Adam’s Venture: Chronicles

Cathy’s notes on Adam’s Venture

I’m supposed to be taking notes when I game for reviews now. Stupid brain. It used to soak up information like a sponge. Now it soaks up information like, I dunno, a washcloth or something. Stuff still clings, but it gets wrung out whenever I have a seizure. Now I have to write down everything like a fucking savage. And what is my first game I’m doing under this primitive system? Some piece of shit religious game that feels like it fell out of a time warp from 1999. Oh, and get this, it’s called Adam’s Venture. The only problem is, the character is called Adam Venture. It’s Adam Venture’s Venture. Works for me. My name is Cathy Vice. Cigarettes are my vice. They’re Cathy Vice’s Vice. I should use that in the review. It’s fucking clever.

9:18 AM: Okay, well let’s just fire this fucker up. Yes, I’m aware that this game autosaves. What kind of idiot just randomly turns off their console when a little circle-thing is spinning in the corner, indicating that the game is saving? Oh shit, Judge Judy is on. A…….. oops.

10:11AM: All system errors are now fixed. Stupid short attention span. Now I feel like an idiot. Later today, I’ll go on Twitter and get all preachy and self-righteous about Nintendo or how much cooler I am than everyone else. That always cheers me up. Okay, onto the game.

Da nanana, nu nu nuuuuuuuu. Da-nana, nah nu nah nah nah.

Da nanana, nu nu nuuuuuuuu. Da-nana, nah nu nah nah nah.

10:30AM: Ugh. I can’t believe they still make games like this. The character moves like he’s shit his pants. He jumps like he’s liquid-shit his pants and it’s seeping through his underwear. Dude, I have epilepsy. Been there, buddy. I’ll save my own panty-oopsie stuff for later, when I say something stupid on Twitter and need to get sympathy. Suckers. So easy to manipulate.

12:15AM: Adam’s Venture is trying to do the Indiana Jones thing. In fact, it reminds me a lot of Indiana Jones and the Infernal Machine. Which was an alright game back in 1999, when I was stupid. All kids are stupid. I was STOOPID stupid. I watched Big Bad BeetleBorgs. Oh, set a reminder to bring that up on Twitter at some point, preferably when someone talks about their superior 80s shows. Even though I found their shows better, I will stand my ground and insist my shows were better. Hell, the retweets I get for mentioning BeetleBorgs will up my geek cred and probably land me at least six new followers.

Anyway, the set pieces are nice. It really does kind of feel like I’m exploring a vast, abandoned, booby-trapped cavern. If not for the Dreamcast-era graphics, I might be positively immersed right now. Oh, and I’m now being followed by an evil cloud-monster-thing that reminds me of Dark Heart from Care Bears II. But it only shows up in cut scenes. There’s no enemies or combat. It’s just about getting from point A to point B by solving rudimentary math and logic puzzles. It’s really linear, so it’s almost impossible to get lost. In a way, I appreciate that. But it all comes back to those controls. It’s like the designers of this game went into full-on panic mode as the millennium neared and locked themselves in a fucking bunker for fourteen years to escape the Y2K fallout. Then they spent the next fourteen years kicking themselves for not hanging the “We’re in here, Jesus!” sign that they had lovingly quilted and figured the rapture had passed by without them being saved . Then, one day, they emerged, blurry-eyed, and discovered the world hadn’t ended. After the initial disappointment, and trying to figure out their cover story for why they only waited two weeks to cannibalize their buddy Harry when they had plenty of rations, they tried their hand at game making. They had a PlayStation 1 and a copy of Tomb Raider and Legacy of Kain to play endlessly to pass the time, and that shit was so cutting edge that there was NO WAY the format was improved over the last fifty-six seasons. Oh, and this is a religious game, so stick a snarky “what a surprise, a religious game that disproves the theory of evolution” quip in the review. Maybe too obvious and lazy a joke, but fuck it, I’ve got shit to do today.

12:20PM: Brian just pointed out to me that I, in fact, don’t have anything to do today. Whatever. You know what? Fuck him. No sex for him tonight.

The settings are the best part of the game. A lot of care went into them. It makes it look like the game will be exhilarating. It's not. It's very slow paced.

The settings are the best part of the game. A lot of care went into them. It makes it look like the game will be exhilarating. It’s not. It’s very slow-paced.

1:15PM: There’s really not enough story to sink my teeth into. Just lots of vague religious stuff. Some of the puzzles involve arranging three lines of scripture in the correct order. I’ll bring up that I’m actually a practicing Catholic here, even though I don’t actually believe that shit. Just hedging my bets, in case when I repent on my deathbed God sees my fingers crossed. Still though, it’s not horrible or offensive. A little old-fashioned, but then again, so is religion. You know what? Maybe I was wrong. Maybe this will win my seal of approval after all.

1:16PM: OMG, fuck this game. Fuck it in its mouth with a hepatitis-laced rusty scrub brush.  It has timed environmental puzzles. And the timer is too short. For this one puzzle, you have to light two torches, climb a rope ladder, jump up on a platform, and duck under a door before one of the torches goes out and it closes. Why that sucks is, lighting the torches is done via context sensitivity. Simply pressing the button doesn’t light the torch. When you do press it, the game takes over movement and gingerly stumbles back and forth until the character is locked into place. Then, it slowly lowers your torch into the torch you’re trying to light. This whole thing DOES NOT STOP THE TIMER, which wouldn’t be an issue if there is only one torch. But, because there’s two, if you don’t hit the button in the very small space that is lined up most ideally, you’re going to watch while the game operates your character like it’s trying to not break a nail.  Mind you, even if you do it correctly, you still have to line up correctly with the ladder, get up it fast enough, then get to the ledge and jump on it. Jumping on it isn’t smooth either. In the very first part of the game that required you to jump, I had to try five times to jump up a ledge that was about six inches off the ground. This is not a game designed with dexterity or speed in mind. I spent forty minutes trying to get this room correct. I was convinced I was doing it wrong and looked for an item or something else I was missing. I can’t believe this made it through play testing without the poor sap playing throwing down his controller in disgust and converting to Scientology. Suddenly, the whole religious thing makes sense. By the time this room was over, I was praying. “Please God, don’t let there be another room like that.”

