhanced Edition remains a fast-paced action game. The seashells are still the currency, but now there’s two types of them. As I noted above, you can upgrade your health. Jaws: Enhanced Edition is no longer a one-hit-death game. You can build up life, and if you take damage, enemies might drop red seashells that restore a tiny bit of health. Also, those float to the top of the playfield while the money sinks to the body. Hey, risk/reward factors. Very cool. Meanwhile money seashells award different values of cash depending on the type of enemy you killed for them. The system Jeremy created here is really well done, making the combat more incentivized than ever before. I was a little worried about the speed upgrade, but it never becomes so fast that it’s out of control. He did a great job. Same with the attack power, which no longer applies only to Jaws. Every enemy’s health is accounted for with your attack power. Basic enemies can start out taking so many hits that they get their own on-screen life bars now and will level-up too via palette swapping. With each new level comes new attack patterns and faster enemy speeds. While the early enemies and the ways they try to kill you will be familiar to fans of the original NES game, all creatures eventually become legitimate threats.

No more invisible random encounters. You now see the enemies on the map, Zelda II style. Eventually you’ll get an item that even shows you the primary enemy type in the combat scenario (as seen in this screenshot), including the blinking ones that fetch quests require. Later still, you’ll get an item that freezes enemies so they don’t move about (excluding Jaws, of course). I do have one complaint: you can also see and pick up health refills and money using these items. I thought that screwed-up the risk/reward factors. Especially the health refills. Why pay $1,000 at the shop when I can just sail around and find health shells just laying around? Or if I need a little more money (which was rare by that point) why would I risk the combat when I can get it on the surface? His heart was in the right place because it removes some end-of-stage grinding, but, I mean, come on! It’s Jaws. The entire game is grinding. It’s an idea that should never have made it past play-testing.

There’s brand new enemies in the game as well, which is especially impressive because I’m pretty sure there’s no new sprites in Jaws: Enhanced Edition. Or if there is, they’re so small and insignificant that they don’t really make a difference. What Jeremy did instead was take existing sprites that were previously used as items and turned them into enemies. The stars and crabs are now antagonists that provided a much bigger challenge than the rays or even the jellyfish because he managed to give them some pretty clever attack patterns. The starfish multiply like sea bunnies and the crabs spit bubbles at you that, if you get caught in one, you can’t shoot for several seconds. Perhaps too long, actually, as I found them to be so dangerous (especially in the fourth level) that I had to fight them very conservatively. The returning enemies are beefed up with new movement and attack styles as well. The rays will eventually have a curve to their trajectory, the jellyfish float up and down and even jump out of the water, and the baby sharks (and yes, Jaws as well) can turn around instead of making a full screen pass. That causes them to cluster, but it works.

In the first couple levels, you get to actually land shots on the big fella BEFORE he reaches the boat. In levels 3 and especially level 4, don’t expect it. Still, it’s such a subtle little change. All Jeremy did was move Jaws a little bit down and then have him make one pass across the screen so you actually have room to shoot him a little. But this tiny change yields so much satisfaction. I really hope he’s proud of his effort. He did very good with the tools he had.

And then there’s Jaws himself. George Lucas would be proud because he becomes faster and more intense as the game goes along. Upgrading your attack power is not enough. You have to find the special items that allow you to kill him. The game will tell you how to find these things, which usually involves slaying specific forms of basic enemies that flash (you can think of them as mini-bosses) and/or retrieving special items from a map, including the submarine in levels three and four. The bonus stages with the airplane are removed from the first three levels, and in the fourth level it’s now a special challenge that requires you to hit twenty-one jellyfish. After doing this, you can then pay extra to attack Jaws with the airplane. By the way, I never knew you could slow down or speed up the airplane in the original NES game until I started Jaws Retro Edition and found out while searching for button remapping. Huh. I was already pretty good at the bonus round too. Once I knew about the speed control, I…….. actually couldn’t hit anything anymore because it totally f*cked up my muscle memory. So thanks for that, Jaws: Retro Edition, you bastard.

“Bitch, you’re bombing me from the sky now? I can’t go up there. Not cool.” You have to pay $5,000 for 30 seconds of bombing Jaws, but by the time you get to this point, you should be out of things to upgrade and this is the only thing left that costs money. None of the fetch quests cost actual cash, which might have been a mistake since, despite all the new upgrades, it doesn’t take long to max everything out (four times over, nonetheless). At this point, you might as well just bomb the sh*t out of Jaws. The only catch is you can’t score the killing blow on Jaws from the sky, and he’ll get two bars of health back when you finish anyway. You have to be in the water when you drain those off to enter the final kill sequence.

My biggest knock against this new version of Jaws, by far, is how spongy even the basic enemies get in the third and fourth levels. Another new option added to this game is you can abandon any random encounter that doesn’t include Jaws himself and return to the boat without any penalty. In the fourth level, I had to do that several times while I built-up my attack power and speed because enemies were sucking up bullets on nearly the same level (or hell, maybe even higher) than Jaws himself did in the original game. And mind you, I had the max amount of money when I started level four and poured all of it into attack power AND bought the double shot (the only level you can buy it). Every enemy was still a complete bullet sponge even after I maxed out attack power. It wasn’t until I got the submarine and the weapons upgrades in the stage that it didn’t feel like I was trying to take down enemies with spitballs. I certainly spent a little time questioning whether Jeremy took things too far with the enemy health. The first three levels were some of the best NES gaming I ever played. The fourth level is skinny dipping in an ocean of frustration, at least at the start of it.

Since Jaws basically requires everything to be manually unlocked in each level, the fourth stage started very slowly. Autofire? You have to earn it. Being able to shoot more than one bullet at a time? Earn it. You’ll feel the difference, too.

Thankfully, in three out of the four levels, the sponginess of enemies doesn’t take that long to overcome. Money drops are generous, and despite how much stuff needs upgrading, it still goes fast. In total, I needed just about five-and-a-half hours to beat the entire four level experience of Jaws: Enhanced Edition, and all of it was spent having some degree of fun. I normally play games as short as this twice, but my hands were, no joke, legitimately aching from all the sections before I bought the autofire. Again, you have to buy it four times total. The other problems caused by sticking so closely to the original game are the lack of variety in the backgrounds and the fact that the map is unchanged from the original game and it’s not a very good map. How you use the map is different. In levels one and two, you ONLY use the left starting port and can return to it as many times as you want without having to travel across the map and back. The right port does nothing. There’s no penalty for grinding near the shoreline. Hell, the game encourages it. In level three, you ONLY use the right port with the left port now doing nothing.

One jarring aspect is that it uses the same static screen for every item or major event. This one, which still looks like a fishing pole being rammed up Jaws’ ass, complete with look of shock.

Only the fourth level has you going to both ports, with different upgrades and fetch quests at each one. Even then, there’s nothing to prevent you from grinding. The rule that requires you to travel back and forth between each port is gone entirely. Eventually you’ll get options that allow you to press buttons to see where the enemy encounters are. Really, I don’t have any major complaints. I guess I wish whatever was the current “mission” was displayed. Like if all I had left to do to get a key item was encounter Jaws X amount of times, I wish it had said so on the main screen. You might also have to talk to one of the options in the port multiple times when you’ve already met the conditions to unlock whatever it does. It’s a little janky, but in an authentic 1987 NES kind of way.

See the little crosshairs? Boy, do they help. The act of defeating Jaws after you whittle down its health has gone from a confusing, sloppy mess to perhaps too easy. I went four-for-four in defeating Jaws in one shot. I never screwed it up even once. I suspect Jeremy wasn’t a fan of this sequence at all and would ditched it for something else altogether if that had been an option.

The most important part is I never got bored. Frustrated? Oh yeah, especially in the fourth level. But never to the point that I wanted to stop. Simply put, Jeremy Parish has taken a game that was a cynical cash grab developed in roughly a month that lucked into being a halfway decent and expanded it into a game that feels like a much more fully thought-out experience and not the cynical cash grab. It sure as hell no longer feels like an up-jumped Atari game. Even on its own merits, Jaws: Enhanced Edition is a very good action game. Not a great one. Sticking like glue to the established sprites was admirable, I guess. But the original Jaws is the way it is because they took only a month to make it. A month. While I get what Jeremy was trying to prove here, there’s nothing inherently sacred with the original game’s sprites or roster of enemies. For all we know if they had two months instead of one, maybe someone on the development team would have said “hey, let’s put squids and octopi in this.” Jeremy, YOU ARE THAT MONTH! I mean.. you know what I’m saying. The bigger variety of enemies and tiers to those enemies is nice, don’t get me wrong, but it’ll still leave you wanting a little bit more.

Finding items and the presentation of finding them does lack a little in pizazz.

Jaws: Enhanced Edition feels like the type of ROM hack that a talented coder takes on as a personal challenge to themselves and not necessarily something that got a big, splashy rollout with full digital distribution on major platforms like Jaws Retro Edition got. That’s not a weakness, though. That’s its greatest strength. Usually the only “enhanced edition” style retro releases are reserved for big, successful games. The type of games already famous for being good or great, or at the minimum, historically important games. Jaws is a game that, whether it deserves the reputation or not (it doesn’t), it’s mostly remembered as a joke. It doesn’t surprise me that someone took what was, at best, a decent but very limited 80s action game and turned it into something much more substantive and enjoyable. I’ve seen it done before with games good and bad. I’ve reviewed quite a few (they’re under the “new games on old platforms” section of my retro index) and I plan on continuing to review them, even if only 0.1% of my readers will ever play them.

One of these days, I’ll get around to reviewing Super Pitfall! 30th Anniversary Edition by NES Rocks, which is one of those “personal challenge” games that is famous for turning one of the worst video games ever made into a competent and even fun one. Hey Limited Run Games: I’m pretty sure NES Rocks is available for hire. And if you ever do Goonies 1 & 2, use NES Rocks’ quality of life update for Goonies II. It’s really good.

Games like Jaws: Enhanced Edition DO NOT get wide releases. Except this one did, and nothing would make me happier than if mainstream gamers said “we like this! More please!” and publishers actually listened. They have these huge catalogs of ne’er-do-well releases that passionate fans have turned into borderline masterpieces. Jaws: Enhanced Edition isn’t as exceptional as it would appear. This is what you get when you let fans show how much they love catalog games, and you have to love a game to make it this good. Sucks for Jeremy though because if his effort had failed I would have given this a NO! and considered that revenge enough for waking me from my slumber. Alas, he can sleep tight knowing that, someday, he’ll look out his window and his house will be surrounded with skyscrapers. Then seconds later, he’ll realize those aren’t skyscrapers. They’re actually speakers, and he’ll know the debt is about to be settled.
Verdict: YES!

Filed under New Games for Retro Platforms, Nintendo Switch Reviews, PlayStation Reviews, Retro Reviews Tagged with Jaws, Jaws Enhanced Edition, Jaws Enhanced Edition Review, Jaws Limited Run Games, Jaws NES, Jaws NES remake, Jaws PS5, Jaws Retro Edition, Jaws Retro Edition PlayStation Review, Jaws Retro Edition Review, Jaws Retro Edition Switch Review, Jaws Review, Jaws ROM Hack, Jaws Steam, Jaws Switch, Jaws video games, New Jaws Game

Eggerland (Famicom Disk System) aka Meikyuu Shinwa – Eggerland Mystery 2 (MSX) Review

February 12, 2026 by Indie Gamer Chick 2 Comments

Eggerland
aka Meikyuu Shinwa (MSX JPN)
aka Eggerland Mystery 2 (MSX EU)
Platforms: Famicom Disk System, MSX
Released in 1986 (MSX) January 29, 1987 (FDS)
Developed by HAL Laboratory, Inc.
NEVER BEEN RE-RELEASED

For this review, I only played the Famicom Disk System version for the smoother animation and more responsive controls. Both games feature identical maps though.

Eggerland (Famicom Disk System)

Eggerland Mystery 2 (MSX)

Since I literally just finished Eggerland Mystery for the MSX, I was going to wait a while to do the next review in the Lolo series. Curiosity got the best of me and I wanted to see if the sequel improved the skippy, unresponsive controls. Spoiler: they did not, at least on the MSX. Movement is still skippy or jerky and that makes movement feel slow and unresponsive. So I was fine postponing the rest of the reviews.. until I saw that there were two exits in the first level. Hold on, what? That’s when I found out that the sequel is a gigantic 10 x 10, one-hundred room interconnected maze where sometimes it’s not physically possible to solve a level unless you entered from a specific door coming from another direction. Now THAT’S enticing!

The ultimate goal is to find five total keys and the four “gods” pictured below, each of who will give you a special power in the Devil’s levels.

And it gets even better! The exact same game, with the same level design across the board, was ported the next year to the Famicom Disk System. This means I could ditch the MSX build and play the game with significant quality of life improvements like smooth animation that allows for responsive controls. So I started playing the game simply titled Eggerland on FDS and realized the levels were significantly tougher than the previous game, so screw it, I decided to continue with the Lolo marathon. I was so excited, but it didn’t take long before some jaw-dropping glitches and stunningly ill-thought design choices turned what should have been a slam-dunk of a YES! verdict into one of the closest decisions I’ve ever made at IGC. I suppose it’s fitting for a game literally starring a blue ball.

In the US versions of Lolo, I would be a single frame away from death here via the Don Medusa on the left of me. In this game? Not so much. Though this technique could in theory make this a hidden gem for the speed running community.

The worst example of how sloppy Eggerland is would be the don medusas. See that little devil thing to the left of me in the above picture? That’s one of them, and it’s an Adventures of Lolo mainstay that made its debut in this title. It’s functionally a medusa that either walks up and down or side to side as far as it can go before changing directions, and if you’re lined-up with it and there’s nothing blocking its view of you (trees don’t count), you’re supposed to die instantly. In the next frame, we’ll cross paths and I will, in fact, not die. As long as you keep moving in the opposite direction it’s walking, you will survive every single time. Here’s what it looks like, and in this clip, I needed a couple attempts to clear it because it’s a tight space AND I had to make a turn, but I did do it even with the turn.

There’s two catches: the don medusa must be able to walk, so you can’t pin it with blocks to the point where it’s immobile. However, even a half-space will be enough that you can use the walk-past trick. The other catch is that it only works if you’re moving the opposite direction of it, so trying to walk around it isn’t possible. It will kill you if you, say, try to move over the top of one moving up and down. In the first Lolo game I played, the US version of Adventures of Lolo 1 (up next at IGC), you absolutely CANNOT do this. I even started replaying Lolo 1 right after finishing this to verify that I somehow never discovered this my previous time playing it.

(Adventures of Lolo – NES – US Version) Nope.

At first, I thought I’d found an insane glitch that made cheesing the levels based around don medusae (I assume that’s the actual plural of don medusa) absurdly easy. Like in that clip I used, that is CLEARLY not the way the level was meant to be beaten. Because I love the puzzle design of Lolo, at first I decided not to use it. I even undid what happened in that clip and beat the stage the proper way (you’ll note that I had an arrow that I didn’t need to use). Except late in the game, there were levels that sure seemed like there was no way to solve them BUT this “exploit.” At least I think so. Maybe I just lacked the imagination to solve them correctly. (shrug)

The Rockys, which are these annoying stone blocks that are only there to pin you in and force you to start over by pressing SELECT, made their debut in this game as well. There’s also a lot of arrow-based levels which kept confusing my father. “Dad, I keep telling you: the arrows only affect you if you try moving in the opposite direction they’re pointed. You can enter and exit them from any other angle.” He got it eventually.

