Papers, Please (Cathy’s Take)

There will be spoilers here. But really, this review is being done for the benefit of people who have already played the game and just want to hear my opinion on here and see where Papers, Please lands on the Leaderboard. Assuming it does.

Former IGC writer Jerry, aka Indie Gamer Guy, tackled today’s game nearly a year ago. By that point, I was still mostly focused on XBLIG and hadn’t even done a single PC review yet. I did play a little of Papers, Please but it didn’t grab me immediately, and since Jerry did it, I figured I had no reason to go back to it. Then I did my first Steam review a few weeks ago, and with it, instantaneously, dozens of readers started pestering me for my opinion on Papers, Please. People were using terms like “nobody would have ever tried a game like this before indies” or “it uses video games as a medium for social commentary like no game ever has.” While they did that, I’m thinking to myself, we’re talking about a fucking paperwork simulator, aren’t we?

And yeah, we are, but that grossly oversimplifies thing. If you’ve been living under a rock, the basic idea is you work as an immigration inspector for a fictionalized version of a cold-war era communist dictatorship. You never see your character’s face, or learn his name. One by one, people come up to your booth presenting their immigration papers. Just a few documents per person at the start. A passport and an entry pass for foreigners. A passport and ID for locals returning home because they’re fucking idiots and Glory to Arstotzka! There’s no tutorial, just some less than thorough static instruction screens that originally left me feeling unimpressed. I had to rely heavily on a rule book that had a map of all the local countries and their cities. Basically, the game revolves around checking all the paperwork for spelling mistakes or inconsistencies. For example, a city may be called Bumfuckistan, but on the paperwork, it’s listed as Bumfuchistan. Or sometimes they’ll be missing a document altogether. If the paperwork is good, you send them through. If not, you don’t.

What's happening is we're going to take you into that back room and introduce you to the science of ballistic propulsion.

What’s happening is we’re going to take you into the back room and introduce you to the science of ballistic propulsion.

And while this is going on, a revolutionary group occasionally drops in soliciting your help in undermining the system and over throwing the regime. The regime which you really never see, and can only assume is evil because they keep adding more paperwork for you to sort through. Going by that standard, California must be barely a step below Nazi Germany if the amount of paperwork involved in ANYTHING here is any indication. That’s what disappoints me about Papers, Please: every motivation and menace is simply implied to exist, and mostly left to your imagination. And the worst case isn’t always as bad as it seems.

I’ll give you an example: there’s a dude that shows up frequently in the game named Jorji who is, for the lack of a better term, a fucking moron. He shows up at first without any papers, so you reject him. Then he shows up with a fake passport that looks like it was made with a set of crayons. This is before you’re given the option to detain people. Eventually, he does get the right paperwork, but his listed weight is different, which implies he’s smuggling something on his person. Upon scanning him (which includes full-frontal nudity if you turn the option on, though for you pervs out there, it’s not exactly erotic) you confirm that he’s trying to sneak drugs across the border. At this point, I was simply playing the good employee, not letting ANYONE sneak in for any reason, even when the game clearly implies that you’re supposed to. So I had him arrested, and figured he was about to be shot. Thought nothing of it. So long Jorji.

Seems legit.

Seems legit.

A few days later, Jorji  shows up, alive and well. He claims he has cops on the take. Yeah right. The fact that this grade-A nincompoop survived being detained really took the oomph out of the whole detaining process for me. I went from thinking I had been sending people off to their deaths to thinking I had been sending people off to have their afternoons mildly inconvenienced. At this point, the stakes felt significantly lower. Hell, the meter maids were probably making more life and death decisions than I was. But then again, Papers, Please isn’t really consistent with pulling players into the experience emotionally. At one point, I seem to have become buddies of sorts with one of the armed guards. And by buddies, I mean we chitchatted a couple of times and that was it. One day, out of the blue, he hands me a locket of his dream girl, tells me she’ll be coming to the booth sometime soon without the right papers, and asked me to let her in. Anytime you let anyone in without proper clearance, someone else catches it (someone who is WAY better at their job than me, so I’m not sure why they even need me), you get a citation. Every day you get two warning citations, and then you start getting fines. So I had to eat a citation to let his girlfriend through, but I’m a sucker for crap like that. True love conquers all and what not. You get to watch them hug, and it’s really kind of beautiful.