2:04PM: There was another room like that. This one had four torches that seemed to have even shorter timers. They were all spread out in the corner of a large room. The only thing I had to do was light the torches. No other hoops to jump through. It took me another thirty-minutes to do it, just because of the animation thing. It felt like one of those plate-spinning gags, only it would be like if the plate spinner had to tie his shoelaces before spinning the plate more. 

2:35PM: I’m finally done with Adam Venture’s Venture. Well that was short and…………

2:36PM: Shit. I forgot this is a compilation of a game that had been released episodically on PC. Well, I’m done. I can’t take anymore. If they patch the torch thing, which I’m sure can only be done by increasing the timer on the torches or stopping the timer while the auto-animation is going, I’ll come back to it. I don’t even know if there are going to be more rooms like that, but the fear of it is stronger than my fear of cigar-smoking clowns. Damn that Are You Afraid of the Dark? show. Twenty years later and I still have nightmares. Those sections really were the only things remotely challenging, but not in a good way. I’ll wrap up the review by reenforcing that Adam’s Venture Chronicles is far from horrible, but it really is too old-fashioned for anyone expecting a game released in 2014 to have control-sensibilities from the last ten years. Maybe this would have been a terrific game in 1999. But it’s not 1999. 

Seriously, Vertigo Games. Patch those timed-puzzles and I think I would be ready to award this my Seal of Approval. Also, you guys need to flog yourselves with a cat o' nine tails for committing such a sin in the first place.

Seriously, Vertigo Games. Patch those timed-puzzles and I think I would be ready to award this my Seal of Approval. Also, you guys need to flog yourselves with a cat o’ nine tails for committing such a sin in the first place.

I bet if I had been a kid when this came out, Mommy and Daddy would have gotten this for me. I mean, assuming they could find out about it. How do you find out about games of this nature, anyway? The religious aspects of the Adam’s Venture Chronicles aren’t even mentioned on its PSN profile. Imagine if a militantly secular family accidentally bought this. It seems like it wouldn’t go over well. More over, to not boast of the nature of the game itself defies the scriptures. Timothy 2:15 tells us “Do your best to present yourself to God as one approved, a worker who has no need to be ashamed, rightly handling the word of truth.” Of course, it also tells us to kill every mouthy child, homosexual, or person who works on a Sunday. Grand Theft Auto isn’t this bloodthirsty. But it would be facetious if I put that in the review, even if the liberals who read me would lap it up. In truth, if parents only want their kids playing games of this nature, the kids life wouldn’t be ruined by Adam’s Venture. It’s mostly only a bad game because it’s so outdated in the way it’s executed. Had this controlled like Tomb Raider 2013 did, it wouldn’t have been amazing or anything, but I probably would have liked it a lot more. Hmmm, executed wrong. I should probably work in some kind of really inappropriate joke here. Something involving Jesus and an electric chair or something.

Now for the crappy part: I have to turn these notes into a review. I could just post them like this, lazy as it would be. But then people would realize I’m an aloof, pompous, self-indulgent, self-righteous, stuck-up bitch, instead of the awesome crusader for indie developers people think I am. Hey, wait a second. I’m a game critic. I’m SUPPOSED to be those things.  And…. published.

Adam's LogoAdam’s Venture: Chronicles was developed by Vertigo Games

$9.59 with PlayStation Plus discount ($11.99 MSRP) probably didn’t stick to the concept behind this review well enough in the making of this review.

There are two Vertigo Games as far as I can tell. One of them should consider changing their name to avoid market confusion. The link above points to the guys behind Adam’s Venture. But these guys are also Vertigo Games. It’s an uninspired name anyway.

A review copy of Adam’s Venture: Chronicles was provided to Indie Gamer Chick by publisher Playlogic before the game’s scheduled release on February 4, 2014. At Indie Gamer Chick, all games reviewed are paid for in full by the writer. Upon the release of the game, Cathy provided a $20 PSN card to a friend who purchased the game. The friend has a PlayStation Plus subscription, meaning the purchase price was $9.59. For more on this policy, check out our FAQ.

Ultionus: A Tale of Petty Revenge

Petty revenge, my favorite.

Ultionus: A Tale of Petty Revenge is a SHMUP/platformer (SHMUP-former? former-SHMUP?) where you play as Serena, heroine of the universe, who is out for revenge after being trolled on Spacebook by the Space Prince. After crash landing on his planet, you have to make your way through a number of stages to reach his castle so you may exact revenge.

A normal start.

A normal start.

The game pulls its looks from PC games of the mid-90s—classics such as Jazz Jackrabbit and Duke Nukem. It looks great and the animations are fluid. Regarding animations, the game does have some…suggestive assets that may turn some users onto or off from it. The heroine is quite voluptuous, and the opening sequence takes particular care to emphasize this. She also runs around in a barely-there space suit as she makes her way to the final castle. I felt it was done in a humorous manner, but I can see it being a problem for some.

I want to point out the controls because, to me, they are one of the most important aspects of any game. Ultionus takes time to get used to. The opening stage is your standard space SHMUP, but once you’re on the planet’s surface, things change drastically. One of my largest complaints with this game is also one of the most common complaints I read online, it’s that you can’t fire while moving. The game does try to use part of one stage to get you used to the idea but it’s still jarring once the action starts. If you do stop, you’re unable to keep up with the enemy spawns as you try to clear a path. Most players probably stop at this point but if you master jumping while moving, an action that doesn’t slow you down, you’ll be fine.

She stopped to shoot. Bad idea!