If this mechanic wasn’t deliberate, and because of how these same enemies work in future games I assume it wasn’t, it’s one of those things where it’s on the developers to do a better job of programming it so that you can’t just walk past a thing that’s meant to kill you as soon as you share an unobstructed line of sight. The problem with that don medusa trick is that it makes some of the levels downright trivial, and what I’m looking for is tight puzzle design. While there’s some of that in the FDS version of Eggerland, I was also able to outrun the skulls with ease and/or cheese the dragons like before. Thankfully Eggerland is the last game in the franchise where out-running skulls or dragon fire will be easy, so clearly they learned their lesson. Then there’s situations like the mystery objects, like seen in the picture below.

In this room, the snake is the mystery object.

For most of the levels, the mystery box is empty. But every once in a while, the ? will show an enemy or object, and you have to do something unusual related to that object to trigger the effect. For this room, I had to cover up the snake completely with boxes, like I just did. When that happens, the screen flashes violently (seriously, it’s a huge seizure risk every single time) and then some item or effect appears on the screen. In the case of this level, it’s a shadow Lolo that, once you touch it, allows you to walk freely around the screen, even walking through solid surfaces and walls. You can’t collect the hearts so you need to find a place to stop and press the button, at which point Lolo will teleport there and you can finish the room. Other stages might have separate tricks like turning water into sand or turning every character into an egg for a few seconds.

Shadow

Green Lolo

In theory, it’s a neat idea. In practice, I beat several levels that had the mystery item without ever using the item. I also beat levels where it gave me an arrow, a hammer, or a bridge where I never needed to use them. This even happened near the end of the game, like in the level in the pictures below this. The level has a pen made out of grass that contains three leapers. Grass makes its debut in Eggerland and it’s important to future games because enemies cannot walk on the grass.

Looks complicated, right?

The leapers are also important. They’re fast-moving enemies which fall permanently into a coma upon contact and functionally become a wall. Once they’re asleep, they can’t even be shot and turned into an egg. They’re there, forever, and if you block yourself in, you have to reach for the cyanide capsule. If you stop them in the right place, they turn into blocks and help you beat levels. They’re yet another important staple of the Lolo franchise debuting in Eggerland 2. In the room shown below, you get shots that you can use to turn them into eggs and push them out of the pen, then wait for them to run to the area in front of a monster and put them to sleep, acting as a block. I mean that seems to be what the designers had in mind, but I solved the puzzle without cheating not needing any of that sh*t.

This is beaten, and I’m guessing not in the way the developers intended.

So the puzzle design is REALLY loose with many stages that look complicated on the surface being uncomplicated by having multiple outs. That tracks with the difficulty scaling in general, which is HORRIBLE. The majority of the toughest puzzles I thought were in the middle of the game, with maybe one or two right before I reached King Egger’s levels being head scratchers. Despite being one gigantic maze, there’s only a couple paths you can take and you’ll inevitably hit a dead end and reach a room where the path you took doesn’t allow it to be solved, requiring you to go backwards and take an alternative route.Thankfully there is a built-in map, and I also used a really handy map that I found at GameFAQs.

In this stage, I for sure screwed up and didn’t beat it the way it was meant to be beaten. I was supposed to block all those skulls from moving around. At least I think so, but the enemy behavior is so dumb in general that I just had to wait a few seconds for a clearing. I was easily able to run past ALL those skulls and get the key because they don’t move fast enough and they don’t heat seek you. I didn’t even need to use rewind. In the first US Lolo game, the skulls move much faster and always take the most efficient route to get you, and I’m guessing the future games will also do this, making this the last Lolo game with numbskulls for skulls.

But it means the game is secretly a lot more limiting and linear than it appears on the surface, which should mean that they could still order the levels somewhat by difficulty. Instead, the curve is kind of all over the place. I’m going to guess this was the last Eggerland/Lolo game where they didn’t have any really good playtesters, nor did anyone designing this know the difference between medium and hard puzzles. It’s kind of obvious since the difficulty craters completely once you clear the main maze and enter the Devil’s levels, most of which are literally like level 1 or 2 or even tutorial stages in American Lolo games. Why would they do that? Presumably people would buy games like these for the brain teasers, right? So having them ordered by difficulty as accurately as possible is kind of important. I only really got stuck twice, and that was because of some insanely abstract logic. Here’s one of the times I got stuck:

The mystery “item” is the leaper enemy. In order to trigger its mystery power, you have to put it to sleep, then step back and touch it again, then step back and touch it again, then step back and touch it again, and finally you have to (checks notes) step back and touch it again. At this point the screen will flash with a seizure-inducing strobe and the “walk through everything” item will appear. I figured out every mystery thing on my own, and usually very quickly. Besides this room, only one of them took me more than five minutes to figure out. The problem is, even though the game tells you that the leaper is the clue to the mystery, there’s no way to logic-out that you need to kiss the damn thing four times to trigger the mystery item. It’s not anything you would do through natural gameplay flow or experimentation. How anyone ever figured it out is beyond me. There’s no “DING” noise when you touch it the first time it’s asleep to clue you in that you’re on the right track. I admit, I had to look up the solution to this one, a first for me in the entire Lolo franchise. None of the other mystery items are anywhere near that abstract.

And speaking of “what were they thinking?!”

In addition to abstract, arbitrary design, Eggerland has a TON of downtime that combines with brainless trial-and-error design related to a large section of water-based levels. At a few points, you get a raft out of a treasure chest and exit a level through a river instead of a door. The problem is that it’s SO SLOW and you have to wait forever for it to get to the next room. Now, the slowness is partially based on the puzzle solving, as one of the challenges of those rooms is figuring out where to get off the raft. As soon as you step off the raft, it’s gone, so if you step off on the wrong spot, you’re dead. I did this many times and, had I not been using an emulator, I would have to go through that insanely slow process over and over. It can literally take over a minute of just waiting. But it gets worse.

Sigh.

Once you finish one of the water levels, you then have to select the right space to reenter the water to drift to the next room, and there are NO hints which space is the correct space and no way to logic it out. If you pick the wrong one, you have to collect the raft again. Except, sometimes it doesn’t instantly fail, but instead circles around the level before just stopping and letting you drown, costing you a life. It’s blind, no logic trial and error that is so slow, so tedious, and so pointless that it would have made giving Eggerland a NO! a no-brainer if I hadn’t been able to fast forward and use save states. How the hell did the same people who created so many clever puzzles not realize how f*cking boring this could get? Hell, it was boring and felt like busy work based around blindly poking every spot next to water AND I WAS USING FAST FORWARD! What were they thinking? This is bad, bad game design.

There’s ten total tunnels tantalizingly tucked away in Eggerland. I just wish they actually cared enough to add a degree of logic to them.

Besides just solving rooms, the main object of Eggerland is to locate five keys that will allow you to enter the levels belonging to the Devil (aka King Egger) along with four special helper gods that will give you superpowers required to beat the devil’s rooms. Ten of the one hundred rooms have a hidden tunnel within them, like seen above. Well, not all are HIDDEN-hidden. Some appear immediately when you solve the puzzle in the correct room. Others remain hidden until you solve the puzzle AND THEN shove an arbitrary block. Again, there’s no clues to this or any way to logic-out which rooms are the correct rooms. If there were items that could be found, like compasses or maps or things that mark the map you have with an X, that would be one thing. Apparently Eggerland: Meikyū no Fukkatsu does have such items, which makes me think they realized how bad Eggerland was for not having them. The sequel also apparently ditches these:

Sand Trap

Four of the tunnels contain “the gods” while five of the tunnels contain keys, and then there’s one tunnel that’s the portal to the final sequence of puzzles (either I’m very lucky or the game successfully queues you in a way where the 100th room you enter will be the one with the final tunnel). In order to collect the keys and gods, you have to complete a challenge that requires you to reach a treasure chest in the allotted time while having to run through sand, which slows you down. These “sand traps” (seen in the above gallery) have multiple different potential pathways, but only one will allow you to barely reach the treasure chest before time runs out. If it does, you’ll have to wait for a loading screen (this is the Famicom Disk System, remember) and then reenter the tunnel, which goes to another loading screen, then try again. “Nuts to that! I’ll just use save states” I said, a decision that would bite me in the ass here:

(glares with contempt)

The path in this level was obvious: go through the UP arrow and to the left and the second UP arrow, then walk around the left side and down to the treasure chest. Except, I kept failing just short of the chest. Actually, I was literally on top of the chest and usually taking my final step before being completely on the treasure space when time would run out. I’d reload the save state and try again. And again, and again. I’d keep coming up short. So I switched to my keyboard and used the directional keys and had one of the kids with their youthful reaction time help me create a frame-perfect run, cussing a blue streak about how prickish the design of this level was the whole time. And then, to my absolute horror, I discovered that even a frame-perfect run would fail every single time:

A frame-perfect attempt would die on this spot every single time.

“Oh sh*t, something has gone wrong.” At this point, the don medusa trick felt like a red flag that nobody properly tested Eggerland. I was worried that they somehow let a level that was impossible to beat slip by detection. Except, I found a complete play-through video on YouTube and, when the person did the same room, they got it on their first try. “What the hell is going on?” I thought, and then my father noticed the timer in the video changed from 9 seconds to 8 seconds a lot later than ours did while in the game we were playing, the 9 changed to 8 almost immediately. We figured it might be connected to our emulator and tinkered with a variety of latency settings, but it didn’t matter. The best possible run kept ending where you see in the above picture: a single frame short of the goal. I really thought it was game over. Finally, Dad said “instead of reloading the save state, leave the room and come back.” Except, I’d already done that and nothing changed. But, when I did it on my third time entering the room, I won on my first try. Then I rewound it and won on my next try, and then I rewound so I could record a clip and did it a third time in one attempt.

So what the hell happened? My father’s theory is that the game has an invisible one-second timer that is always going, and when I entered the tunnel for the first and second attempts, I had done so while that invisible timer was just short of being empty instead of having just reloaded. Since I was reloading the same save state.. for literally a couple hours.. it kept going back to the impossible-to-finish “9 seconds” that was closer to 8. So, my bad for using save states for the convenience, but the fact that it’s even possible to do this is maddening and it means, in theory, a person who played this in 1988 could have chosen the correct path and made all the correct moves and still have lost without ever knowing why based on having the bad luck to enter the tunnels at the wrong moment. That’s inexcusable in any situation, but for a puzzle game it would be especially infuriating because it could send a player on a wild goose chase for an alternative solution when they had the right one all along. I was already annoyed because these levels don’t really fit with Lolo at all, but this straight-up pissed me off, and the game never recovered.

And then there’s the finale.

That is the first room of the final tunnel, and if you haven’t collected all five keys, the tunnel to the right of the giant “5” (which I suppose is the REAL final tunnel) won’t be there, so you have to leave and go find them. If I hadn’t used the map from GameFAQs and seen the tunnels in each level, I wouldn’t have known about some of their existences and never would have thought that I had to arbitrarily shove a block to reveal them. That would have meant backtracking through one-hundred goddamned levels in search of them. When I entered the KEY 5 room, I originally thought the tunnel to the right of the giant 5 was the exit back to the room I was just in, so I beat the first stage, which was this one:

Literally every one of those hearts gives you two shots. This requires no effort to “solve.”

And all that did was warp me to a different spot on the map. Calling the four puzzles attached to the KEY 5 room “puzzles” is a stretch since there’s no effort to make them difficult. The above room feels like a bonus level where you can let off steam by gunning down the snakes with dozens of shots. It was an ominous sign that the designers had long since run out of f*cks to give. Since it’s literally impossible to have reached the room with the KEY 5 puzzle until the very, very end of the game, you’ll have solved some damn challenging puzzles by this point. Thankfully, I already had all five keys and Gods, which meant I could go through the devil’s rooms. There’s eight of them, and they took me, oh, about five minutes to solve. They introduce new gameplay ideas, like in this room:

That’s not an emulator trick. You just suddenly move super fast for this one and only room. You don’t even do anything to activate it. It just happens. Other rooms do require you to actually press a button to do things you haven’t been able to do before, like remove a tree instead of a rock, like in this room:

At least you can logic out that there’s some trick to this level based on the normally impossible layout. But besides that one thing, look how basic the layout is. It’s practically a tutorial layout. The difficulty curve in Eggerland is so bad that the entire end game honestly feels like the developers got bored and wanted to just get it over with.

It seems neat, except these levels are too damn easy. This is the final sequence of a game that has some damn tough puzzle design at times. Ending THIS GAME on levels that require almost no brain power (which seven of the eight don’t, and the one exception is like a level 3 or 4 puzzle in another Lolo game) was a huge letdown. The only way it could possibly get worse is that the final boss is a game of Rock-Paper-Scissors where you have to watch Lolo and King Egger dance back and forth for twenty agonizing seconds before shooting AND it’s best of seven AND it’s f*cking rigged, regardless of what you select, to have Lolo score, then King Egger, then two to Lolo, then two to King Egger, then the final one is won by Lolo, but despite being rigged, you can still have ties that last quite a while. Well, guess what?

F*ck you, Eggerland, and f*ck you too Alex Kidd for giving them this idea in the first place.

My criteria for a YES! is that I spent at least 50.1% of my time with a game having fun. If I hadn’t been using an emulator, this would have been one of the easiest NO! verdicts just by the sheer amount of downtime that’s multiplied by blind luck trial and error. Those areas were a frustrating slog even with fast forward. The “did I have more fun than not?” question is a little harder with emulation trickery and the map I had from GameFAQs. As angry as I am by the haphazard design that offers no logic or means to suss out pathways or hidden elements without blind luck (or a guide), I have to admit that some of the levels were very good. But, the more that I thought about it, the more I realized the truly good levels were outnumbered by ones that weren’t very creative or challenging.

I can’t stress enough that there’s some damn good puzzles in here. Plus, unlike Eggerland: Meikyū no Fukkatsu, none of the levels in this game will be copied and pasted to future US games in the Lolo franchise. For the US version of Adventures of Lolo, 15 of its 50 stages are direct copies of Eggerland: Meikyū no Fukkatsu levels. For The Adventures of Lolo 2 US, it’s 25 of the 55 levels. There’s also a stand alone 50 level game for Famicom Disk System called Eggerland Souzouhe no Tabidachi that uses the American Lolo 1 engine. 34 of its 50 stages were used in Adventures of Lolo in the US, and Lolo 2 US used 13 of its levels. Finally, 6 of Lolo 1 US’s puzzles come from the original MSX Eggerland Mystery game, while Lolo 2 are in both Eggerland Mystery and Souzouhe no Tabidachi. Eggerland for FDS is 100 one-off levels. So there’s a legitimate reason for huge fans of Lolo to be interested in Eggerland FDS/Eggerland Mystery 2. I’m never going to review Eggerland Souzouhe no Tabidachi, but I’ll talk about it more in my next review, which will be for the US version of Adventures of Lolo 1. By the way, I got these figures on how many rooms carried over from game to game from maps created by Benoît Delvaux, and I can’t thank him enough. I had intended to manually count them up myself. THANK YOU, Mr. Delvaux. Check out his Lolo maps right here.