A couple of minutes later, a terrorist got over the wall, I was slow on drawing out my gun (you get a gun later, because of course you do) and my guard buddy was fucking killed. Of course he was. Now, considering how fucking minimalistic the game is up to this point, this shouldn’t have affected me, but it actually did. I teared up a little. No joke. And then I cheated and restarted the day, making sure to save him. So bravo game, you got me there.

BUT, you didn’t get me in most other aspects. You have a family to take care of, but you never actually interact with them. Ever. Eventually, you get a picture of them to hang on the wall of your booth (which actually will land you in jail if you do it), but that’s not exactly a deep emotional moment. Their only real significance is they cost extra money at the end of each day. They’re checklists at the end of each level. At some point your unseen, previously completely unheard-of sister gets arrested for something (you’re never told what) and you are given the option of adopting her daughter or not. You never see your niece either. Your son’s birthday comes up and you have to choose to buy him crayons for his birthday or not. If you do, you get a drawing from him. Yea? And the game reminds you constantly that if you get in trouble with the regime, it could land your family in the gulag as well. So fucking what?

That’s my biggest problem with Papers, Please. Your personal stakes just aren’t high enough. Who gives a shit if your family lives or dies? I didn’t. I never was given a chance to make an emotional connection with them. And it’s a shame because the developer was clearly capable of manipulating players emotionally. With MINIMAL interaction and animation, I felt a desire to help let my buddy’s girlfriend through the border, and was devastated when he got killed. When I retconned that and saved him, I was really happy to learn they would name a child after me. And hell, even fucking around with Jorji, I felt some kind of connection with him, annoying as he was. I never felt any of that to my family, and considering how keeping your family fed and warm is considered the main objective of the game, leaving them completely out of it feels like a cut corner.

Look on the street and you can see the couple hugging. That one teeny tiny moment was very emotionally satisfying. But there are few such moments in Papers, Please, and that's a crying shame.

Look on the street and you can see the couple hugging. That one teeny tiny moment was very emotionally satisfying. But there are few such moments in Papers, Please, and that’s a crying shame.

Oddly enough, the developer did get the aspects of the job right. My father, who is tickled pink by this whole Indie Gamer Chick thing, actually knows a cold-war era immigration officer, who currently works as a tech incubator here in the Silicon Valley. When Daddy saw what I was playing, he put me in touch with him. Granted, the guy he knew worked for the American side of things, but after asking him to try Papers, Please, he confirmed to me that creator Lucas Pope was pretty much spot-on about the bureaucracy of the job and the ways people try to get past you. Cities with the wrong spelling. Really easy ones that typically involved spelling out a city’s name like it sounds phonetically. For example, spelling “Iraq” as “Irack” or Russia as “Rusha”. Seals that are incorrect, or the wrong flag. Bribery. Begging. And the awareness that, in many cases, rejecting someone’s admission could lead to them being put to death in their home country. And he worked FOR US! He had so many stories for me that I told him he ought to write a book. But, and this is important, he said the game felt authentic. He also couldn’t believe anyone would even think to make a game like this, and was super impressed when he found out it was popular. His only gripe? He said the people being rejected didn’t ply on the sob-stories enough. I felt the same way. The interaction with those passing through your checkpoint is very minimal. This is probably for two reasons. First, because the game is randomly generated, outside of scripted events (some people always pass through the checkpoint on certain days in a certain order), and thus having to write that much dialog would have been time-prohibitive. Second, it would eat up the game’s already too fucking short daily time limit. After nearly 500 games reviewed, Papers, Please is the only indie I’ve played where I would embrace a “special edition” that adds dialog and new story arcs. Not because what’s here is so good, but because what’s here simply isn’t enough.

If it sounds like I didn’t like Papers, Please at all, you’re totally wrong. I was utterly sucked into the experience. I figured I would put five to six hours into it like any other indie. Over thirty hours later and I’m still unlocking endings, branching different paths in the story, and generally having a good time doing it. I’m not totally sold on the idea that Papers, Please has revolutionized gaming as a story-telling medium. Emotionally, it strikes out far more often than not. But, on those rare occasions when it’s a hit, that hit is a home run. No, overthrowing the regime wasn’t part of it. Frankly, that’s another spot where the game lost me. Why would the rebels have selected me? The first time I played, I was very much doing my job, gleefully sending people into a room to be shot. I would have been the LAST person they would have sought the help of. But they kept asking for it again and again. Sure, one of the endings involved them trying to kill me for rejecting them, but it wasn’t much of a payoff, because I never felt intimidated by their presence. Quite frankly, if they were centering their plans around my cooperation, they were doomed to fail. I spent half the time unable to tell guys apart from girls or properly remember how St. Marmero was spelt.