She stopped to shoot. Bad idea!

I played through Ultionus on Normal, and while there were some portions of the game where I died a lot that gave me some trouble, overall the game didn’t feel terribly difficult. You get nine lives and unlimited continues, which makes beating the game a venture that takes maybe a couple of hours your first time.There are a handful of vehicle stages where you are rewarded for how fast you can smash the Fire key which will kill your wrist. I had to take a day’s break to recover after one such stage.

One part of the game made me question the design of its absurd art style the first time I saw it: The Game Over screen depicts a “bad end” scene with the main character bent over, drooling and ass in the air. (NSFW-ish, triggering pic) It caught me off guard and left me feeling awkward.

All in all, I would not recommend this game. I did enjoy parts of it and the ending was satisfying, but the overall length of the game and easy patterns in boss fights left much to be desired.

ultionuslogoUltionus: A Tale of Petty Revenge was developed by Last Dimension. It may also be found on Ouya

$for 9.99 you’ll be able to share this dish served cold.

Abduction Action! Plus (XBLIG) and Hypership Still Out of Control (iOS)

Full disclosure: Kris Steele, developer of today’s two games, is my friend.  Our relationship got off to a rocky start.  When I was brand new to the scene, barely two weeks after I launched Indie Gamer Chick, I interviewed Kris.  By this point, I hadn’t won the respect of the community, but they were happy to have ANYONE covering XBLIGs besides the two or three sites that already did.  I was someone new to talk to.  Or, more accurately, someone to gossip to.  At the time, I was interviewing developers for the second XBLIG Uprising event, and one of the candidates for it was Volchaos, a game by Kris.  The only problem was Kris was also organizing the event, and there was skepticism on how good Volchaos was.  (Side note: Volchaos did not make the Uprising.  It wasn’t finished in time.  The next year, the developer of Sententia organized the third event, and his game most certainly DID make it in, and it basically soured the whole thing).  At the time, I was still kind of finding my identity, so when the time came for the interview, I was still in “pretend to be a serious writer asking tough-questions” mode.  By the time it was over, I’m pretty sure he didn’t like.  Nor should he have.  I was a douche.  Straight up.

But, he was never unkind to me.  By the time I figured out that I should drop any pretense of professionalism and just be myself, he was still there and willing to help me.  Even after I didn’t enjoy Volchaos, he was encouraging of me, and endorsed me to the community.  Fast forward to today.  Kris is my friend.  A really, really good friend.  I’m proud to be his friend.  All bullshit aside, he’s a good man, and I consider our relationship a privilege.  He’s always there for me to answer questions about game development, indie politics, or if I need his fingerprints on a bloody crowbar.  It’s really a sign of his character that he became friends with me.

And now I'm going to put that character to the test by calling one of his latest games digital dog feces.

And now I’m going to put that character to the test by calling one of his latest games digital dog feces.

One thing I never imagined when I started Indie Gamer Chick is that I would form a close relationship with any developer.  Today, I have just that with a few dozen.  For many of them, I’ve reviewed at least one of their games.  If that’s the case, there’s roughly a 55% chance I didn’t like their effort.  At first, I was worried that people might accuse me of going soft on those that are my friends.  Even if it’s not true (and if you ask Kris Steele or Dave Voyles, they’ll tell you it’s not.  And probably cry), that perception is there.  I take great pride in the fairness of my reviews.  People might think that someone might expect their critic friend to show mercy on them.  To those that believe that, nothing I can say or do would convince them it’s not otherwise.  Anyone with real friends knows that real friends would never ask that of their critic friend.

So, what did my friend release recently?  First up, I looked at Abduction Action! Plus on XBLIG and Ouya.  I had heard of this game days earlier, when a child psychologist recommended that the average punishment for a disobedient child be changed from grounding to playing Abduction Action.  Less timing consuming, faster results.  No child will fuck with mommy and daddy again.  Okay, I’m kidding, but it is a pretty awful game.  The idea is you’re a UFO that must torment Earthlings for shits and giggles.  Using a tractor beam, you’ll abduct humans, or crush them with various objects, or drop them from lethal heights.  In theory, this is the game you give evil little children to break them of their habit of torturing ants for the lulz.

In Iowa, they call this "Tuesday."

In Iowa, they call this “Tuesday.”

Unfortunately, Abduction Action! Plus is let down by poor controls.  Many of the challenges in the game, such flying into birds, requires precision movement, and that’s not really an option.  It gets bad when you’re forced to accelerate into objects using the turbo boost.  For those watching me, it was probably comical.  I tried to splatter a birdie on the UFO, and instead overshot it no less than a dozen times, until it finally flew off the screen.  It was maddening.  And that’s ultimately why I couldn’t enjoy AA+.  It’s a game about lining up to do stuff.  Line up to grab a rock and drop it on a jock’s head.  Line up to pull someone up in your tractor beam.  Line up bullets to turbo-boost through them.  That shit is hard to do when the UFO only has two speeds: too fast and suicidally fast.

Abduction Action! Plus was developed by Fun Infused Games ($2.99 would rather get an anal probe than play this shit ever again)

Abduction Action! Plus was developed by Fun Infused Games ($2.99 would rather get an anal probe than play this shit ever again)

Then there’s the problem of having to remain stationary while you suck up the people and objects.  If a projectile hits your UFO, the beam is deactivated and you drop whatever you’re carrying.  This is kind of tough when you have people shooting you pretty much non-stop anytime you’re low enough to grab anyone.  I’m not sure why a standard gun or even a shotgun would cause a UFO to do anything but laugh.  You mean to tell me these things are designed to travel through space and torment any living creature they happen across, but a single bullet fucks their mojo up?  I tried to find something positive to say about Abduction Action Plus’s gameplay, and I couldn’t come up with anything.  That is unfortunate, because the writing is genuinely laugh-out-loud funny and the concept is solid.  But gameplay is king, and AA+ controls like a game in dire need of an AA meeting.