Once I factor in the downtime, the sand traps (and I’m not even counting being stuck on that level for a few hours because of an issue with the timer), the don medusa thing, and the horrible final sequence ending on a fake version of RPS, I realized I spent more time mad, frustrated, or just plain bored than I did enjoying the type of Lolo gameplay that I signed up for. So no, I can’t recommend Eggerland for Famicom Disk System and Eggerland Mystery 2 for MSX. It’s a very, very close NO! In fact, it’s so close that it’s one of those “fans of the American series should probably check it out anyway” decisions. Though I think such fans will probably be as annoyed as I was and, more often than not, get bored. Eggerland has it’s moments, but it’s an overall boring game.

Well thank goodness. I was worried their kids would be born out of wedlock. Also, does that look like Blaster Master’s ground or is it just me?

Eggerland is a better concept than it is an actual game, but final execution just isn’t good enough. Apparently the direct sequel, Eggerland: Meikyū no Fukkatsu for the Famicom, addresses some of my complaints with items that alert you that you’re in a room with a tunnel, and the sand traps are gone. So, like the first Eggerland Mystery, this Eggerland was still a glorified proof of concept for better things to come. And hey, if the sequel sucks, at least I know I have plenty of linear Lolo games coming that do a better job. HOPEFULLY this was the only game in the franchise that’s a rotten egg.
Verdict: NO!

By the way, the producer of these games? None other than Satoru Iwata, the President and CEO of Nintendo who died on my 26th birthday. It’s so strange that Lolo is a series that’s considered a definitive NES franchise and yet Lolo gets almost no respect from the modern Nintendo. The company that made this would go on to create Kirby and the Smash Bros. franchise. Come on! Where’s the Lolo love?

Filed under Retro Reviews Tagged with Adventures of Lolo Japan, Adventures of Lolo Review, Eggerland, Eggerland Famicom Disk System, Eggerland Famicom Disk System Review, Eggerland FDS, Eggerland FDS Review, Eggerland review, Meikyuu Shinwa, Meikyuu Shinwa MSX, Meikyuu Shinwa MSX Review, Meikyuu Shinwa Review

Eggerland Mystery (MSX Review) The First Game in the Adventures of Lolo Franchise

February 7, 2026 by Indie Gamer Chick 1 Comment

Eggerland Mystery
Platform: MSX
Released in 1985
Developed by HAL Laboratory, Inc.
NO MODERN RELEASE

Yeah, the puzzle design in this one can be quite weird.

Eggerland Mystery is the very first game in the franchise that would come to be known as The Adventures of Lolo outside of Japan. America only got three of those games, but there’s a LOT more Lolo releases that Americans never got. That obviously includes the first two games since MSX never got a US release, but there’s also Famicom-exclusives and even a Game Boy version of Lolo. So it’s a pretty big series, actually, and before Eggerland Mystery, I’d only played one of them all the way through: the original US version of Adventures of Lolo. It was actually the first NES game I reviewed for IGC all the way back in my first year (I also started playing Lolo 2 but I’m pretty sure I never finished it). Eggerland/Lolo is one of those confusing franchises where the version America got is completely different from the Japanese original. NES Lolo 2 in the West is Lolo 1 in the East, and the puzzles in Japanese Lolo 1 are different from those in American Lolo 2. On the left is level 1-1 of The Adventures of Lolo 2 in the US, and on the right is Adventures of Lolo 1 in Japan’s level 1-1.

Adventures of Lolo 2 (US)

Adventures of Lolo (JPN)

So that’s awesomely annoying. I’ll do my best to walk everyone through this when I get to later games in the series. The first US NES Adventures of Lolo is on Switch Online right now, and it’s worth a look. They’re a series of logic-puzzlers with a slight action tilt to them, but the focus is mostly on flexing your gray matter. Well, at least that’s where the series will eventually end up. It became kind of obvious with this first release that HAL wanted to make something a little more arcade-like and hadn’t realized their bread and butter would be in tight, one-solution style puzzles. Eggerland Mystery comes close at times to being equal parts action and puzzle, and the result is a game with an identity crisis. Luckily, that crisis would be resolved in the next game in the franchise. I’ll get to the sequel soon, but today, let’s look at the first game.

One original aspect of this that wasn’t used in future games: sometimes (very, very rarely) the final door is hidden and must be found.

With a whopping 100 puzzle rooms (plus 20 bonus round rooms) and 5 post-game stages that require a special password to unlock, Eggerland Mystery is a pretty dang big game. If you played any of the NES or Famicom versions of Lolo, you mostly know what to expect. Instead of collecting hearts, you collect diamonds. There’s no treasure chest to reach, either. That’s replaced with a door that opens after you’ve collected every diamond. The object is simply to collect all the diamonds and then walk through the door. There’s a handful of enemies, some of which are harmless, while others, like medusa, prevent you from crossing their path unless you place a block in their line of sight.

The arrows seen in this screen can be walked through from the side, but never in the opposite way they’re pointed. Also, you don’t know which diamonds give you shots until you get them, but they always give you two shots when they do.

The medusas can’t be killed (except in the bonus stages, which are stupid), but with other enemies, some of the diamonds provide you with shots that temporarily turn them into eggs. Once they’re eggs, another shot blows them off the screen (they will respawn soon) OR you can push them, using them functionally as blocks to help solve the puzzles. They can even be pushed in the water and used as rafts. Finally, some levels might also provide you with special tools like bridges to cross water or the ability to change the direction of a one-way arrow. So far, so Lolo. But, this for sure isn’t the NES Lolo in many, many ways.

Between bonus stages, you’re provided with a password if you need to quit, but you’re also provided with one single character for the ultimate password that takes you to the final five stages of the game. Beating those five stages doesn’t get you a better ending or anything like that (hell, there’s no ending at all) but the toughest level in the game was among those five puzzles, so that’s something. Here is that password, with the heart being the final thing you enter.

For starters, your movement is quite janky. I’d describe the animation in this game as “choppy” which causes the controls to sometimes seem laggy or unresponsive. You’ll especially feel it when you have to ride eggs that you’ve pushed in the water or dodge the armadillo-like enemies that roll at you, who are by far the hardest aspect of the game. It’s certainly not the puzzles themselves. It’s clear that the designers didn’t fully grasp the concept of tight puzzle design at this point, because I was able to finish tons of levels with leftover shots. I was also often able to circumvent the “puzzle logic” by ignoring threats, specifically the skulls. In future Eggerland/Lolo games, the skulls will move faster and provide a legitimate threat that needs to be addressed before grabbing the final diamond/heart in the room, which wakes them up. In Eggerland Mystery, you move faster than them, and sometimes you can even grab the final diamond when it’s directly next to a skull and, as long as you start moving right away, avoid being killed by it when it wakes up. I did this in multiple rooms.

Don’t get me wrong: there’s levels where you’re meant to leg-it past the skulls, like in this stage. In other stages, you’re meant to “tempt them” to chase you in one direction and then you simply run around to the other side once they’re committed to the path they’re on. You’re much faster than them, so as long as you don’t panic, you’ll win every foot race. It helps the skulls aren’t very smart and don’t necessarily heat-seek you. In future games, you mostly can’t ignore them.

The dragons have a similar problem. Although they’re much harder to cheese, sometimes you can trick them by taking a half-step forward and letting them fire at you, then back up and run past them once their fire passes you. This requires a lot of room though, and now I’m curious if this is possible to do in future Lolo games. Either way, a lot of the puzzles have “multiple outs” and, for games like this, I prefer a much tighter design. Fans of the NES games will also notice that many enemies and elements common to Lolo hadn’t been invented yet with this game. The “leapers” that fall asleep when you touch them? They’re not here, nor are the walking versions of the medusas that throw swords at you, the rock monsters that push you around, sand traps, or any stages involving lava or collapsing bridges. In 105 levels, I only got stuck one time, and that’s when I realized that the game had introduced the teleporting snakes idea where you must kill one of the harmless snakes, then push a block over where it was, and it’ll respawn somewhere else.

In this gallery, you can see me start with a snake above the river, but after it sinks in the lake, because I covered the space it started, it reappears south of the river. By the way, the currents aren’t visible, so you won’t know how a raft behaves until you try it.

It took me nearly an hour to figure that out. Mind you, you’re two-thirds of the way through the game before this is even needed, with no education that this is even going to be a thing that you need to do. It’s pretty obvious that HAL had no idea what they were doing and were flying by the seam of their pants with Eggerland Mystery, but the franchise would drastically improve from here. For the first game, they didn’t quite grasp that they were a home puzzle game and not a coin-op. You’ll notice there’s a score in the corner, though that’s related to collecting diamonds and how many enemies you kill. There’s no penalty for taking too many steps like some Sokoban games (aka Boxxle) might do, nor is there a bonus for saving shots. At least I don’t think there’s a bonus, but there are bonus stages which were quite lame and a constant reminder of how janky the game’s “combat” mechanics are. The shooting is not very well programmed, as not every shot that’s a direct hit actually works to turn an enemy into an egg. I had a TON of moments where a shot landed and nothing happened. It’s all but a guarantee it’ll happen to you multiple times in some of the later bonus stages and even during a few of the puzzles.

In the bonus stages, you can’t die and enemies that normally shoot you, like the medusa, no longer do. You have 20 seconds to blow away every enemy on the screen for bonus points. This was a huge waste of time.

If you play in the B Mode of the game, you play the same 100 levels, only this time you have a time limit and each stage has bonus point items. While that sounds enticing, the items are seemingly hidden in arbitrary spots, and possibly randomly generated. There’s no “puzzle” element to the scoring system. I stuck to the A mode and was more than happy. For all its jank, the formula created by Eggerland lasted through over ten games for a reason. I’m just getting restarted with Lolo after playing the first game in the franchise back in 2012. Over the next year or two, I intend to review all the other console and MSX games in the series. When I do, the thing I’m hoping to see improved the most isn’t actually the play control, but the difficulty scaling. There were so many times late in the game where I found myself saying “that should have been a very early puzzle.” So there’s a LOT of room for improvement, but the good news is, the franchise will keep getting better. In fact, it gets so good that it makes Eggerland Mystery feel like an unfinished proof of concept.

I’m pretty sure this is the only game in the Lolo franchise where one of the special power items allows you to generate a new block any place you want and then push around. In future games, this would be replaced with a hammer that allows you to shatter a single rock anywhere you want. Sadly, the “magic framer” item only appears a couple of times in the entire 100+ level game.

The reason this isn’t the first game in a Definitive Review is because I’m taking my time with these games. I think I would have gotten bored if I played through Eggerland Mystery’s 100+ puzzles (and the unbearable bonus levels) in a single sitting. Instead, I paced myself over the course of a week and took frequent breaks. Games like this are ideal for that, and Lolo specifically excels when you hit-up a handful of levels at a time. That’s why I really think Nintendo and HAL need to figure things out and put out a collection. It’s just such a perfect franchise for a portable platform like Nintendo Switch. Well, I do sort of question how portable the humongous Switch 2 really is. I don’t take it places like I did the original, BUT MY POINT STANDS!

If you’re saying “hey wait, didn’t I see that thing in Kirby?” Yes. Yes, you did. Lolo and Princess Lala (pronounced Low-Low and Lah-Lah) are actually recurring villains in the Kirby franchise, only they’re now called “Lololo & Lalala.” No clue why. If HAL wanted to resurrect the gameplay style of the franchise, I have no objection to dropping Lolo in favor of Kirby. The gameplay is what’s timeless and Lolo’s character design is as generic as it gets, and I say that as a woman who uses a generic round, yellow character as a mascot. Along with StarTropics, this seems like the biggest HAL/Nintendo franchise to get NO reference at all in Smash Bros. I absolutely do not understand how this series, so beloved across the world and a game that sold enough to get TEN games has no clout in the 21st century.

I’m going to guess that when I finish the series, I’m going to ultimately name Eggerland Mystery the worst in the franchise. It’s clunky, often forgets what kind of game it is, and the level design isn’t particularly strong. It’s not necessarily weak, either, but it’s so loose compared to the US versions of Lolo that I can’t even guarantee Lolo fans will like Eggerland Mystery. The movement is too sluggish and the puzzles aren’t as tight or clever as the series would get, to the point that I think Lolo fans are likely to be at least a little disappointed. But if you want to see where one of gaming’s most underrated franchises got its start, I still think it’s worth a look. Just lower your expectations if you’re familiar with the series, because this thing is SLOPPY. But it’s fun too, and another reason why gaming fans owe the MSX more than they realize.
Verdict: YES!

Filed under Retro Reviews Tagged with Adventures of Lolo, Adventures of Lolo franchise, Adventures of Lolo series, Eggerland, Eggerland Mystery, Eggerland Mystery MSX, Eggerland Mystery Review, Lolo, Lolo MSX, Lolo Nintendo, MSX, MSX Reviews

Super Metroid (SNES Review)

February 4, 2026 by Indie Gamer Chick 3 Comments

Super Metroid
Platform: Super Nintendo Entertainment System
Released March 19, 1994
Directed by Yoshio Sakamoto
Developed by Nintendo
Included with Switch Online Subscription (Standard)

I don’t know if I would go so far as to call this one of the great opening sequences, but I’ll say that Super Metroid is pretty dang good at seamlessly incorporating cinematic sequences into the live gameplay. The finale does this even better.

Back in 2003, Electronic Gaming Monthly named Super Metroid the greatest video game ever made. IGN has ranked it in the top 10 a few times. Me? I’m not really there. Oh, don’t get me wrong, as I’m certainly not going to argue against Super Metroid being a masterpiece. It’s absolutely an all-timer and one of the best Metroidvanias ever made. Super Metroid is a milestone in world building, level design, enemy design, boss design, and pacing. But being in the G.O.A.T. discussion, though? I don’t see it. There’s just too many games that also act as milestones in the categories I mentioned while also offering something Super Metroid almost never offers: intuitive controls.

I liked this screen cap because it looks like Samus is posing with the newly-slain unholy abomination.

This was my third time playing all the way through Super Metroid and I still found myself fighting the controls. Nintendo knew this would happen, too. The game offered full button remapping options well before the days of emulation. I experimented with various configurations and came to the conclusion that it’s not possible to comfortably shoot, run, and jump at the same time. Which is a shame because I found plenty of situations where doing all three would have been helpful. By the end of the game, I was still struggling to perform the type of jump I intended to, and it was always jumping without the flips. It’s especially annoying when you intend to do a somersault so you can do a wall jump and the flipping part doesn’t happen. Jeez, as if the wall jumping isn’t awkward enough. I’m going to guess a lot of games that feature intuitive wall jumping studied Super Metroid on what not to do.

“Okay, I’ve seen Mario do this a hundred million times before. I’m sure it’ll be painless…….”