But I really liked Papers, Please. A lot. Hell, I haven’t even started the endless mode. Before epilepsy kicked the shit out of me for three straight days, I had just unlocked it, and I’m going to dive in as soon as I publish this. The play mechanics have all the workings of a time-synch, and the lack of properly anchoring the story on an emotional level should contribute even greater to that, yet it never once feels like one. That’s nothing short of a miracle. Let’s face it, this is essentially “Bureaucracy: The Video Game”, but it manages to be very compelling and a lot of fun. For all the people who bitch and complain about the lack of risk or creativity in gaming, even with indies, Papers proves beyond a shadow of a doubt how bright all of our futures are. If this review sounded too negative, it’s only because all the ingredients were here for this to take the top spot on my Leaderboard, but too many seemingly important story elements were completely ignored. Otherwise, I’m in awe. I made a meter maid joke above, but just now, I’m thinking someone could probably make a compelling game about it. Why not? I just put 30 hours into a game based around a job that I would rather fucking die than have. There are a lot of games that are glorified jobs that you have to pay for. World of Warcraft, the Sims, EVE Online. Papers, Please is a game about one of the most redundant jobs on the planet and it is a very entertaining game. Meanwhile, someone out there right now is a filing clerk stuck in the basement of an office building, bored out of his or her skull. Chin up, whoever you are. Some day, some enterprising indie developer will turn your daily grind into a transcendent video game, and it will be fucking awesome.

Papers Please LogoPapers, Please was developed by Lucas Pope
Point of Sale: Steam

IGC_Approved$9.99 could have lived its life content without seeing Jorji’s tiny old man schlong in the making of this review.

Papers, Please is Chick-Approved and ranked on the Indie Gamer Chick Leaderboard.

Super Comboman

Sigh. Sometimes I walk away not liking a game and I just know it’s going to get me hate mail. So, it’s with a sense of dread that I say that I utterly hated Super Comboman, the latest title published by Adult Swim Games. I’m a big fan of their label. They’ve been on a hot streak lately, with titles like Volgarr the Viking being pretty cool. Super Comboman looked like it was trying to take a page from Viewtiful Joe’s playbook. I was a big Viewtiful Joe fan as a kid, so I was pretty excited for this one. At first, I thought Super Comboman was going to be something special. And it is. In the same way that someone who can’t remember to put their pants on before their shoes is special.

The idea is you’re a guy named Struggles who has to brawl his way through levels for some reason. I couldn’t really follow the story, except that everything is supposed to be made of stickers. That’s why your character and all the enemies have white outlines. You’re also supposed to have a fanny pack that looks like Pikachu, because that’s quirky and indie or something, but really, it looks more like a dog. I’m not a fan of the white-outlines art direction, which is pretty needless. Hell, many people aren’t even grasping the whole sticker-concept to begin with, nor does the game do any sticker-based special moves from what I can tell. There’s nothing wrong with the concept. They just didn’t do anything with it. Gameplay wise, Super Comboman is about brawling enemies and trying to chain together as large a string of combos as you can. It does have personality and cool character designs. And that’s about where the nice things I have to say about Super Comboman end.

I don't know why they bothered with the sticker gimmick at all. Unless it unfolds later in the game, it never comes into play. Unless getting stuck in a jump animation, unable to move, is part of it. In this picture, my character is doing just that. Stuck. For no reason. Yeah, there are some glitches. Well, quite a few actually.

I don’t know why they bothered with the sticker gimmick at all. Unless getting stuck in a jump animation, unable to move (as if you’re stuck there just like a sticker), is part of it. In this picture, my character is doing just that. Stuck. For no reason. Yeah, there are some glitches. Well, quite a few actually.

Same picture? No. Look at the time stamp.