What’s shocking about Abduction’s badness is Kris released another game recently, this one on iPhone, and it is fucking awesome.  It’s called Hypership Still Out of Control.  It’s a sort-of-sequel, but not really, of a couple earlier games.  I reviewed both Hypership Out of Control for iPhone and Hypership Still Out of Control on Xbox Live Indie Games last year.  Like Abduction Action, the XBLIG version of Hypership was overly-sensitive to control.  On iPhone, the control was near flawless.  Still Out on Control offers more of the same, only the levels are different.  Same graphics, same control scheme, and the levels themselves progress seemingly the same way.  The meteors are in the first stage.  The eyeball wall things are the second stage, etc, etc.  So, despite Kris’ objections, I’m basically calling this more of a DLC pack.  A very good one, mind you.  I highly recommend it.

Damn game won't take the sky from me.

Damn game won’t take the sky from me.

But, the honeymoon with Hypership is over, and now a lot of the glaring flaws are starting to be noticed.  Stuff like how sometimes setting off a bomb is too hard.  You have to double-tap the screen to do it.  I don’t know if it prefers you to tap in the same spot or not.  It’s sometimes a difficult thing to pull off, and setting off a bomb when you most need to is very challenging because the screen is usually too full to safely stay still long enough to detonate it.   Also, when you’ve built up a stockpile of 3 bombs, which is the max, why doesn’t picking up a 4th bomb automatically detonate it?  It wouldn’t make the game too easy, but it’s too hard to see the new bomb on-screen and react fast enough to detonate a bomb you’re holding before picking it up.  Since you can’t use a finger on your spare hand (for those that have such a thing, and to those who don’t, you shouldn’t have played around with firecrackers like that) to set off a bomb, the system is just too busted.  This is a game based around speed, lots of it.  You probably won’t have enough time to safely take your finger off the screen for the less-than-a-second it takes to use it.  I would kill to be able to play Hypership with a mouse or a trackball.  The joystick controls of the XBLIG were too damn loose, while the phone version lacks buttons that would make the game so much better.  A marriage between the two might make one of the best space-shooters of the modern era.

Don’t let any of those complaints turn you off.  They’re here because I’m hoping like hell Kris gets the message and makes some fixes to his already excellent game.  Hypership, no matter which version you get on your iThing, is a truly special game.  One of my favorite iPhone games, indie or otherwise.  One of the few space-shooters I’ve ever enjoyed.  One of the few games on any platform I play on a regular basis.  And my enjoyment of it isn’t based on my friendship with Kris.  If friendship somehow softened my thoughts on his Abduction Action! Plus, then you should be scared because it might be so bad that it causes cancer.  No, I like Hypership purely because it’s one of the best games I’ve ever played.  You know, I’ve had a bad break lately with health issues.  I don’t know what my future holds.  I don’t find out until February 27.  I am lucky that I have friends who will be there for me.  And here’s where the friendship thing matters to me: how fucking cool is it that one of my friends, who will be there for me through the worst of whatever I face, also is someone who made one of the best games I’ve ever played?  It proves once again something I’ve known for a long time: I’m the luckiest person I know.

Hypership loloHypership Still Out of Control was developed by Fun Infused Games

This is for Hypership. For Abduction Action! Plus, picture Sweetie with pock marks on her face, blood dripping out of her nose, the stench of death on her, with skulls and crossbones all around the edges saying "not approved for any use besides enhanced interrogation."

This is for Hypership. For Abduction Action! Plus, picture Sweetie with pock marks on her face, blood dripping out of her nose, the stench of death on her, with skulls and crossbones all around the edges saying “not approved for any use besides enhanced interrogation.”

$1.99 said Kris could remake the same game, only set it on I-80 in California and claim it’s based on a true story in the making of this review.

Hypership Still Out of Control is Chick-Approved and Ranked on the Indie Gamer Chick Leaderboard.

Wii Don’t Get U

Something disturbing happened to me recently: I started liking my Wii U.  Maybe it has something to do with it finally getting a couple of games I actually wanted to own.  No, Nintendo, I’m not really keen on paying $50 for a remake of Wind Waker that you vomited bloom on and called “HD.”  I don’t have anything against it, besides the fact that I already played it enough to get a 100% completion when I was thirteen-years-old and thus I had nothing left to get out of it.  Hey, if you’re a youngin’ and you’ve never played it, it’s totally worth $50.  It’s my favorite Zelda ever.  I just can’t understand why people who still own the GameCube original and have beaten it multiple times were drooling at the thought of ponying up $50 to buy it again.  The already-spectacular graphics are slightly better, but not another $50 better.  The biggest improvement in the game involved REMOVING content.  I don’t get it.

Not to mention that if your best game in your first year is a barely-upgraded port of a game ten years old, you're in big trouble.

Not to mention that if your best game in your first year is a barely upgraded port of a title ten years old, you’re in big trouble.

In fact, “I Don’t Get It” is a running theme with me and my ability to comprehend the Wii U.  I’m even more baffled (and somewhat terrified) by how their fans just absolutely will not give you an inch in regards to any flaw in the machine, or accept how damn gloomy the future of the system appears to be.  I’m certainly not relishing the idea of my Wii U dying an early death.  I look at a video game system as an investment, and with the Wii U, I’ve barely started to get my returns on it.  We’re just over a year into its life.  Consoles typically don’t hit their stride until year three, year four.  I still weep when I think about how the Dreamcast, as good as it was, never really had a “prime” during its existence.  In comparison, the Wii U has barely cleared the starting gate, in terms of realizing its potential.

With news that Nintendo slashed the console’s sales forecast by 69%, I’m sure there are people there who are asking “how could this happen?”  Even though, before it even launched, pretty much everyone that wasn’t a diehard Nintendo fanboy saw this coming.  There are so many factors on why it’s not taking off.  I have a few theories on this.