The only knock I have on the level design is that a tiny amount of the layouts aren’t optimized for platforming. It’s not so much “frustrating” as it is “exhausting.” There’s one specific jump early in the game that basically requires you to hold RUN down while jumping, which I didn’t prioritize with my control scheme so that kind of sucked. Thankfully, nothing like that really shows up again. Unfortunately, something even worse shows up: an area based around quicksand. You sink too quickly in it and get no height on your jumps unless you’re directly on the surface. It’s forced button-mashing, and this in a game where controls are already problematic. Thankfully it’s not all over the entire “level” for the lack of a better term, and I’ve basically run out of meaningful things to complain about.

Still plenty of nitpicks, though. The Space Jump and later the Screw Attack are awesome when they work, but the timing and angles feel fickle sometimes. I had a ton of moments where it seemed like I lost my ability to continue jumping for no reason. Though I’ll easily take this game’s Space Jump over Metroid: Zero Mission’s. It’s not even close.

The good news is that Super Metroid still holds up in every non-control way, even thirty years later. Zebes is one of my all-time favorite 2D settings. The ecosystem feels alive, which is pretty impressive for a 1994 game. Part of the reason this works is that you’re introduced to the planet in a state where it’s seemingly dead. The destruction from the original Metroid remains intact. While there’s some scattered life near the surface, when you return to the gigantic shaft that you had to escape from in the NES game, it’s in a state of decay. Okay, well, it blew up so presumably the fire sterilized it. Except, even the area where the Morphing Ball is shows no signs of life. That is, at least until you grab it and leave the area. After going back up the elevator you just came from, suddenly, there’s alien life everywhere and it all wants you dead. It’s like the planet itself played possum with you.

If I had made it far enough in the original Metroid, I probably would have appreciated this fake-out battle with “Kraid” more. For the record, I played the Metroid franchise in the complete wrong order and I’m pretty sure the only one I’ve ever played all the way through at launch was Metroid Prime, which was my first Metroid (and one of the games of my childhood I was the most hyped for when word started getting out that it was really good). Prime 2 was my second, then I played the two GBA games. I’m fairly certain Super Metroid was my fifth Metroid game, or sixth if I played the original Metroid first. If I did, it doesn’t matter because I shut it off very quickly, and I don’t remember ever finishing the third Metroid Prime game either. I still haven’t finished the re-release of Prime, either. I might never, actually. I played Prime when I was 13 and was blown away by the world building and attention to detail much more than I was the gameplay itself. I think it’s safe to say that Prime didn’t age as well as I thought it would have because so much of my enjoyment the first time was based around the presentation, set dressing, and bestiary.

Super Metroid was such a massive jump from the NES game that it might as well be a complete franchise restart. The room layouts are much smarter. There’s still a few single-block platforms, but the jumping physics are more generous. So is aiming your arm cannon thanks to the shoulder buttons. The combat excels, even when you have the ice beam equipped. Funny enough, I would have given anything to be able to toggle it on and off on the NES game, but I never bothered with the SNES game. The Ice Beam didn’t feel like it added sponge. Now my annoyance with combat was that you can’t Screw Attack frozen enemies late in the game. How does that make any sense? What about being frozen solid (which, in theory, should be lethal by itself, right?) prevents the energy that attack emits from working? And I’m not picking nits, either. I’m being dead f*cking serious over here, because it kind of messed with my immersion. Yes, really! I’m going there! I mean, how powerful can the Screw Attack be if it can’t even knock the ice cubes loose from the tray?

That isn’t picking nits. Complaining about this one-time set-piece taking too long? THAT is picking nits. The idea is you have to not kill this critter and let it destroy this otherwise indestructible wall in this corridor that’s roughly ten billion miles long, give or take. This whole room could have been shortened by 80% and still worked as intended in a puzzle sense. It’s not like there’s other things hidden in the room that necessitated this length. The only challenge is not firing upon the enemy for working too slowly, which in fairness might actually be the toughest aspect of the entire game. So very, very tempting.

I had to keep reminding myself that Super Metroid is only five years younger than me. The settings are just so elaborate and cool, and then they do things with those settings. A crocodile boss has a legitimate jump scare fake-out. Bosses have corpses with bugs feasting upon their flesh nearby. One boss has its babies drag off its lifeless corpse, which made me sad until I thought about it and realized they were probably going to eat it. But even that boss has a clever, genuinely immersive aspect to it. You COULD just pump missiles into it like you’ll do for every other boss. Or, you can do this with the normally less-lethal grappling hook:

“Well, at least the kids will be eating tonight, assuming the whole planet doesn’t blow up in about an hour or two.” By the way, I assumed when I first played Super Metroid in 2007 that this was the same species as the Parasite Queen from Metroid Prime, but apparently that’s unconfirmed or non-canon. I mean, they have the same shape and everything.

And electrocute its creepy ass. Now if this were the only way to kill it, meh, it’s just a slightly atypical boss fight with a unique method of combat. It’s the fact that it’s an alternative way of killing it that impresses me. That’s how you create a sense of immersion that you’re a resourceful intergalactic bounty hunter. Heck, the game even hides an easter egg during the final sequence that allows you to free the helpful creatures of Planet Zebes if you take a last second detour during the escape.

“Thank you for rescuing us. Can you point us in the direction of the breeding population of our species you no-doubt already rescued before you caused the chain reaction that blew up the entire planet?” “Beg your pardon?”

Super Metroid is so good at doing settings and set-pieces that it even does things that should be too silly or out-there for this genre really well. In any other game like this, I’d roll my eyes the moment a haunted ship shows up. “Ghosts? Really?” But Super Metroid plays it earnestly and it just works, partially because the ghosts feel organic enough that I’m willing to accept that they’re not really ghosts and just things using camouflage. In fact, my only real complaint about the scope of the game is how short the entire haunted ship section is. Part of that is the area surrounding the ship is part of the level. I imagine the justification was that it’s just a ship so it couldn’t be too big so they stuck it on top of a lake and made that part of the level. But the interior never feels like a spaceship from a layout perspective, and the outside lake area is probably the weakest themed area in the entire game. Thankfully they would do water better in the next level.

“Welcome back to ESPN’s coverage of the 20X7 Zebes Invitational. Bob Chozo was perfect through six frames but his last shot left the dreaded 7-10 split. The leftie has selected the Brunswick Samus. It must be new because I’m not familiar with this particular model of bowling ball. Either way, Chozo will have to settle for just the 7 pin and….. Hold on, what’s this? The ball has turned into some sort of robot with an arm cannon. It just shot the 10 pin. And now Chozo is arguing with the tournament director that nowhere in the rules of bowling does it state that you can’t use an intergalactic bounty hunter capable of transforming into a ball. Chozo’s opponent, Ivo Robotnick, seems nonplussed. The crowd thinks he should challenge but instead he’s reaching into his bag and changing balls. Wait, is that a bowling ball he’s holding or some sort of blue porcupine?”

Come to think about it, why are there two water-based sections in the game? Shouldn’t the lake have been part of the underwater area while the haunted ship got something more unique? I’m just bitching because the haunted ship is the most interesting area in the game. Well, at least when you first enter it, but I can’t say it was my favorite level because it’s just too damn short, and then the ghost theme goes away too quickly anyway. As soon as you beat the boss, which shows up relatively early once inside, it just becomes a generic building, really. The timing of when Phantoon is dropped is very strange, but then again, the timing for a large chunk of the middle of the game is weird.

It’s weird that such stock is put in these four bosses when there’s actually nine bosses total up to this point. The mid-bosses absolutely don’t feel like mid-bosses. A few of them are big enough and tough enough to be area bosses.

I almost wondered if there was meant to be one other stage before fighting Ridley. The pacing is never bad, mind you. The combat and layout is consistently good enough to overcome the strange structure of everything that comes after Kraid. If I have to complain, I’d say that I don’t think Super Metroid is exceptional at building a level to a crescendo. A few bosses feel like they’re just stumbled upon uneventfully. And no, the eyeball doors don’t count as “building-up.” I mean in the sense of tension and urgency. Even the placement of when the Baby Metroid attacks you in the final stage feels like it just sort of happens out of nowhere. They set up a few characters who collapse into dust, but the actual physical location on the map and the layout of the chamber it happens in feels, well, uneventful. This is the one and only area where I think Zero Mission is the superior game, as its level design properly builds up the big story moments and boss encounters.

Phantoon being the most obvious example of that because, once you’re actually in the ship, it doesn’t take very long to reach it. On one hand, I kind of dig the unconventional timing of when they spring this area’s big boss on you. On the other hand, hey fellas, this is why you do mid-bosses! Because after defeating Phantoon, the level isn’t done. All the electronics turn on and you can get the map and the doors can be opened. But the element that made the level interesting, the ghost aspect, is done for good. By the way, Phantoon was the only boss that put me within a hit or two of death and easily the hardest boss in the game.

Even though I did sh*t on the controls, don’t mistake that for me saying Super Metroid controls badly. They’re clunky, but they still get the job done. Hell, some aspects of the controls even manage to soar. The grappling hook is fun and intuitive to use. The morphing ball controls like a dream and there’s something so satisfying about jumping as the ball when you get the Spring Ball. Also satisfying is building up your speed boots. So even Super Metroid’s biggest weakness has elements that are exceptional. I still think the issues with jumping and some of the level design that further works against that puts it just out of reach of the GOAT conversation, but I can also totally understand why someone would say “f*ck it, it has my vote anyway!” It’s such a rich, vibrant game. Even the worst stuff, like cutting and pasting the final room from Metroid, somehow works here because of the better movement physics. And that final battle with Mother Brain is delightful.

“Dear Diary: Today I attacked the gigantic brain. While I succeeded in breaking its jar, the giant brain grew a goddamned cyborg tyrannosaurs body out from underneath it that ultimately shot me with what I think could be described as a “f*ck around and find out” beam. Okay, time for Plan B, and the other bounty hunters think I’m insane, but hear me out. Since she’s a gigantic brain, I just need to get my hands on some 245 Trioxin……….”

So, while I’m not on-board for Super Metroid’s sainthood, I still really love this game. It feels like it sets the perfect template for what a Metroidvania should have. Awesome level design with distinctive, memorable level layouts that make navigation a breeze. Plenty of hidden rooms and items (I’ve still never 100%ed the game, scoring 83% for this review). Impactful-feeling combat that never gets boring. A much stronger cast of enemies than the NES game. Tons of one-off set-pieces. Boss fights that are so good and usually well-staged. I love that even the mid-bosses are given a sense of importance that makes them feel equal to the big bosses. All this in a game that’s never stingy with the health or missile refills. Most importantly, the act of finding your way around is fun by itself. No matter where you are inside the game, you’re bound to find something likable and fun. Yes, even if there’s quicksand.

If you need to know how important set dressing a game properly is, play this, then play the first Metroid. It’s almost hard to believe they’re from the same franchise.

The weird thing is, I remembered Metroid: Zero Mission being equal to Super Metroid. I mean, I was SO certain it was basically the Super Metroid II in all but name in every way that mattered. Maybe because I played Zero Mission first and enjoyed it so much that I got the Virtual Console version of Super Metroid. When I replayed Zero Mission last year, I still had fun, but I walked away thinking “boy, did my memory overrated this or what?!” It’s a small game that also feels noticeably padded. So going into this review, I was a teeny tiny bit worried I’d be let down and it wouldn’t live up to my memory. Instead, I walked away after having as much fun as I thought I was going to have playing Zero: Mission last year and then some. I also set my expectations appropriately because I remembered how frustrating Super Metroid’s controls can be, especially the jumping and the wall jump. I’d forgotten how stiff Zero Mission’s jumping is, but I’ll never forget how demoralizing Super Metroid’s wall jump can be.

So wait, does this mean you only fought a Baby Kraid in the original Metroid? By the way, the actual character design throughout is memorable and striking.

I think if Super Metroid is capable of disappointing anyone who has never played it, it’ll be for someone who sees the insane rankings critics give it and expects a literal perfect game or a life-altering experience. It’s not either of those, at least in 2026. Maybe it once was, but these days the controls are disqualifying. That’s just how I feel, and in fact, I wouldn’t even call it the best SNES game as I’d easily vote for Yoshi’s Island over this. I might even put A Link to the Past above it. That’s fine, though, because I’m also saying I find it unlikely anyone could dislike Super Metroid. I, for one, think it’s okay to say a game is historically awesome and a must-play, but comes up just short of making it into the GOAT discussion. Just short. And meanwhile, Kid Icarus is still waiting for his 16-bit overhaul that resurrects his career and sets him up as a legitimate gaming icon. He probably saw Super Metroid and was like “oh yeah? Well at least I was on Captain N: The Game Master!”
Verdict: YES!

I was going to make another joke here but their sprites look sad and now I feel like a piece of sh*t again. Oh well, they died like an hour or two later. See! Time heals all wounds! Time and planet-exploding bombs!

Filed under Retro Reviews Tagged with Metroid, Nintendo, Super Metroid, Super Metroid Nintendo, Super Metroid Review, Super Metroid SNES, Super Metroid SNES Review, Super Metroid Switch Online, Super Metroid Switch Online Review

Wizards & Warriors X: Fortress of Fear (Game Boy Review)

January 30, 2026 by Indie Gamer Chick 7 Comments

Wizards & Warriors X: Fortress of Fear
Platform: Game Boy
Released January, 1990
Developed by Rare
Published by Acclaim
NEVER BEEN RE-RELEASED (?)

Well………. At least it looks good. I’ve played enough old school Game Boy releases now that I shouldn’t be surprised anymore by fantastic graphics, but I constantly am anyway. Don’t get me wrong: this is no Nemesis (as seen in Konami Shmups: The Definitive Review) but there were a few places where I was impressed with the graphics. Not so much the gameplay.

I thought the first NES Wizards & Warriors was barely okay. I thought its sequel, Ironsword, was one of the worst games I’ve played, and it certainly had the worst sword combat I’ve ever experienced. This Game Boy title, technically the third game in the franchise but called Chapter 10 for some reason, is sadly closer to Ironsword than the original and one of the worst Game Boy titles I’ve ever played. Now Wizards & Warriors isn’t exactly the most beloved game and is probably one of my more eyebrow-raising YES! verdicts, so I recently replayed it. I wanted to make sure my review session wasn’t some kind of fever dream. It wasn’t, and I’m still willing to argue that the NES original doesn’t deserve to be vilified. I think a lot of the contempt for W&W out there has to do with the misleading cover art that features a shirtless beefcake barbarian style “Warrior” when such a character doesn’t exist in the game. Not even close. Also, yeah, the sword sucked back then too, but I don’t even consider the sword to be the main weapon in the original game. The boomerang-like Dagger of Throwing, which you get about a minute or two into the first level, does all the heavy lifting for the combat and pairs perfectly with the jumping-based level layouts. (shrug) So yeah, I like the first Wizards & Warriors. I also get why people wouldn’t, and it’s not hard to figure out where the series went wrong.

Once again, the problem is that the entire game is based around this sword that just isn’t satisfying to use. For this Game Boy release, take Ironsword’s combat, which was meant to be the primary attack method of the original game, and subtract the ability to skewer enemies while jumping, giving the player even less versatility than ever before. That had been the most effective attack in the sequel since there was no Dagger of Throwing. In Fortress of Fear, there’s NO jumping attack at all and, as always, there’s no OOMPH to the combat at all. Your sword’s sprite and the enemy sprites don’t feel like they exist in the same dimension, and the underwhelming armpit fart noise when you hit them doesn’t exactly make me think they’re being impaled by sharpened metal. Enemies don’t even blink to register damage. THIS is the new “worst sword combat ever” game. And now I’m also convinced the Dagger of Throwing was a last-second addition to Wizards & Warriors 1 that they resented adding to the game. How else do you explain Rare not realizing how important it was besides outright spite?