Same picture? No. Look at the time stamp. The only c-c-c-combobreaker in this game is the numerous glitches.

In the interest of full disclosure, I put seven hours into Super Comboman and couldn’t make it past the first “real” stage. Not for a lack of effort, but I had issues either getting stuck and unable to move (and I mean that literally. More on that later) or would get massacred by the enemies as they sandwiched me between them and pelted me with pick-axes that drained my life what seemed far too quickly. Insult my lack of skills all you wish. I’ll fully agree with you on that front, but I think I can safely blame the game for a lot of it. Having just played three straight games with very good play control, Super Comboman aggravated me to no end. Myself and the small circle of friends that also received pre-release review copies couldn’t pull off a single aerial-based special attack or combo. The timing of it is next to impossible. This is because “popping” the enemies into the air doesn’t throw them high enough, and then there’s a delay in jumping up to catch them. I bought a move called a “piledriver” that only requires you to press down and B midair to execute it. I wasn’t able to pull off the move until five hours after I had unlocked it. That makes me somewhat privileged, since none of my friends could execute it. We all struggled with wall-jumping too. It’s done by holding the jump button and pressing the opposite direction. The timing of it was just so off, we began skipping caches of coins that required you to use it. It just wasn’t worth the frustration.

The controls are just plain not responsive enough for the kind of gameplay the developers wanted. And the fighting itself is boring. Comboman tries to change things up by making unlockable “perks”, of which you can control two at once. There’s a problem though: the first perk you equip doesn’t activate until you’ve hit a THIRTY FUCKING HIT COMBO! Thirty!! And, as soon as the combo’s timer runs out, you lose whatever perk you’ve earned. I don’t know how much it takes for the second perk to activate, because I never got a combo higher than 40 something. One of the reasons for that is, in rooms where multiple enemies spawn, sometimes it takes too long for them to actually do that. You might have to wait for them to blink out of existence before another shows up to keep the combo going, and by time you’re in range of them, your meter has run out. That happened a lot. But, a lot of the time (and I mean a lot), the game glitches out and you get screwed by its busted engine. For example, look at this picture.

Super Comboman 3

See where it says “Workers –> 5″ on the wall? That tells you the number of enemies left to kill in this particular room. The two pipes you see with the down arrows spawn enemies. There are only two enemies at a time, and one is defeated and blinks out of existence, another one gets pooped out as soon as you run under a pipe. At least, that’s how it is supposed to work. One time in this same room, I had a fairly large combo going, and I cleared all the baddies. Only, I didn’t. There was one left to spawn. I ran under the right pipe. Nothing. I ran under the left pipe. Nothing. The door was still locked and it said I still had one guy left to go. By this point, my combo was totally gone, but I was still stuck waiting for the douchebag enemy to show up. I ran the full length of the room back and forth, passing under the pipes multiple times. Nothing. I started jumping up and down. Nothing. Finally, after running in place against the locked door for a few seconds, the pipe finally shit out the last guy I had to fight. Over a minute had passed. This happened more than once too.

It’s possible the dude was frozen midair. That happens quite frequently as well. At first, I thought it was only me. Sometimes when you land on platforms, your character gets stuck in the “jump” animation and can’t move (as seen in the pictures above). You can change what direction you face, but you’re stuck. Sometimes you can use a special move to get yourself out of it, but sometimes you can’t and you have to restart the stage. Pro Tip: buy the air dash right away, since that’s the easiest way to get yourself unstuck, though even that doesn’t work every time.

Later, I noticed it was happening to the bad guys too. I took video of it.

It was around this point, seven hours in with even the enemies being screwed over by bugs, that I realized this shit is not finished yet. Yes, I suck at brawling games and I didn’t even finish the first stage. But I think a solid argument could be made that I simply never had an attempt at finishing that damn stage without a glitch happening. Literally the only thing that was consistent was the game doing stuff I’m pretty sure it wasn’t supposed to do. Take this puzzle. I numbered the different sections of it.