1. The Wii U is just plain not cool.  Mock all you want, but the original Wii was, for a time, very cool.  Stores could not keep it in stock.  Everyone wanted to play it.  It was hip and trendy, but simple enough so as not to intimidate anyone.  Coolness sells.  The iPad is not remotely the best tablet on the market, but it is very cool.  So if you have an iPad, you must be cool.  When the Wii came out, if you owned one, you were cool.  That’s not the case with the Wii U.  I’ve seen it myself.  We had some teenagers at our Christmas party this year.  When they saw I had an iPad, they thought I was cool.  When they saw I had both a PlayStation 4 and an Xbox One, they thought I was very cool.  When they saw I had a Wii U, they suddenly thought I was a dork with too much disposable income.

Tablets are a big deal now, but tablets are getting increasingly more thin and sleek.  Think of the iPad or the Samsung Galaxy.  In comparison, the Wii U looks like a Etch-a-Sketch that someone jammed buttons and analog sticks on.  A children’s toy, not something high-tech.  Then you get to the screen.  It’s not a bad screen by any means, but it simply is not as cool as your average tablet.  It looks older and outdated, like an early tablet.  I mean, it still uses a stylus for God’s sake.  Again, the Wii’s controllers, whether you liked them or not, stood out as sleek and novel.  The Wii U pad looks like a monstrosity.  Nintendo also dropped the ball by not redesigning secondary controllers, instead allowing you to carry over your old Wii remotes.  Economically, that made sense.  But it reenforced the perception that the Wii U was old and outdated before it even launched.

Then years ago, this would have been the single coolest thing in gaming history.  Now it's something that people shrug off and say "well, at least it's not Virtual Boy."

Ten years ago, this would have been the single coolest thing in gaming history. Now it’s something that people shrug off and say “well, at least it’s not Virtual Boy.”

2. The majority of the utterly insane, never-say-die, ignore all logic and defend Nintendo to the bitter end fanboys are around age 30 and over.  I get into it with them all the time on Twitter.  Although there are some my age, they’re nowhere near as loud, nor do they work as hard to twist logic and spin facts on the increasing amount of bad news related to the Wii U.  Do you wonder why that is?  Well, I have an answer.  My generation, which some call Millennials, have less brand loyalty than any generation that came before.  That is bad news for Nintendo.

Nintendo makes Nintendo-style games.  They control the most iconic franchises in gaming.  There’s no question that their quality of games are typically pretty high.  In the past, they could rely on their franchises and talent to create life-long loyal fans.  The fanboys that sometimes annoy me and sometimes amuse me probably got their start in gaming with an NES or an SNES.  Those fans stuck with Nintendo every step of the way, through good times and bad.  The Virtual Boy sold 140,000 units in the United States.  Who do you think bought those?  It’s the same way sports fans typically cheer for the local team.  It’s what they grew up with, and no matter where they go in life, they always stand by the home team.  If you had only an NES as a kid, Nintendo was your local team.

My generation doesn’t do that.  That probably has a lot of do with how the delivery of entertainment has evolved over the last thirty years.  If you only owned an NES, it didn’t have a lot of competition for your attention.  Maybe a handful of cable stations, Saturday morning cartoons, a comic or two once a month, head down to the video store to rent a VHS tape, or play with some He-Man action figures.  Today, game consoles compete with the internet, 500+ channel cable and satellite systems with DVR, Netflix, YouTube, smart phones, and tablets.  We’re a generation of instant-gratification, where nearly any form of entertainment we want can be accessed instantaneously.  So, because we grew up with so many sources of entertainment, we never formed loyalties to any one brand.

Now mind you, the brand loyalty effect is not exclusive to gaming.  It’s having a profound effect across the entire entertainment spectrum.  But it’s especially bad news for Nintendo.  They’ve sustained themselves for over twenty years on the loyal fanbase they created during the NES era.  NES children became N64 and GameCube adults, who continue to support the company to this day.  The same is not true of those reared on the Nintendo 64 or the GameCube.  Companies across the globe are scrambling to adjust their business models around this phenomena.  Nintendo is a company notoriously slow to adapt with the times.  They were the last company to jump into disc-based storage.  The last to embrace online gaming.  The last to include high-definition visuals.  Just going off their track record, I’m not betting they’ll be fast enough to adjust their marketing strategy to deal with this.

This is a prime example of what I mean.  Children of the NES era were so overcome with joy that they nearly died of a cerebral hemorrhage when Dr. Luigi was announced. People my age said "it's......... seriously, it's the same fucking game, only you throw two pills into the jar instead of one."  Then the fanboys were like "I KNOW, AWESOME RIGHT!  I HOPE IT COMES OUT ON 3DS SO I CAN PAY FOR IT TWICE!"

This is a prime example of what I mean. Children of the NES era were so overcome with joy that they nearly died of a cerebral hemorrhage when Dr. Luigi was announced. People my age said “it’s……… seriously, it’s the same fucking game, only you throw two pills into the jar instead of one.” Then the fanboys were like “I KNOW, AWESOME RIGHT! I HOPE IT COMES OUT ON 3DS SO I CAN PAY FOR IT TWICE!”

3. The Wii U is a confusing machine for the general populace.  I’ve seen it myself.  Let’s go back to that Christmas party earlier.  I was showing off all my game consoles to my colleagues and friends, most of whom are much, much older than me.  My Wii U game pad’s charging cradle is not situated by the console itself.  Nintendo has done well enough marketing it that my partners could identify the pad.  “That’s the Wii U, right?”  Then they looked at my various new consoles.  Xbox One.  PlayStation 4.  Even the Ouya.  Situated somewhere between them was a small, black disc drive that looked like it might be an external component of a PC.

“What’s that?”

“That’s the Wii U.”

“I thought that (pointing at the game pad) was the Wii U.”

“That’s the controller for it.  This is the console itself.”