You can do a big, cutting vertical slice but it’s slow and doesn’t do more damage than a basic jab with the sword that’s twice as fast. So, wow, Ironsword was somehow made worse. Unbelievable.

If fans of the original are disappointed in the combat, just wait until they realize even the genre is different. Despite the hero and several enemies from the original game appearing with nearly identical sprites (like the eagle above), Wizards & Warriors X isn’t played in a way that fans of the series would expect. Instead of having to explore, locate keys and grind-up resources, Wizards & Warriors X is a linear side-scrolling platformer. What the fudge? This style of combat isn’t suitable for that at all! That would have been true even in the best circumstances, but the level design is so basic and bland that it’s surprising nobody making the game realized what a stinkeroo it was. The designers leaned far too heavily into the idea of building levels around hold-your-breath long jumps onto tiny moving platforms. Of, if not long jumps, outright blind jumps. Sometimes I mean that literally, as you’ll actually land on the moving platform but it’s positioned just below the view of the playfield. It’s like they drew the maps for the dimensions of a normal 80s/90s picture tube TV only to realize the Game Boy used a different aspect ratio. It happens a few times and it’s so inelegant. So are the amount of necessary jumps that have unavoidable falling damage.

This game couldn’t even do doors right. If a door is on the left wall, you can’t see it. So you have to bump into doors.

And the bad decisions keep coming. There’s chests and keys like before, but only two items of substance are found in the chests. One is a shield that, as far as I can tell, does nothing. Allegedly it halves your damage, but I didn’t notice it working. The “Boots of Jumping” increase your jumping height and length, but they’re lost if you die. Since collision is bad and your attacks are worse, with enemies seemingly tailored for jumping-based combat that wasn’t included, you’ll die a lot. It took until the final level of the game for Wizards & Warriors X to even get a heart beat since the level is set-up like a maze. But it must have just been the gas escaping postmortem because like two minutes later I beat the game just moving straight and taking doors when I came to them, then just stabbing the last boss blindly (and dying four times in the process) until he died.

The last boss has no room to dodge.What’s even dirtier is that in order to get to these platforms, you have to jump from a higher platform and accept fall damage. That happens a lot in Wizards & Warriors X. The game literally does nothing right from a gameplay perspective. The only nice thing I could think of to say about it? “It’s better than Castlevania: The Adventure.”

The total time investment is about 20 to 30 minutes. I want it back. I even kind of regret having to concede that the graphics are really good, because when a game that’s this bad looks as good as Wizards & Warriors on Game Boy does, it becomes almost sinister. Nobody sets out to make a bad game, of course, but when a bad game looks fun in still photos (such as the kind on the back of a box, for example) it feels cynical to me. So Fortress of Fear’s negative reputation is well-earned. Horrible game. It’s astonishing how far this potentially huge game franchise fell after the first title. Did anyone involved in a sequel not realize how much all the fun in the first game relied on the ultra-satisfying Dagger of Throwing? I’d say “one of these days, I need to play the first Wizards & Warriors without ever getting it.” Then again, with Ironsword and now Fortress of Fear, I’ve already sort of done that twice, haven’t I?
Verdict: NO!

Filed under Retro Reviews Tagged with Wizards & Warriors, Wizards & Warriors Fortress of Fear, Wizards & Warriors Fortress of Fear Review, Wizards & Warriors Game Boy, Wizards & Warriors Game Boy Review, Wizards & Warriors Review, Wizards & Warriors X, Wizards & Warriors X: Fortress of Fear, Wizards & Warriors X: Fortress of Fear Review

Cabbage Patch Kids: Adventures in the Park, aka Athletic Land (Colecovision/MSX Reviews) Plus Bonus Reviews of the Unreleased Atari 2600 Version and Athletic World – The Indie Sequel for Game Boy!

January 26, 2026 by Indie Gamer Chick Leave a comment

Cabbage Patch Kids: Adventures in the Park
aka Athletic Land
Wait! Don’t Go! I swear this isn’t a joke review!
Platform: Colecovision and MSX
Released in 1984
Developed by Konami
NEVER BEEN RE-RELEASED

(Colecovision) Can you tell how deliberate I was in picking this picture first? By the way, Cabbage Patch Kids was the first toy that caused Black Friday riots. Not stampedes, but actual f*cking riots! The dolls were the biggest hit Coleco had EVER had in their entire company’s history. Far more profitable than Colecovision (it’s not even close), but they’re also proof positive that Arnold Greenberg was one of the worst CEOs in the history of gaming or toys. He was awesome at “step one” and not so awesome at any step that followed. Every single hit product Coleco had once he took over in 1975 he eventually turned into a loss leader. Colecovision gave birth to the Adam Computer, the business Greenberg REALLY wanted to be in and pushed hard for even though they had no infrastructure for home computer development or manufacturing (it’s not remotely close to the same infrastructure a game console utilizes). Then he ignored engineers who told him it wasn’t ready or any good and pushed it into production. Today the Coleco Adam is largely considered the one of the worst computers ever. Cabbage Patch Kids went from BILLIONS in sales to record-setting inventory crush in a three year span when he ignored established toy trends. Coleco was the #1 toy maker in the world in 1984 and bankrupt by 1988. The guy who greenlit all those hit products also didn’t have a clue about managing them. But hey Arnie, thanks for Colecovision. I do loves me some Colecovision.

You’d probably figure Cabbage Patch Kids would be a game for young children. An “edutainment” game along the lines of Reader Rabbit, right? Nope. Cabbage Patch Kids: Adventures in the Park is basically the Colecovision’s version of Pitfall!, the David Crane classic (yes, I’m aware Colecovision does have a real port of Pitfall! too) mixed with a little bit of the reality competition Ninja Warrior with challenges like skipping across pillars and trampolines. It’s also one of those games people like me discover and are always shocked to find out it’s “really good!” that, upon revisit, I’ve dropped down to “it’s fine.” It’s still a remarkable achievement given how early this was in the genre though and an underrated showcase for what would soon be gaming’s #1 genre.

(Colecovision) That is one smug looking main character. If this game had been more popular, the fish would have gone down as one of the most notorious gaming antagonists. Trust me on this. I’ll also note that the last jump is one of the most deceptively difficult challenges in gaming. Any attempt at jumping off when the platform is anywhere but the lowest it gets or maybe one tick above the lowest will result in a death. Now a modern game would probably do a better job of conveying that and maybe have a line or maybe the platform itself lights green for jump and red for don’t jump. But for a platformer made early in the genre’s learning curve, this is impressive.

In the game, you scroll one screen at a time to the right and jump over and across different things. Make no mistake about it, this is a shameless Pitfall! rip-off, in style and substance. And, like Pitfall!, Cabbage Patch Kids’ problem is the genre has come so very far from the trail that it helped blaze. As an early platformer, there’s only a handful of challenges here that are mixed and matched, but they’re not always optimized for maximum gameplay. Actually, “a handful” isn’t entirely accurate, because when I actually counted-up the amount of things Cabbage has that can kill you, I was kind of stunned. By my tally, there are ten possible primary hazards (eleven if you count the timer) and seven supplementary hazards that can be mixed-and-matched with them. In the above screenshot, in addition to the moving platforms, I had to avoid the dreaded fish. In a screen with the trampolines, I might be hopping across mini-ponds that have the fish while also avoiding spiders that fall from above.

(Cabbage Patch Kids: Adventures in the Park for MSX) This is a “sock it to you” level: water to jump over with fish jumping out of the water, spiders raining down on you, and a camp fire right at the end that you have to jump over (a tight squeeze between it and the final pond) that also spits fireballs at you.

So they actually squeezed more millage out of the obstacles than I realized and props to them for that. But, once you have the timing down, Cabbage Patch Kids is really just requires patience. With the fish, the fire, the ropes, the spiders, and the moving platforms, it’s just a matter of waiting for an opening. Within an hour of starting, the only obstacle that consistently got me killed was the fire, and only when it’s positioned like it is in the above screenshot, where there’s barely any room to jump over it. Because it fires projectiles, the timing of when it’s even safe to stand on the space between it and the water is tricky. Maybe that’s where the Cabbage Patch Kids license actually factors in and this is baby’s first platformer. Probably not since some of the screens are pretty hardcore in the amount of stuff they throw at you. They also missed several chances for risk-reward temptations. Plus there’s the occasional head-scratching empty screen. Those really weirded me out, because the empty screens happen even deep into the game. Here is one on the 68th screen of the game.

(Cabbage Patch Kids for MSX) There was literally no challenge on this screen. Just walk right and don’t stop to smell the flowers since the timer is still running. Or maybe the challenge is sensory deprivation, and the object is to not be lost in isolation of your own internal madness. Probably not since I didn’t die on it once.

Sometimes my readers get angry or confused by my constant usage of “it’s fine.” Which is strange because “it’s fine” always means, at the very least, “I had more fun than not” which is an automatic YES! because that’s my criteria at its most basic. And Cabbage Patch Kids is fine, truly! I’m giving it a YES! and everything. But yeah, I mostly use “it’s fine” for games that I or others have overrated. In the case of Cabbage Patch Kids: Adventures in the Park, it’s a solid platformer that was ambitious for its era and does a good job with the limits it had, but the fun isn’t endless and it’s certainly not an all-time great. Even if it’s not making gameplay mistakes, it’s just too limited and too easy to clock. My only real gameplay annoyance was how rigid the trampolines are to use. You want to hold RIGHT and press the jump button when your feet are about to make contact.

(Cabbage Patch Kids for MSX) This apple is the only bonus points item in the game and it only appears in trampoline levels. It only scores 200 points, which is nothing when you consider you get 2,000 points just for finishing a group of ten stages. Hell, sometimes I genuinely think the apple is impossible to get if it’s in the wrong position on screens with spiders/coconuts. I’m kind of fine with that too because it feels like it’s there to tempt players. What the game could have used to give it some extra score-chasing mileage is more risk-reward chances. Honestly, I wouldn’t mind if every screen had a fruit. Having only one feels like it was there because an executive said “add some items to collect! Kids love that sh*t!”

At first I thought Konami realized they burned a pretty damn decent action game on Cabbage Patch Kids of all things because they re-released this for the MSX under the name “Athletic Land.” Except it appears to be the other way around. Athletic Land was either already out or already nearing the end of development (release dates for MSX being fickle) and Coleco had a good working relationship with Konami, plus the MSX and Colecovision are very, very compatible. To put it in perspective, the MSX emulator I use is also my Colecovision emulator. Either way, Konami just quickly flipped Athletic Land to Cabbage Patch Kids, and it’s a good thing they did because that gives this a fighting chance at a modern re-release if Konami ever decides to put out another MSX collection. Three volumes of ten MSX games were released for the original PlayStation exclusively in Japan from 1997 to 1998 (that were combined and released as one big set for the Sega Saturn) and Volume 2 has Athletic Land. Great sign that this is a modern re-release candidate. The problem is that Athletic Land is visually just a minor upgrade of the Colecovision Cabbage Patch Kids game while the MSX Cabbage Patch Kids has some pizzazz and is the only game that lets you custom-create your character. In the three screens below, Coleco Cabbage Patch Kids is on the left, the MSX version is in the center, and Athletic Kids is on the right.

Cabbage Patch Kids: Adventures in the Park for Colecovision

Cabbage Patch Kids: Adventures in the Park for MSX

Athletic World for MSX

Note that all three of those screenshots were taken on level 36. Now, I’m not sure if it’s just the placebo effect, but I think Athletic World might be slightly, slightly harder than the other two in terms of timing, but if it actually is, it’s negligible. Overall, for such an early platformer, Athletic Land/Cabbage Patch Kids aged remarkably well. Plus it controls a little better than the original Atari 2600 Pitfall!, though it’s very picky about what jumps land and which ones don’t. I jumped a little too early once hopping onto the first log on a screen and died from the jump somehow. It probably counts as walking into the log, which is fatal. I only did it once and never again because I learned my lesson. So while it’s not age-proof, Cabbage Patch Kids: Adventures in the Park/Athletic Land is fun enough for thirty minutes, making it an ideal addition to a compilation. Not an all-time classic, but for sure one of the all-time hidden gems. I kind of feel sorry that the game is tied to Cabbage Patch Kids. I imagine a lot of kids who were too cool to play a game based on dolls never bothered to give it a try. Their loss.
Verdict: YES! YES! and YES!

BONUS REVIEWS

Cabbage Patch Kids: Adventures in the Park
Platform: Atari 2600
Unreleased Completed Prototype
Designed by Ed Temple
Developed by Coleco
NEVER BEEN (officially) RELEASED

My first GAME OVER came on the 4th screen of the game. Yeah.

Oh the Atari fans are going to hate this review. Apparently Cabbage Patch Kids is considered one of the best unreleased prototypes, but I’m not there. It IS impressive, don’t get me wrong, but the jumping physics are very strange. Like, some of the weirdest I’ve ever played. You don’t actually have to press a direction when you jump. You’ll move forward automatically, but the actual trajectory of the jumps are these high, shallow arches. It’s so weird. You kind of have to just play it to appreciate it. The game is certainly tailored around it, though. All the platforms or waterholes are spaced correctly to accommodate the actual length you travel, and you can change direct mid-jump too. That’s the only way you can do a straight up-and-down jump.

Cabbage Patch Kids (Atari 2600)

While all the obstacles are here, the trampolines are much harder to use, and there’s less of them (thank god). The character looks like someone wearing bunny ears, the sound effects and music are a dental drill to the eardrums and the bees look more like the disembodied torsos of women. Plus, collision is a little bit on the picky side, but on the other hand, you can get away with some things you can’t get away with in the other versions. Like at one point during the log platforms, I jumped directly from the second-to-last log to the ground and didn’t die. Also, you don’t die from jumping off too high a point on the moving platforms. But what really killed Cabbage Patch Kids 2600 for me was that the angles of the gaps are much easier because of the automatic movement. Once I stopped trying to move on my own and realized the game did the hard part for me, I went from losing all my lives on the fourth screen to barely needing to do any work at all, and I just stopped having fun. It’s a good effort, truly, but I didn’t like this at all. Sorry, Atari fans, but Alligator People is still the superior 3rd party unreleased Atari prototype.
Verdict: NO!

Athletic World
Indie Remake of Athletic Land/Cabbage Patch Kids
Platform: Game Boy – Super Game Boy Enhanced
Released April 12, 2023
Developed by MHZ Games
Download the ROM – Pay What You Want
Link to Store for Physical Copy

Leave it to an indie developer to make the greatest game in this series!