“Oh, it’s one of those.

Presumably he meant a console.  And there in lies the problem: the people who primarily supported the Wii, your casual fanbase looking for a quick-fix good time with friends and family don’t understand what it is.  They think it’s a portable device.  Or possibly a very expensive accessory for the original Wii.  After all, it uses the same controls as the original.  And it mostly features the same franchises as seen on the original Wii.  If you don’t pay much attention, you might not realize what exactly the Wii U is.  I’ve seen it in person.

4. I hate to be one of those people who rags on a machine being underpowered, but the Wii U is too damn underpowered for third-parties to get behind.  There’s a myth that having less power makes a console less expensive to develop for.  That might be true, if you’re making an exclusive game for the platform.  But for blanket multi-platform releases, it’s a huge handicap that might make development for a console cost-prohibitive.  Don’t take my word for it.  Ask any third-party developer, and they’ll tell you that optimization for less powerful machines takes time and manpower, both of which are expensive.  If a developer targets a game for all the current generation systems, making a game play similar on the PS4 and Xbox One will be negligible.  Getting that same game to look and play as good on the Wii U will be difficult.  I’m not saying it can’t be done.  I’m saying it will eat up more company resources to get it done.  When a system is already floundering, they might just decide it’s not worth the risk.

Talk about the lack of third-party support of Wii U and, without fail, fanboys will wave Bayonetta 2 in your face like a prized bull.  Bayonetta was alright, maybe even good, but it didn't exactly light the world (or the sales charts) on fire. Going exclusive for Wii U, even if they're getting paid to do it, seems like suicide.  Platinum Games also did Mad World on the Wii, which only sold a little over 100,000 units.  They must be gluttons for punishment.

Talk about the lack of third-party support of Wii U and, without fail, fanboys will wave Bayonetta 2 in your face like a prized bull. Bayonetta was alright, maybe even good, but it didn’t exactly light the world (or the sales charts) on fire. Going exclusive for Wii U, even if they’re getting paid to do it, seems like suicide. Platinum Games also did Mad World on the Wii, which only sold a little over 100,000 units. They must be gluttons for punishment.

5. Nintendo bungled the launch badly.  Having two SKUs for the Wii U, the premium model and the basic model, was simply a bad idea.  The basic model, with a pitiful 8 GB of storage and no-game, seemed like a crummy value.  However, besides a pack-in game and a charging cradle, the Deluxe model wasn’t that much better.  Consumers are number oriented.  The basic model was $300 and the Deluxe model was $350.  Their competition at the time had packages available for the same price or less that offered 500 GB of storage space.  The best version of the Wii U offered a miserable 32 GB.  It gave the appearance that the Wii U offered little bang for your buck.

And then you get to the pack-in title for the Deluxe model: Nintendo Land.  I’m not knocking the quality of the game.  With four friends around, Nintendo Land is a very fun game.  But, it sucks to play by yourself.  In comparison, Wii Sports was also most potently entertaining with a group of people, but you could have nearly as much fun Wii golfing or Wii bowling by yourself.  Nintendo Land’s best games also require you to have the extra controls to play.  Wii Sports could be played hot-seat-style.  Out of the box, with only one controller, you could play Bowling and Golf.  You couldn’t play the other games, but they sucked anyway.

Really, the best option would have been to forgo the basic model, sell the Deluxe version only at a $300 cost, beef up the HDD to at least 100 GB to compete with Sony’s more base models that typically were around 120 GB, and put New Super Mario Bros. U as the pack-in.  It was Nintendo’s best-bet as a system-mover.  I’m confident that Nintendo Land by itself would have sold very good.  In fact, it probably would have sold more copies, because I think the Wii U with Super Mario U as the pack-in would have sold a lot more at launch.  Sure, they later did make a bundle that included Mario U and Luigi U, but by that point, the Wii U’s reputation was sealed.  The PS4 and XB1 were not too far off, and because there had been a drought of high-quality games in the months following launch, they lost any advantage they might have gotten by being first-to-market.  You only get one chance to make a first impression, and Nintendo showed up to the party wearing last season’s clothing and in need of a shower.

6. Why didn’t Nintendo design the system to be compatible with the 3DS?  The Wii U itself is basically just a giant DS.  They could have made it so the 3DS could act as extra controllers, which could have made for some very novel game concepts.  The type of wild, experimental stuff you saw on the GameCube with Final Fantasy Crystal Chronicles, Zelda Four Swords, and Pac-Man Vs.

Hey Nintendo, remember this?  How come, now that technology can do all these things wireless and seamlessly, do you not remember it?

Hey Nintendo, remember this? How come, now that technology can do all these things wireless and seamlessly, do you not remember it?

7. Nintendo really needs to handle the Virtual Console differently.  For many games on PlayStation Network, a single purchase nets you a copy of the game on all Sony platforms that support it.  When I cracked open my PS4 on launch day (in the 90 minutes I had before my system bricked and I had to send away for a new one), I immediately owned games like Flower or Sound Shapes for it.  I didn’t have to pay one extra cent for them.  I bought them on my PS3, and thus I had them on my PS4.  When I bought Doki Doki Universe for it, I owned it immediately on my PS3 and Vita as well.

Nintendo’s solution for those that spent oodles of money on Virtual Console stuff?  You can have the old versions of them on your Wii U through a convoluted transfer method, but they don’t work with the Wii U Game Pad.  If you want that, you have to pay extra.  Virtual Console purchases on Wii or Wii U also don’t carry over at all to the 3DS.  It makes them seem kind of like cheapskates and makes Sony look like they’re cooler people than Nintendo.  In the past, they got away with this, because their fans eagerly repurchased games even if they already owned every single version already out there.  Once again, it comes down to the new generation not having that same level of attachment to the company.  It’s yet another aspect of the Wii U that makes it appear to not be a good value for your investment.

The sad thing is, this isn’t Monday-morning quarterbacking here.  These points were stuff that everybody realized.  Everyone, it seems, except Nintendo.  I certainly don’t mean to imply that you won’t have fun with a Wii U.  After a slow start (Mario U not withstanding, I really did enjoy that game), there are a lot of really good games on the Wii U.  I had planned a PlayStation 4 versus Xbox One launch editorial, where the end would have me declare that if I was forced to choose one console to own right now, based on the library of games right now, with no consideration of future potential, I would have chosen the Wii U.  And I meant it.  As of this writing, it’s still true.  The best games available now for the current generation are mostly on it.  Nintendo even pulled a rabbit out of their hat late in the year with the surprise release of NES Remix, a game I absolutely adored.

NES Remix is something special. Marry me.

NES Remix is something special. Marry me.

But the future of the system looks pretty bleak, and I don’t know what can be done to turn the tide.  At one point, I figured Nintendo would hit the panic button, like they did with the 3DS.  A huge price slash, plus an apology-program like the 3DS Ambassador thing for those suckers that bought-in too early.  Now, I don’t even think that would help.  Nintendo’s loyal fans are in denial about it, but the numbers don’t lie.  Nintendo’s own forecast (which, like most companies, will always skew higher than realistic) called for nine-million units sold by 2014’s fiscal year, and instead they revised it to 2.8 million.  The PS4 and Xbox One are already primed to pass it, and already have in many regions.  It took the PS4 only 48 hours to pass the Wii U in the UK.

Going back to the Dreamcast, I want you to think about where it was at this point in its life-cycle.  The shadow of the PlayStation 2 hung over it like a terminal illness.  Yet, the Dreamcast was probably in a better position than the Wii U is today.  It had a more robust first-party library, and high-quality third-party support.  A year later, it was dead, and Sega was releasing games on other platforms.  I don’t think Nintendo will go out that way.  But the Wii U is not going to suddenly explode.  Even if they redesign the pad itself, to make it more in line with sleek and sexy tablets that they seemed to have had in mind in the first place, the system still has too many handicaps.  As a Wii U owner, I don’t want my system to go to the grave this early.  But all the best games are still somewhere off in the distance, and top-quality third-party games seem practically non-existent.  Right now, their big third-party exclusive is Bayonetta 2.  A sequel to a game that was decent at best, for a demographic that doesn’t seem in line with the Wii U at all.  Really, the fact that Bayonetta 2 is the biggest asset in their bullpen, doesn’t that really tell you everything you need to know?  Of course, their fans will disagree with me.  They’ll also disagree with the technology.  And the sales figures.  I just don’t get it.

Chick Speaks

Thank you everyone for your patience since the start of this month.  I’ve got about another month before I learn what my long-term medical situation will be.  I’m doing my best to keep gaming and trying to focus on working on Indie Gamer Chick, but it’s really tough.  My mind is wandering quite a bit.  I appreciate all the well-wishes and support.  I’ve had such an outpouring of it that I’m touched on a level I didn’t realize I could be.  I do love you all.  I don’t plan on going anywhere.

Solar Flux

Games such as Solar Flux rarely hold my interest for very long, so I was very surprised when I found myself in the last few levels of this 82-stage game.

Hiding from a flare.

Hiding from a flare.

Solar Flux is a space-themed action puzzler not all that unlike Angry Birds or Cut the Rope where you have objectives for each stage and are rewarded with skill stars the better you do. Here you’re saving dying stars by shooting plasma into them. You collect this plasma with your ship, which has limited fuel and which cannot get too close to the stars without the risk of exploding due to the loss of its heat shield.

A fun physics system plays a part in this game which has you holding orbit around planets, coasting around space while trying to use as little of your fuel as possible, hiding behind planets to avoid the intense heat of the stars, and riding the solar waves of the stars as you restore energy to them.

The game’s visuals are gorgeous for a game of this kind and the music is great, definitely feeling appropriate for the environment. The colors of the celestial objects are vibrant and stand out nicely. The music is soft and gives you a feeling of solitude as is fitting with the environment. Nothing looks or sounds cheaply done.

(At this point I should mention that for the most part I played the PC version of the game. I cover the differences between this and the Android version later. In short, they are essentially the same.)

A maze of asteroids.

A maze of asteroids.

All in all, the game isn’t terribly difficult if you’re only interested in seeing each level. If you’re after a full clear, achieving three stars on each level, you have a big challenge ahead of you. In most of these games, you only have one thing in mind: collect all the things or kill all the things with as few flying swine as possible. Solar Flux adds some variety and asks you to perform different tasks for various stages. The game may challenge you by requiring you not to use much fuel, not to lose X amount of your heat shield, or to complete your objective within a time limit.

I zipped through the stages, having only an occasional hang up that took more than a few tries to get around. The graphics are rather pretty, and I felt that the game makes good use of the controller, even though the tooltips suggest one use the keyboard.

I decided to try out the mobile version on my Nexus 5. The download is free; however, you only get a few stages at a time, and you MUST complete all of the stars for what few stages you do have in order to advance. Ads appear between every few missions, but at only a dollar to remove them, it’s worth the price if you find you like the game.

Coming from the PC version to this was incredibly difficult due to the controls; movement of your ship isn’t as intuitive as it is with the controller. It took quite a bit of practice to get the hang of it, but eventually things became fluid.

Between the two versions, I think the desktop version is the better choice both because of how it’s easier to control and because you don’t need to collect all three skill stars in order to advance. However, I do suggest trying out the mobile version first since it’s free. Think of it a trial version.

If you enjoy this type of game, I recommend picking this one up. Should you be one who is not into puzzlers, skip it as there’s probably nothing here that will change your mind.

solarfluxlogoSolar Flux was developed by Firebrand Games.

“Space,” it says, “is big. Really big. You just won’t believe how vastly, hugely, mindbogglingly big it is. I mean, you may think it’s a long way down the road to the chemist’s, but that’s just peanuts to space, listen…” – Hitchhiker’s Guide to the Galaxy on the subject of space.