What a damn impressive effort Athletic World is. The name is a bit confusing since Athletic World is also the name of an unrelated NES game that was designed for use with the Power Pad. But, make no mistake, THIS Athletic World is exactly what an early-era Game Boy port/sequel of Cabbage Patch Kids/Athletic Land would have been, and it’s an outstanding game that would make the original designers proud (at least I hope so). It adds new obstacles, and the timing of the moving obstacles is much, much more fine-tuned to create an optimized challenge. So, I want to get the message out there, to anyone who aspires to make a modern tribute to a classic game, download this ROM, get a pen and paper, and start taking some notes.

Athletic World kept surprising me. After over 80 stages and having gone a while before any new obstacles were introduced, I was organizing my thoughts and shaking my head at how well made this was and BOOM, another new obstacle: a snake. Huh.

First off, the authenticity of an early-era Game Boy title is astonishing. Every aspect of this feels exactly like a launch-window game for that platform, but in a good way. Athletic World has charming sprite work, sound effects, and a good chiptune. The designer didn’t take advantage of having more resources available to them than a designer at the time might have had. I’m not some kind of purist and often point out that there’s nothing inherently noble or sacred about the limits developers had because, make no mistake, studios of that time frame would have crawled on shards of glass to have higher storage capacity. But because Athletic World is such a simple game, I think it actually lends charm to the experience. Other than including Super Game Boy features, Athletic World has a small file size and feels the part, but it works because it’s the gameplay that’s optimized, not the appearance.

This is one of the new obstacles and it looks so simple. It’s just a tiny little stick on a rope that swivels (right before I hit publish Angela said “I think it’s supposed to be a tire swing.” Maybe?). If you can actually hop on it, I never figured out how (and not for a lack of trying, I assure you). It’s really hard to clock by itself. It’s rarely by itself, too.

All the obstacles of the original games are back, but the jumping physics aren’t. Jumping is much shorter and stiffer in this one. The bouncing balls and other obstacles can’t be survived just by jumping straight up and down. You have to be moving forward or backward, and the obstacles take advantage of this. The biggest change isn’t the new obstacles, but how fine-tuned all the obstacles can be. I said about the Coleco/MSX games that once you have the timing down, it’s just a matter of waiting for an opening. While the same theory applies here, that window is much shorter. The genre might be platforming, but the action feels more like a Frogger-style cross-the-road game at times and you’ll likely find yourself wiggling back and forth waiting for things to line-up in a way that you can make your short jumps.

Weirdly (perhaps sadly) the blank screens return, only instead of being absolutely nothing, your cat (or a dog if you play as the boy) is waiting for you. Sometimes it leaves a bonus fruit for you, and sometimes it takes a sh*t and if you step on it you lose 700 points. I’m not joking. Cute clapback to the original, I guess, but I wish these would have been dumped altogether. Heh, dumped. It’s funny because you’re jumping over sh*t.

The new obstacles are mostly winners. One of them sees you clinging to the side poles that you slowly start to lose your grip on. I never died on that screen or even came close and had to deliberately wait and see how long it takes to lose your grip, so perhaps that should have been reworked. The swinging stick I already showed off is the hardest new challenge, and there’s also disappearing platforms and a new style of dive-bombing bird. This game also has a climax too! After 99 screens, you have to follow your pet and rush as fast as you can through ten screens (just don’t try to copy the pet, since they can jump on things that kill you. Learned that the hard way). You can’t wait for an opening because you’re being chased by bees, but this is where the fine-tuned design shines brightest. And after you finish this and get the game’s ending, guess what? There’s a second quest that’s much harder. Hot damn, this developer went all-out. My biggest complaint is that, once you reach second quest, there’s no option to skip straight to it if you turn the game off. If the developer reads this and there’s a cheat code, you need to alert GameFAQs.

It’s actually well done. Again, he did a great job of fine-tuning.

So, this really is everything you’d want a sequel/remake to Athletic Land if the franchise had lasted past the MSX. It even has the Konami code in it! While I was playing Athletic World, I kept thinking “I really hope the developer is proud of this game.” I mean, I sincerely hope that about every indie game I play, even the ones I don’t like, but Athletic World succeeds on so many levels and is probably doomed to remain obscure. Why wouldn’t it? A fan-made Game Boy tribute to a game already deeply under the radar? Christ, I’d be stunned if this sold 100 copies (my friend Saud ordered one of the physical carts right before I published this, so make it 101). Yet, its existence fills me with joy. Athletic World is, no joke, one of the best Game Boy titles I’ve reviewed yet. It makes very few mistakes, pays proper tribute to an older game, and it does all that while perfectly mimicking a specific style of game on a black and white platform. Most importantly, Athletic World remembers that there’s no better way to show your love for a game than making a better version of it. CELEBRATE THAT! How can anyone who loves gaming not feel a little warm inside that something like this could exist? Athletic World is everything good about indie gaming tributes with none of the bullsh*t, and I love it.
Verdict: YES!
And seriously, give it a try and if you enjoy it, kick the dev a few bucks, or hell, order a physical copy!

The Goonies (MSX Review)

January 23, 2026 by Indie Gamer Chick Leave a comment

The Goonies
Platform: MSX
Released December 23, 1985 OR Early 1986
Developed by Konami
Released Only in Japan and South America
NEVER BEEN RE-RELEASED

Do you know what sucks about The Goonies for MSX? On the off-chance the NES versions of Goonies 1 & 2 get a re-release (and I think it could happen, either directly from Konami or via a middleman like Limited Run Games) the MSX game will be left in the dust when it has a legitimate claim to being the best game in the series, depending on the type of game you want. Goonies II is one of the best early Metroidvanias, but if you want a quick and dirty retro PC style platformer that plays really well, this could be the best game in the franchise. So, if you enjoy this review, show it to your favorite retro game publishers so the MSX build doesn’t get left behind. My heart already aches for MSX’s lack of modern clout, but licensed games for it are likely never getting a second chance because they’re so far off the radar that I doubt anyone will bother. Let’s change that as a community! Talk about MSX with retro publishers. Talk about how these games aren’t just stripped-down titles, but unique titles with their own gameplay merits. It’s really up to everyone to create awareness of this platform to modern publishers.

Ah, the MSX. I’ve really come to appreciate it for its unique takes on established games. Whether it be an exploration-based version of the original Castlevania or one-off sequels in the Gradius franchise (MSX was arguably the big winner of the 76 game Konami Shoot ‘Em Ups: The Definitive Review), this is a platform that practically demands my attention. So when I found out that its version of The Goonies was heavily modified from the Famicom game, I was intrigued. Technically I don’t have a review of the console version of the Goonies up, but I do have one for its arcade counterpart, Vs. The Goonies, which is essentially the same game, and I wasn’t a fan. The Goonies for MSX seems similar, right? It has almost the same chiptune version of “Goonies R Good Enough,” a similar cave setting, an unsatisfying attack and items that are hidden in arbitrary places. But worry not, because Goonies on the MSX is far and away the superior Goonies 1 video game and one of the best MSX titles I’ve played yet. It doesn’t do a lot and it doesn’t last very long, but it still manages to be basically non-stop fun.

Don’t let the “EXP” meter fool you into thinking this has RPG elements. When you kill an enemy, the EXP meter fills up a little bit. When it fills up all the way, you get a little bit of health back.

The Goonies on MSX is just a lite-on-frills platformer set in a maze. The game is divided into five levels and the object is to collect all seven Goonies in each level and then find an exit. The Goonies are behind locked doors, but keys are just lying around. You don’t have to kill a single enemy to collect one. There’s no bombing doors like in the Famicom version. The catch is you can only hold one key at a time, but that’s not a problem at all. There’s A LOT more keys than there are locked doors. Maybe too many, actually. Even on the fifth and final level there’s literally caches of keys that went almost entirely unused. However, not every locked door has a Goonie. Some will have potions that restore your health, while others might rarely trigger the hidden items. Worst case is a door might be double-locked, but I never had to travel too far to get the second key. The final door on each level is marked with a skull and crossbones, but once you have the seventh Goonie, just return to it and walk through it to beat the level. There’s no bosses, so really this is just a search for the Goonies.

Sadly, caves are the only setting. They usually are either red, blue, and green to make each section distinctive. Exclusively in level four, one of its areas had yellow caves, and I almost fainted from sensory overload.

Notice that giant skull in the above pic? It’ll swap you around to different areas of each level. Every screen is marked with a different “scene” number which is confusing and unhelpful. Thankfully the different areas in each stage are short, making backtracking as non-annoying as I’ve ever seen in any game. The numbering of the scenes might throw you off at first. The first door you encounter in a level could jump you a few scenes ahead of where you would expect to be, but you can always go backwards if you need to. Fans of drawing your own maps will probably really dig this one, and it’s a cinch thanks to the MSX’s limitation that prevents scrolling.

You can see what the final door looks like in the upper-left corner. You might encounter it quite early in a stage. Also, notice those water sprays? They’re practically the chief antagonist of the whole game.

The hidden items are back and some are hidden in arbitrary spots again. Sometimes you might have to jump where a waterfall is, kill X amount of enemies on a specific screen, or punch a specific rock. The items can really nerf the game too, including preventing the Fratellis from attacking you. There’s also hidden items that are actually whammies and do things like make endless ghosts spawn (you REALLY don’t want that one) or increase the attack speed of enemies and the Fratellis. I have no idea why they did that. Some items eventually wear out, too. The first one I found was a helmet, and then halfway through the third level I noticed it was gone. Others are permanent, including the whammies.

There’s so many skulls that levels can feel overwhelming at first, but since each area is pretty small, it’s hard to get lost. Backtracking never ate up more than a minute or two and most areas have multiple pathways to navigate. You also don’t die from falling so you can skip the slower vines and just jump down if you need to.

And that’s really all there is to Goonies MSX. As basic as it is, the level design is actually the highlight of the game. Levels are like labyrinths, but other than the numbering system, they’re not that confusing and it’s actually a lot of fun to clear out each new area. Finding a new Goonie is always satisfying, and if I had to complain, I guess I wish the items were hidden behind locked doors instead of shoved in arbitrary places that require arbitrary actions to unlock. They certainly had places they could have put them, because there’s way too many healing potions behind locks. Since you heal from killing X amount of enemies, I think they could have ditched some of them and replaced them with more logical placements of the items behind locked doors. Hell, they could have also created more reasons to use keys, like placing more locks on the doors that have the overpowered items, like the ones that prevent damage from gunshots or waterfalls. On the other hand, the over abundance of keys did ensure a zippy pace. The game flies by and never has a chance to get boring. I wish there had been a hard mode or a second quest, because I would have done it.

The Fratellis use the Mikey sprite, only painted a single color. It makes them look kind of like Mr. Game & Watch. But they use the same attack patterns as they do in the NES games, including one that shoots music notes at you.

The biggest drawback is the combat still sucks. You have to punch all enemies when they’re right next to you. The punch has limited range and is your only option since you can’t even get a slingshot in this game. Or, if you can, I never found it. Thankfully most enemies have easy-to-clock attack patterns and die from a single punch. The Fratellis work the same way they do in the Famicom games, where they can’t be killed and instead are only knocked out for a few moments. The rats are replaced with skulls, and there’s also bats, skeletons, and spongy-ass ghosts that you’ll want to just run away from since they don’t chase you from screen-to-screen like the Fratellis do and they take multiple hits to kill. ANY variety in the combat would have been welcome, but it’s not a deal breaker. Again, the breakneck pace, unusual for this style of game, voids any frustration with the combat.

As you can see at the bottom of the screen, I had so many items by the end of the game that I didn’t have room for anymore.

Goonies on MSX isn’t going to change your life or anything, but it’s a damn solid waste of an hour or two. It’s a wonderful example of “less is more” because it strips out the tiring need to grind-up bombs like in the Famicom game and just focuses on navigation. Since jumping is done by pressing UP, it took me a little while to get used to the controls, but after that? I guess I just dig this type of exploration-based item hunt. Of course I wish the game offered a bigger variety of settings and music, but as far as stripped-down ports go, this is one of the better ones out there. It’s a simple game, though. I think they could have toned back the amount of keys even if that means having to backtrack more, because the game is probably too easy. But it’s fun, and that’s all I care about. Assuming Konami ever does make a deal to re-release the Goonies titles associated with the NES/Famicom, I know it’s a long shot but I hope they remember this version. As I said in my Tempest 2000 review (in Llamasoft: The Jeff Minter Story – The Definitive Review), sometimes a +1 is a positive thing. Goonies for MSX would be a marvelous +1 throw-in bonus for a 2 in 1 Goonies pack that’s anchored by the underrated classic Goonies II. And by the way, 2026 is the 40th anniversary of the Famicom original. I’m just saying!
Verdict: YES!

Filed under Retro Reviews Tagged with Goonies Game, Goonies MSX Review, Goonies video games, MSX, MSX Games, MSX Reviews, The Goonies, The Goonies MSX

Kickle Cubicle (NES and Arcade Reviews)

January 18, 2026 by Indie Gamer Chick Leave a comment

Two in one review today and I’m going in the opposite order that I played them.

Kickle Cubicle
aka Meikyuu Jima
Platform: Nintendo Entertainment System
Released June 29, 1990
Developed by Irem
NEVER BEEN RE-RELEASED

Kickle Cubicle (NES)

Back in my first year of IGC, so many puzzle games were compared to an NES game called The Adventures of Lolo that I ended up buying it on the Wii Virtual Console. I liked Lolo a lot (a Definitive Review might be coming), and that led to recommendations of other Lolo-like games. One game that came up with semi-regularity was Kickle Cubicle. Years later, I sampled it while running through NES games and really liked the gameplay and thought “yep, this will be a contender for best NES puzzler.” And this is why sampling doesn’t work. Kickle Cubicle on the NES is way too easy. Unlike something like Lolo or Baba is You, once you get a feel for the logic of Kickle’s puzzle design and the limited amount of twists that can be done with it, all you have left is a solid sort-of action/sort-of puzzler. But maybe I’m not the target age. More on that later.

Seriously, some of the best graphics on the NES. Tons of moving characters, too. It’s very impressive from a technological point of view, and it helps that the character design is memorable. Great animation too. How come nobody talks about this one?

See the little blue blobs in the above puzzle? They’re your blocks. You have an unlimited freeze breath that turns them into ice cubes. Ice cubes pushed into the water permanently become land. The catch is an ice block can’t be pushed only one space ahead. They will always travel in a straight line until they either hit the water and become land or hit another fixture, such as a rock and stop. Your other superpower is the ability to create unlimited ice pillars that act as stoppers for the ice blocks. Their catch is that some of the spaces on the grid not only prevent the blue slime things from walking on them, but you can’t place pillars on these spaces either. Using your two magic ice tricks, their limitations, and a variety of environmental assists like hammers that you can manipulate to redirect the ice blocks and springs that bounce the ice blocks, you have to collect three magic bags to clear a stage. The main game has a whopping 67 levels, 4 bosses, and if you want, 30 additional bonus stages. But it wasn’t until the 17th level of the post-game stages (pictured below) that I actually had a puzzle that was a genuine head-scratcher, and really there were only a few more stages after I beat it that I struggled with.