IGTlogo-01

Solar Flux has earned has been awarded the Indie Gamer Team Seal of Approval by Miko.

SteamWorld Dig

SteamWorld Dig.  It sounds like the way a Beatnik would describe visiting Valve’s offices.  “I’m heading to SteamWorld, ya dig?”  But actually, it’s a 3DS game by indie studio Image & Form.  I was told about this game (well, warned would probably be a better description) from a few readers.  “Hey, if you like Miner Dig Deep, you’ll love SteamWorld Dig!”  Others compared it to Terraria, which is an epic-sized bad comparison.  Terraria is a world-building game with time-sinky elements.  Miner Dig Deep forgoes any semblance of story or point and focused on the time-sink stuff, for maximum narcotic effect.  SteamWorld is more like that, only with some minor Metroidvania elements thrown in.  Of course, I like Metroidvanias more than world-building games, which meant that SteamWorld had the possibly to hook me in like a 19th century sailor in my first opium den.

Set in a robotic version of the old west, you play as a dude whose father died and left you his mine.  You go into the mine, dig up minerals to sell for money to buy upgrades with, which you use to dig up minerals to sell for money to buy upgrades with, repeat this about one hundred times, and that’s the game.  The core gameplay is so close to Miner Dig Deep that I’m really curious if the developers of SteamWorld had played it or not.  We’ve got a bet going over here regarding that, with bets taken on the following responses.

A. “Yes, we loved it.”

B. “We’ve never heard of it.”

C. A dismissive smile followed by walking out of the room like a boss.

I’m not allowed to say which one I’ve got money on, because apparently my chums consider that cheating.  Hopefully the developers will C to it that we get a proper answer.

Yul Brenner is like "Psssh, whatever, already done it."  Shut up, Yul.  Get back to showing up in my dreams and telling me not to smoke.

Yul Brenner is like “Psssh, whatever, already done it.” Shut up, Yul. Get back to showing up in my dreams and telling me not to smoke.

Anyway, the comparisons to Miner Dig Deep can safely end now.  Image & Form have greatly improved the formula by adding platforming and rudimentary combat.  I was skeptical how well this would work, since the controls in Terraia for jumping and combat were a bit flaky.  I guess that’s why I was so blown away by SteamWorld.  It has some of the best platforming mechanics that were not made by Nintendo that I’ve seen in quite a while.  The jumping elements become second nature, making distances easy to get a feel for.  You never feel like you have to course-correct to avoid under-jumping/over-jumping.  And the wall-jump mechanic couldn’t be easier.

The controls aren’t perfect.  You can’t jump and dig, so getting minerals above you is a chore.  Also, for a game that has a lot of enemies, the combat is flaky and lacks appropriate oomph to it.  The pick-axe is a fairly-unsatisfying offensive weapon.  It can be upgraded into a more combat-ready one, but to be frank, I thought the upgrade was too expensive and I never acquired it.  Midway though the game, you pick up a “steam-powered punch” that I found to be a much better way to take on baddies.  But, for the most part, I just avoided fights and stuck to mining.  The time-sinky, hypnotic simplicity of digging up various types of minerals and resources, plus the arbitrary upgrading of my items, is what kept me going.  And it kept me going with a smile on my face.  And drool collecting around my lap.

I’m also not convinced they made the best use of the whole Metroidvania thing.  The game is separated into three “worlds”.  Tippy-top upgrades are found by digging until you stumble upon a door, which leads to a platformer/maze section.  And the end of each of those, you’ll find an upgrade to the robot that allows him to jump higher, fall further, throw punches, etc.  It’s all very linear, with backtracking only necessary at the end of the game.  Part of this is the whole mining thing only lends itself well to going one direction: straight down.  It’s hard to do the open-world thing this genre is famous for when your chosen theme presents fewer options than a light switch.  And SteamWorld takes no risks, which is a shame because all the mechanical parts are in place to have allowed some experimentation.  I guess I should offer kudos for resisting the temptation to have all the platformer/adventure clichés such as an ice level, a fire level, etc.  But, when I reached the end of the game and realized things were being wrapped up, I was genuinely shocked.  “Wait, that’s it?  Three mother fucking levels?”  Not one of which was the slightest bit inspired.  It’s kind of surprising to me that they plan on sequelizing this in short order, because it sure seems like they ran out of ideas quickly here.

"#5 on the Leaderboard? And my agent told me I was a fool for turning down Pixar. HA!"

“#5 on the Leaderboard? And my agent told me I was a fool for turning down Pixar. HA!”

I certainly don’t mean to imply that I disliked SteamWorld Dig.  It’s, as of this writing, the fifth-best indie game I’ve had the privileged of playing for Indie Gamer Chick.  For all it does wrong, it sure does a lot right.  Fluid platforming controls, satisfying play-mechanics, and a sense of progression despite the grindy, time-sinky nature of it.  I would probably still give the Best 3DS eShop game nod to non-indie Pushmo, but SteamWorld Dig comes close.  Probably the highest praise I could offer it is this: if someone had handed me this game, and I knew nothing about it going in, and I was asked who made it, I would have said “Nintendo” without hesitation.  I can think of no greater complement for an indie developer, that a title of theirs could be mistaken for a first-party Nintendo game.  Well, actually, nah.  I probably wouldn’t guess this was a new first-party Nintendo game.  I mean, Nintendo coming up with a new IP?  Ha.  Snort.  Chuckle.

Steamworld Dig logoSteamWorld Dig was developed by Image & Form

IGC_Approved$8.99 (not sure if that’s a sales price or not) wonders how long until Namco digs up Dig Dug for this whole new mining-game crazy in the making of this review.

SteamWorld Dig is Chick-Approved and Ranked on the Indie Gamer Chick Leaderboard.