I should note that Kickle Cubicle has an absurd amount of downtime. Upon completing each stage, you have to watch the level collapse into the water, wait for the game to count-up your bonus points (the points system being a relic of the coin-op that’s completely unnecessary for the home game), then you see a map screen which does nothing because the stages are linear, then it takes you to the next stage. Why is it like this? Well, because the Famicom version is non-linear. When you beat a stage, you have to manually float yourself to the next iceberg, select it (and not accidentally press the map button), and it’s just a slog. How could such a clever game have such a DUMB idea? So if you want a faster-paced version of the concept, play the coin-op. It offers more challenge anyway. In the slideshow below, you can see how many steps there are between levels.

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As for the levels themselves, maybe it’s because I beat the arcade version before I beat the NES game, but I found the puzzles in NES Kickle Cubicle to be among the easiest in any game I’ve ever played like this. Whether it be Lolo, Baba is You, Sokoban (aka Boxxle) or any other logic puzzler, the genre can be cracked by simply figuring out what the last move is and reverse engineering from there. Cubicle’s biggest problem is that the nature of its design usually makes the final move so self-evident that there’s not very much puzzle left. Because kicked blocks move in a straight path and don’t stop, it’s usually pretty easy to figure out. Unlike a game where you push blocks along a grid one space at a time like Baba or Lolo, “straight line” puzzlers like this or Slayaway Camp/Friday the 13th Killer Puzzle are among the easiest to reverse-engineer. Take this puzzle, and mind you, I’m writing this paragraph in real time as I play this level for the first time. This isn’t an early stage. This is Special Level 21 out of 30.

It’s actually a unique level because it’s only the second time a stage utilizes the idea of the hammer blocking your path. You can only push the hammer’s head from the sides. The little circles in the ice can’t be walked over or have a pillar placed on them, and the ice cubes don’t plug them up to become land. BUT, but the ice cubes will pass over them and continue on until they stop. My objective is to clear the path to the bags, but if I kick an ice block into the bottom hammer which will knock it into the top hammer, the bottom pathway becomes the one blocked by the hammer. There’s also a series of springs along the path. The final move is obvious, as I just need to be on the right side of the hammers when the ice cube strikes them. First, I do a single hammer cycle, then I push the block out of the way while it’s ricocheting off the spring (the only time you can push a moving block, as there’s a small window that allows it).

The red blocks shatter the ice if a moving block hits them on the pointy end. Now I just need to move the bottom hammer out of the way, and I do this by first moving the top hammer’s position. I want it facing upward.

The three rocks above the starting area will act as a way to catch the ice cube, then I kick the ice cube so that it begins to bounce off the springs.

Now I just have to avoid the ice cube and point the hammer down while the Cube is moving right to left, so that I have enough time to set the hammer and clear out of the way, since the hammer will kill you if you’re in the area around it when it’s activated. That part’s easy. I simply need to stand off to the right side and the path will be cleared.

And that’s it. Took me about five seconds to spot the “final move.” The rest is just following the steps that get there in reverse. “What’s the second-to-last move? What’s the move to get you there?” and so forth. And because of the mechanics, there’s not multiple different options for each of those steps. If you pause the game and work out from the last step, you should be able to eventually reach where Kickle is standing. There’s usually only one option with no branching paths. There’s very few levels in Kickle Cubicle where the final step is open-ended. It only has a couple gags it can go to in an effort to try to trip players up, but once you’ve done them once, you’ll immediately recognize the same puzzle design later on, and then there’s nothing left to “solve.” The very next stage looked daunting for about five seconds, but by ten seconds, I knew the solution because there’s only one space that can be the “final move” and, what do you know? Hanging right above it is an odd little cubby hole for you to hide in and a spring directly left of the space below it.

I marked the “final move” with a circle and the cubby hole with a star.

All that’s left is to move the block around, and since you can’t pull the block, it’s easy to figure out what sequence of gaps and walls are the correct one since one move usually places the block against a wall in a way where the block can’t be used.

The weird thing is, the arcade game had fewer basic enemy types and much tougher puzzle design. At one point, I spent a couple hours on-and-off on one puzzle in that game and couldn’t come up with a solution. Nothing like that happened on the NES game, whether I played the US or Japanese puzzles. Part of that might be the grid is much, MUCH smaller on the NES. In the home version, the grid is 15×13, compared to the massive 23×14 playfield of the coin-op. The toughest levels in the coin-op utilized the bigger screen. Not that it’s tightly designed, necessarily. I had three instances in the coin-op where I’m fairly certain that I beat a stage in a way not intended by the designers, including the final puzzle stage before the last boss, because I discovered that if you push the hammers at the exact right moment, it’ll stop the block without harming you OR redirecting the block. That trick doesn’t work on the NES, by the way, but I still had two instances where I know I won in a way not intended. In the screenshots below, I never even used the bottom right hammer but the little bomb enemy pushed the final bag to within my reach. The actual final move was to use that hammer to hit the cube up to make a land bridge. When I noticed the bomb was moving the bag to the right of the screen, I wondered if I could cheese the design, and I could.

I hope it doesn’t sound like I’m taking a dump on Kickle Cubicle for the NES, because I genuinely think it’s a quality game. It’s just not a particularly challenging game for me. I think the average puzzle fan will massacre this game, but if not for the absurd gap between stages, I don’t think they’d get bored. Plus, Kickle NES does offer some challenges the coin-op doesn’t. Enemies like clowns that throw balls at you or sparks that bounce around and have to be avoided aren’t in the coin-op. The sparks especially have some of the more difficult levels because they’re based around timing and feel more like the type of challenge that Lolo had. The four bosses are also very different from the coin-op. The fights are much more basic. They throw a giant ice cube at you that becomes the ammo you push back at them, and you avoid their charging moves and shove cubes into them. The coin-op’s bosses are much more clever (until the final boss, who has the classic attack pattern of “spam basic enemies and projectiles until dead.”), but the fights are fun enough. As a warning, the Famicom version’s bosses take more hits and the fights become kind of boring for it.

Just don’t expect this to stretch your gray matter to the limits. If you want a real challenge, you’ll need something like Lolo or Baba is You. The stages that are truly mind bending are few and far between, at least in the home game. On the NES, I never had a single moment where I got stuck and then felt stupid because the solution was so obvious. But there is an audience I think Kickle will be perfect for: young people. The puzzles featured in Kickle Cubicle feel like they’re perfect to introduce children, say, 8 to 14, to the logic puzzle genre. Calling this “baby’s first puzzler” is too extreme. This isn’t Highlights for Children. It’s a step above that, but an important step. I hope my friends at ININ Games and Irem are reading this, because they should seriously consider a re-release for Kickle Cubicle as a two-in-one package. You might want to also consider ROM-hacking in some new levels. I actually would have added a Kickle ROM hack to this feature but apparently none exist. So, before I render a verdict, let’s jump to the coin-op!

This is the final level of the post-game content regardless of whether you do the NES or Japanese version, and it was the first time I needed a while to work out the solution and ended up losing multiple lives.

Kickle Cubicle
aka Meikyuu Jima
Platform: Arcade
Released June, 1988
Designed by Hiroya Kita
Developed by Irem
NEVER BEEN RE-RELEASED (?)

Not exactly the type of game you expect to play in an arcade, huh?

There’s a strong chance you’ve never played the coin-op of Kickle Cubicle since it never was released outside of Japan. Now, while I briefly sampled the NES game about a half-decade ago, this review was originally supposed to be for just the coin-op since I figured it had a better chance at a re-release. When I turned on the NES game later, the levels seemed similar but there was no sense of urgency like there is for the arcade version. I mean that in the literal sense too, as the timer in the coin-op feels like it runs a lot faster. I timed-out exactly once while playing the NES game and it was very, very late in the special levels. For the arcade game? I timed out quite a few times.

Now part of that can probably be attributed to getting my sea legs. There’s a formula to the type of puzzles you see in Kickle Cubicle and during my playthrough with the coin-op, I hadn’t experienced every twist there is to using the springs, hammers, or the chicken enemies. The chickens are part of the NES game too and sometimes mess up your progress by kicking the block, but at other times, they’re part of the puzzle and you have to figure out how to manipulate them into doing an out-of-reach kick for you. The other possible excuse is that the humongous playfield (again, 23×14) makes it harder to reverse engineer the path to that final move. Plus, the timer changes depending on the stage, and I had to remind myself this is a coin-op and it’s probably quite cross with me for not dying more than I did. To my credit, a lot of the levels aren’t “puzzles” in the usual sense. Like this:

What do I keep having to tell you people: NEVER trust the chicken.

In that level, the chickens create a timing-based gauntlet for you to run. There’s a fast-moving spike at the end of the path that’s trapped by an ice block, but the ice blocks will eventually melt if you don’t keep them frozen with your breath. It’s the timer within a timer because if you take too much time, the block will melt and the spike will kill you. Okay, levels like this don’t really fit in with the puzzle theme and are probably a feeble attempt to drain lives since the level up to this point haven’t exactly been challenging. Here’s another stage like, where once you shove the block, you have to run the full circumference of the playfield before the hammers hit the ice cube back into you.

“Run mother f*cker!”

My question is “why is this a coin-op?” This is not a genre that should be played using quarters and standing at a cabinet. The coin-op does have four tiers of adjustable difficulty: Easy, Medium, Hard, and Hardest. I played on whatever the default was once, then after playing the NES game I went back to the coin-op and tried it on HARDEST. It added a couple extra enemies and the timer seemed shorter than before, but I also got more 1-ups when I beat bosses than before. Even the bosses didn’t seem harder. Speaking of which, they’re a lot different from the NES game. The four NES bosses are cute and solid for the genre, but they’re kind of samey. The bosses in the coin-op each feel unique. They’re not fantastic battles or anything, but I prefer the coin-op’s to the NES’s.

For the first boss, you have to shoot the blob on the end of its tail to have a means to beat it.

The weird thing is, you’d expect the coin-op to have a bigger variety of enemies and the NES game to have a tighter focus on the puzzles themselves, but actually it’s the opposite. The clowns, turtles, cannons, and guys invincible snowmen that also have freeze breath from the NES game are not here. There’s also a couple more levels that are based around what I call “intercepting” puzzles than in the NES game, probably thanks to the bigger playfield size. This was as hard as the game gets. The idea is that the place you need to create a bridge is completely inaccessible with walls or pillars, so you have to cause two ice cubes to collide from opposite directions to line them up with the spot where you can create the bridge. Getting the timing down, even when they’re usually generous with the size of the area where a bridge can be made, is tricky.

This is an example of an interceptor level.

I think the problem with the arcade game is that it takes too long to warm-up. It’s not until you’re halfway done with the game that the level design really starts to feel like it leans heavily into puzzles and not a meager top-down action game with puzzle elements. For the last half of Kickle Cubicle, there are some decent brain teasers to be found, and the game is generous. You can continue if you game over (there might be a limit to this but I opted for save states instead of lives) and, unique to the coin-op, progress carries over between lives. If you die, your next life will be played with all the land you’ve created still intact, even on the hardest setting. The NES version makes you start over from scratch. The arcade version also controls perfectly, while the NES version has one minor issue with the timing of placing a pillar. If you’re moving while you attempt to place it, you’ll step onto the square and cancel it out. Otherwise, both versions control intuitively and responsively. The arcade game is probably the better bet for puzzle veterans, though be prepared to need thirty minutes before you reach the really meaty puzzles. If you play both the arcade and NES games, you’ll see plenty of look-alike puzzles, but they play different enough to make experiencing both versions worthwhile.

Arcade

NES

While I personally preferred the coin-op, I had a hunch that Irem, intentionally or otherwise, created the perfect entry-level logic puzzler for kids ages 8 to 13 with the NES game. I wanted to test that, and I had the perfect subject. We’re working on a big pinball feature for The Pinball Chick, but yesterday Sasha The Kid, on the verge of turning 10, gave me a little bit of her time to try out Kickle. It’s not entirely her first puzzler since she’s got Baba is You on her Switch, though she hadn’t really gotten into it. Maybe I got it for her at too young an age. I thought Kickle would make a better starting point for her. You know what? She liked it a lot, and I can’t express how satisfying it was to see her work out the solutions to the puzzles, store the solutions in her memory, and start to clear stages at an impressively faster pace. She also proved my theory that Kickle is a better starting point for puzzlers. As I was writing this, she was giving Baba is You a second look without me even asking her to, and Aunt Cathy was wiping tears. So, you know, thanks for that, Kickle Cubicle.
Verdict: YES! and YES!

Filed under Retro Reviews Tagged with Kickle Cubicle, Kickle Cubicle Arcade, Kickle Cubicle Coin-Op, Kickle Cubicle Famicom, Kickle Cubicle NES, Kickle Cubicle Nintendo, Meikyuu Jima Arcade Review, Meikyuu Jima Famicom Review, Meikyuu Jima Review

Starship 1 (Arcade Review)

January 15, 2026 by Indie Gamer Chick 1 Comment

Starship 1
Platform: Arcade
Released July, 1977*
Designed by Steve Mayer, Dave Shepperd and Dennis Koble
Developed by Atari
Originally Utilized Yoke and Thruster Controls
NEVER BEEN RE-RELEASED (?)

*The Killer List of Video Games and other sources list 1976 as the date, but GameFAQs and Wikipedia list a July, 1977 release date so that’s what I went with. This is another game meant to be a bonus review for Atari 50: The Definitive Review – Part Two but since that might take a while to finish, I’m posting them separately. Besides, these games deserve to stand on their own.

So why am I reviewing Starship 1? Well, I saw the Japanese flyer for it in Atari 50 and my jaw literally dropped.

That is so f*cking cool looking, isn’t it? How can you not geek-out over that? It’s just so COOL! I can’t imagine how exciting it must have been to see that in an arcade in 1977. How could anyone pass up a chance to try it? Frankly, I’m stunned this isn’t considered a legendary game based on the cabinet alone. Yet, I’d never really heard of Starship 1 before seeing that flyer in Atari 50. That seems like an ominous sign that the game isn’t very good, right? Well, spoiler: Starship 1 actually isn’t a bad little game at all. It’s a little game for sure and one that I couldn’t put too much time into due to epilepsy concerns, but I enjoyed my time with it. So why the hell didn’t they include Starship 1 in Atari 50? It can’t just be because of the controller, right? They included steering wheel-based games like Fire Truck, Sprint 8, and Super Bug. There has to be a reason. Then I saw it in action.

Oh. Yeah, now I get it. Fun fact: Apparently Starship 1 is the owner of the first “easter egg” (cheat code) in gaming history, though my father and I spent the better part of a half-hour trying to get it to work and couldn’t.

Yep, you’re shooting down ships that look exactly like the Enterprise from Star Trek, which was the inspiration for the game. And Starship 1 isn’t being coy about it, either. There’s also ships that look kind of like Klingon Birds of Prey plus the game literally mentions “The Federation.” It’s a reminder that Starship 1 was made in the wild west days of arcades, where Atari had the chutzpah to ride the wave of Jaws popularity with a game called Shark Jaws, with “Shark” in teeny tiny barely visible letters and “Jaws” in gigantic, all-encompassing letters. By the way, I intended to review Shark Jaws for Atari 50’s bonus reviews and couldn’t get it working, and it likely cannot work on MAME at all. There’s so many games that have no widespread presence for people like me that are interested in gaming history. It’s insane that in 2026, you can’t just play any old 50 year old game from the comfort of your home, even if you’re willing to pay for the privilege. And people used to think the Disney Vault was a nightmare. Yeesh.

My father said “it’s amazing Atari didn’t get sued over this.” Indeed.

Anyway, unlike a lot of coin-ops, you can’t “win” at Starship 1. You’re paying a quarter for an immersive 60 second experience of getting to pilot the not-Enterprise, shooting at four types of baddies while dodging their blasts that look like little circles of static. The standard Enterprise-style spaceships score 50 points. These weird looking space cats score 100 points, while the fast moving saucers score 200 points. The Birds of Prey are rare enough that we didn’t encounter them EVERY game, but when you do manage to see them and shoot them down, they score a whopping 500 points. There’s an impressive-for-its-time sense of size and scale thanks to the sprites getting larger as they get closer to the screen. The effect looks similar to Wolfenstein 3D a full fifteen years before that came out. There’s no animation to the sprites besides the scaling-up, but it’s still impressive given the era and limitations. After sixty seconds are up, the game is over regardless of how well you played. If there’s a way to continue on, we never found it. Frankly, I don’t know why anyone would want to? Start over and go for a higher score. That’s the point.

I get why they skipped this for legal reasons, but there’s also a lot of features that, simply put, can’t carry over.

Starship 1 isn’t a particularly difficult game, hence the strict 60 second timer. It’s one of the first games that was meant to be an experience more than a test. “It’s the Star Trek Experience before that was a thing,” my father said, though he never saw this game either. The actual coin-op used a state of the art yoke for analog controls with a thruster for speed. Starship 1 was also one of the first cabinets to use what’s called the “pepper’s ghost” effect to create the illusion that the image was floating in space. By having the monitor lay horizontally in the cabinet and using a mirror that’s half-silvered, it creates a convincing illusion of an image floating in the air. You’ve certainly seen it before, as it’s the same trick that was used by Atari in Asteroids, Taito in Space Invaders, and the famous Sega laserdisc game Time Traveler, not to mention all the “holographic” ghosts in the Haunted Mansion ride’s ballroom scene are really the world’s biggest use of the effect (though that record might have since fallen).

It almost looks like Nyan Cat, doesn’t it?

So, playing this on MAME or as a hypothetical Atari 50 release means losing a lot of the charm, and this on a game that relies a lot on charm. Again, I can’t imagine how exciting it must have been to see that in an arcade in 1977. I wouldn’t be around for another twelve years, but if I ever see this at a gaming museum, this is on my “must play” list because what I got out of this review is but a fraction of the intended Starship 1 experience. But ignoring all of that, there actually is still some satisfying gameplay to be had. Not a lot, obviously, but this is one of the rare historical curios that retains some satisfaction thanks to a well-designed primary weapon. Hitting your shots is exhilarating, period. I didn’t expect that.

I have no idea what that’s supposed to be. According to a video I found, on MAME planets show up a lot more frequently than they do on a real machine. Another example of “the charm is lost.”

So a home release of Starship 1 makes little sense because this was promising you that, for your quarter, you were going to get an experience unlike any other available in arcades. Except, well, I kinda liked playing this. So did my father. As limited and stripped of its selling points as it was, playing this with a PS5 controller with no holographic effect, hey, it controls great, the shooting is satisfying enough, and it doesn’t overstay its welcome. If anything, I think the game is a little too generous with the photon torpedo. When time is up, your score is your score and if you want to go again, you have to pony-up. “You having fun?” I asked my father, and he stared at the screen and said “yeah. You?” I nodded and said “yeah. Huh. Who’d have thought?” I get why, for legal reasons, they probably thought including this was a bad idea. But Starship 1 was a revolutionary first-person game worthy of historic consideration, both for its contributions to the first person shooter genre AND on its gameplay merits in the 2020s as a scoring-rush style mini-game. I guess the phasers must be set to “stun” because I’m stunned this got a YES!
Verdict: YES!
If you’re interested in the history of actual Star Trek video games, one of my best friends in the whole world, author Mat Bradley-Tschirgi, wrote a book on them! Star Trek Video Games: An Unofficial Guide to the Final Frontier is a fun coffee table-style read and, at the time of this review’s publication, you can get it on Amazon for 58% off! It’s also available on Kindle but, like, come on! It’s a coffee table book! You want to own THE BOOK, and $16.59, it’s a steal, folks! I’m not a paid shill, just a big fan.

If you got to play a real version of Starship 1, I want to read about it in the comments! Come on, arcade goers of the 1970s and 1980s! I need to live vicariously through you!

Filed under Retro Reviews Tagged with Arcade, Arcade Reviews, Atari, Atari Arcade, Atari Arcade Games, Retro Gaming, Star Trek Games, Starship 1, Starship 1 1977, Starship 1 Arcade Review, Starship 1 Atari, Starship 1 Atari Review, Starship 1 review, Starship Atari, Video Games

Cloud 9 – An Unreleased 1983 Atari Arcade Game (Review)

January 14, 2026 by Indie Gamer Chick 4 Comments

Cloud 9
Platform: Arcade
Unreleased Completed Prototype
Designed by Paul M. Resch
Developed by Atari
Originally Utilized Trackball Controls
NEVER BEEN RELEASED

Originally this was going to be a bonus review for Atari 50, which I’m FINALLY devoting real time to. Part One has been up for a while and covers the original games created specifically for Atari 50, along with Yars’ Revenge for the Atari 2600 since it ties directly to one of those games. While I work on Part Two of the Definitive Review, which covers the special features and the arcade games, I figure I should get some content up, and as far as I can tell, no website has ever done a critical review of this game. So, that’s kind of neat, right?

Digital Eclipse, this is one you really should rethink putting in Atari 50 as a curio. It’s not amazing or anything, but it’s certainly worth a look, and it should not be banished to oblivion like it has been. I’m guessing the hold-up is the art assets like the cabinet, bezel, etc. I have faith you can come up with something, even if you just junk the original 1983 art and create something new. Only one cabinet was made (maybe, I can’t find a lot of info on it) and my argument is since it was technically unreleased, that means technically there’s no “official” art and you can come up with whatever you want.

Cloud 9 is so obscure that it isn’t even mentioned in Atari 50. It was originally intended to be Dona Bailey‘s follow-up to Centipede under the name “Weather War” until Bailey bailed because the tech didn’t allow all her ideas. Paul M. Resch took over, but Cloud 9 was apparently killed in route testing with even worse results than Akka Arrh, and there’s scant information about Cloud 9 out there. From what I could find, Cloud 9 was tested at a single location where the game was met with a disastrous non-response, and that was that. Like Akka Arrh, I get why that happened. It’s a gallery shooter developed long after that genre’s peak, with abstract enemies that just don’t stand out. This thing looks boring, doesn’t it? Here’s the scoresheet. Yawn, right?

“36 year old woman yells at clouds” could be the headline, but really, a game where you shoot clouds that have no personality feels doomed to fail in the wacky world of 1980s arcades, doesn’t it. Would it have killed them to put a frowny face on them? Maybe eyebrows slanted down to make them really angry? It’s just too generic and wouldn’t have stood out.

The gameplay is like Space Invaders where aliens are replaced with aerosol. You have to shoot clouds and avoid their raindrops, lightning strikes that cause fire, plus various generic enemies. Unique to the genre, you start off the game in an entirely enclosed area and have to shoot your way to the surface to shoot the clouds. My father immediately recognized I would dig this a lot since it means you literally begin each game by creating your own strategy. At first, I thought he was right too, but rain doesn’t kill you. It only stuns you, and you need to clear bricks out to have a chance at killing the basement demon. So really, the bricks are just in the way.

The raindrops don’t kill you but rather just stun you. That becomes a problem when they increase their fire rate. From the fifth wave onward, you sort of have to bob and weave and shoot at their sides because they spew a continuous stream of projectiles with no elegance. Thankfully it’s one of those games where you can walk through one side of the screen and you pop out the other. You’ll need it for both the clouds and to avoid the fire which sometimes chases and sometimes doesn’t.

Cloud 9 went the opposite trajectory of Akka Arrh in that I liked it a lot at first, but the more I played it, the less excited I became, and ultimately the game was clinging onto its YES! for dear life. Each background is broken-up into four different waves, and the problem is once you finish the first round of four waves, the difficulty dramatically spikes, but the fun doesn’t spike with it. There’s a secondary threat in the flooding basement that’s a non-entity in the first four waves, but that water fills up much quicker from wave five onward. When the water passes the basement, you die, and that’s where the game has a big problem. The basement angle feels like a band-aid because the surface hazards don’t provide enough challenge. But jeez, it can flood too quickly. Every drop of rain that reaches the top of the basement causes the flood to go up a tick. You can use your body to intercept the rain (deliberately or otherwise) but eventually waves will start with it flooding up too much.

In addition to the flooding, the clouds are capable of healing. The clouds shrink with every shot, up to three times,

A bigger problem is that the clouds can quickly regain lost size and even respawn after death. It’s the respawning part that really hurt Cloud 9 the most in my eyes and almost dropped this into the NO! pile. There were moments where I killed a cloud only for it to immediately return, with no rhyme or reason why it was happening. Now it’s not a deal breaker by itself. A similar problem is the one blemish on Sega/Gremlin’s unsung classic Carnival, but that game has tons of fun targets and the best scoring system of any shooting gallery game. Cloud 9 isn’t as good or addictive as Carnival, and the fact that a dead target isn’t DEAD-dead if you don’t finish a level fast enough is so annoying. At first I thought maybe there’s actually a set amount of clouds you have to kill since it does seem to eventually stop, but that can’t be it since, when clouds return from the dead, they start as the smallest size. It feels like it comes down to luck and accuracy whether they respawn or not. In my final run I beat level 13 in just a matter of seconds when I seem to have been possessed by the spirit of a green beret and couldn’t miss.

Having a variety of playfield limitations based on the background is a novel idea. In this stage, you can climb these mountains for closer shots at the clouds. I like the idea, but it does become frustrating when some stages don’t have the climbable backgrounds. Also note that sometimes the character is red and sometimes it’s blue. You can give up one hit point when you’re blue, and you can regain that hit point by submerging yourself in the flooded basement. You DO NOT have time to do this in later levels.

On the other hand, the trackball controls are excellent, the shooting is quick and smooth, and the action is non-stop. It also has one of the most accurate uses of “handicap” for continuing among Atari coin-ops. When I had my (then) best run and ate a game over, the continue system allows you to start at the level before the one you lost on. When I beat that level again, the handicap bonus it gave me put my score where it had previously been, more or less. It’s much closer to being the correct score than any other game that uses this system. So while it did frustrate me quite a bit, Cloud 9 did manage to barely cling onto a YES! It fought tooth and nail to ruin itself, but it turned out fine. And I should note that, had this been in Atari 50, I would have awarded bonus value for a rare historic curio, so they really should add it to Atari 50 in a future update.

Barely a YES! is still a YES!, though it was close. By level 17, I think it’s safe to say it’s not so much a rain anymore as it is a tropical storm, and the act of digging yourself out of the basement is no longer a cute novelty. It’s now f*cking annoying. Look how high up the water is before I even dug myself out!

Okay, so the characters are generic and forgettable and it becomes maddeningly difficult thanks to the flood increasing at an unreasonable rate. I’d say it makes sense this failed in route testing, except there’s actual fun to still be had here, warts and all and the problem seems to be that nobody even wanted to try it in the first place. That’s understandable, too. Look at those graphics, again. They’re not bad graphics, but by 1983/84, gaming characters had evolved. Personality was now a big part of the arcade game experience, and this is very much lacking in that area. I can’t imagine a game where you fight the weather itself appealing to children of any era without putting in effort to give that weather personality. Again, something as simple as putting faces on the clouds would have done wonders for this, and they needed a new hero sprite. But Atari could have used Cloud 9 as a template and re-sprited it as something else. It doesn’t HAVE to be clouds you fight. I totally get why the route test failed for Cloud 9, but like with Akka Arrh, that one route test shouldn’t have been the forever death of the game.
Verdict: YES!
Do me a favor and share this review across social media! Let’s get Cloud 9 added to Atari 50 as a community!

Filed under Retro Reviews Tagged with Atari, Atari Unreleased Arcade Game, Atari Unreleased Games, Cancelled Arcade Games, Cloud 9 Atari, Cloud 9 Atari Arcade, Cloud 9 Atari Arcade Review, Dona Bailey, Games cancelled in route testing, Gaming, Lost Arcade Games, Rare Arcade Games, Unreleased Arcade Games, Video Games, Weather War, Weather War Atari, Weather War Dona Bailey

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Eggerland aka Meikyuu Shinwa (MSX JPN) aka Eggerland Mystery 2 (MSX EU) Platforms: Famicom Disk System, MSX Released in 1986 (MSX) January 29, 1987 (FDS) Developed by HAL Laboratory, Inc. NEVER BEEN RE-RELEASED

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Eggerland
aka Meikyuu Shinwa (MSX JPN)
aka Eggerland Mystery 2 (MSX EU)
Platforms: Famicom Disk System, MSX
Released in 1986 (MSX) January 29, 1987 (FDS)
Developed by HAL Laboratory, Inc.
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Platform: MSX
Released in 1985
Developed by HAL Laboratory, Inc.
NO MODERN RELEASE

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Platform: Super Nintendo Entertainment System
Released March 19, 1994
Directed by Yoshio Sakamoto
Developed by Nintendo
Included with Switch Online Subscription (Standard)

Wizards & Warriors X: Fortress of Fear
Platform: Game Boy
Released January, 1990
Developed by Rare
Published by Acclaim
NEVER BEEN RE-RELEASED (?)

Cabbage Patch Kids: Adventures in the Park
aka Athletic Land
Wait! Don’t Go! I swear this isn’t a joke review!
Platform: Colecovision and MSX
Released in 1984
Developed by Konami
NEVER BEEN RE-RELEASED

Cabbage Patch Kids: Adventures in the Park
Platform: Atari 2600
Unreleased Completed Prototype
Designed by Ed Temple
Developed by Coleco
NEVER BEEN (officially) RELEASED

Athletic World
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Platform: Game Boy – Super Game Boy Enhanced
Released April 12, 2023
Developed by MHZ Games
Download the ROM – Pay What You Want
Link to Store for Physical Copy

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Platform: MSX
Released December 23, 1985 OR Early 1986
Developed by Konami
Released Only in Japan and South America
NEVER BEEN RE-RELEASED

Kickle Cubicle
aka Meikyuu Jima
Platform: Nintendo Entertainment System
Released June 29, 1990
Developed by Irem
NEVER BEEN RE-RELEASED

Kickle Cubicle
aka Meikyuu Jima
Platform: Arcade
Released June, 1988
Designed by Hiroya Kita
Developed by Irem
NEVER BEEN RE-RELEASED (?)

Starship 1
Platform: Arcade
Released July, 1977*
Designed by Steve Mayer, Dave Shepperd and Dennis Koble
Developed by Atari
Originally Utilized Yoke and Thruster Controls
NEVER BEEN RE-RELEASED (?)

Cloud 9
Platform: Arcade
Unreleased Completed Prototype
Designed by Paul M. Resch
Developed by Atari
Originally Utilized Trackball Controls
NEVER BEEN RELEASED