Super Comboman 2

You have to take the enemies that spawn at spot #1 and do a “smash” move to them. They should fly into the cement wall at spot #2 and break it. You can’t break it yourself, because the electric fence, which enemy bodies pass through (sometimes at least. A lot of the time they get stuck on it). Then, you have to hit a different enemy at spot #1 and have them bounce off the mattress at spot #3, which is hypothetically supposed to bounce them up into the button next to spot #4. A perfectly fine puzzle, when it works. But the physics just are not consistent enough. The enemy always drops out of the same position in the pipe. Smashing him immediately upon landing almost always lands him on the mattress (when he doesn’t fail to pass through the electric fence), but doesn’t always cause him to hit the button. Trying it in different positions doesn’t make a difference either. It’s really a matter of luck getting the puzzle to work the way its supposed to. I mean, you can’t have a puzzle with that much inconsistency. It’s annoying.

Sometimes it took so long I wondered if I actually had done it right and the button was broken. That actually happened to me twice, where I went to smash a button and it just wouldn’t press in. One time it was with the very first button in the first non-tutorial stage, and I had to immediately restart the level. Now mind you, I wasn’t the only one this kind of shit was happening to. Didn’t anyone play-test this thing? Sprites disappear. Characters get stuck. Buttons don’t always activate. Puzzles don’t always work right. This is the most glitch-filled game I’ve seen since Poker Night 2. I can’t even make a joke about it. It’s so disappointing.

There’s nothing in Super Comboman that can’t be fixed. They can iron the kinks out of the fighting (they really ought to tone down the enemy sponginess while they’re at it) and the glitches can be patched out. But its present release feels like a beta in need of at least six months worth of fine-tuning. The brawling gets repetitive, the enemies are too repetitive, and what the FUCK was the point of the whole sticker thing? Why even have such a novel concept if you’re not going to take advantage of everything being stickers? Why bother to include the perks when activating them and keeping them active is so damn hard? The sluggish controls and frequent glitches push this past the point of being tolerable. I loved the personality of the game, and you can tell real effort and thought was given to the play mechanics. They just didn’t finish it. The foundation for something really good is laid here, but the cement was still wet and now its starting to sink.

Super Comboman LogoSuper Comboman was developed by Interabang Entertainment

Point of Sale: Steam

$11.99 (price raises to $14.99 on July 18, 2014) was prematurely born on July 11 too, but at least I was only a couple of weeks early in the making of this review.

An early review copy of Super Comboman was provided to Indie Gamer Chick by Adult Swim Games. Our policy is that we pay for all of our own games. Upon the release of the game, a copy will be purchased by Cathy. For more on this policy, check our FAQ.

 

Shutshimi

With my last two reviews landing in the top ten on the Indie Gamer Chick Leaderboard, I’m now worried that my readers will think I’m going soft. Or possibly that I’ve been replaced by my nicer, goatee wearing Mirror Universe counterpart. Neither is true. As far as you know. But really, I have a reputation to maintain here. So what I need is a game from a genre that is my least favorite. Something that looks like it’s been done a zillion times before. Something I can rake over coals and murder with my malicious words. I need a shmup.

So I picked Shutshimi, and it’s one of the ten best indie games I’ve ever played. Well, fuck me.

I should have known better. As many of you are aware, the original Wario Ware on Game Boy Advance is my personal choice for the best game ever made. Probably a sign that I have ADHD or something. But other games based around time crunches have also owned me, such as Pac-Man Championship Edition, Bejeweled Blitz, NES Remix, or XBLIGs Orbitron and Minigame Marathon. I’m wired for shit like this. And Shutshimi is essentially the Wario Ware of shoot-em-ups. Stages last ten seconds. Sometimes less, but never more. Between stages, you enter a store where you have a choice of three different items. The items have overly-long, elaborate descriptions (that are often not very helpful) and you have exactly ten seconds to make your selection. You fight a boss every few rounds, but only ten seconds at a time. And that’s pretty much the entirety of the game. And I call it a game only because it might be slanderous to call it what it really is: a drug.

Hell, it even looks like how you picture being on drugs.

Actually, going off this picture, maybe I’m on to something with the whole drug thing.

And an addictive drug at that. I have no love for this genre. I find the majority of shmups to be boring, samey, typically unambitious, and designed strictly to target those that are nostalgic for shooters. I’m certainly not nostalgic for them, and thus I’m not these games target audience. More over, shmups are the most high-risk genre for my epilepsy triggers, something I honestly haven’t minded up to this point. I don’t want to sound like I’m milking my condition.. even though that’s exactly what I’m doing.. but it’s a genre I do go out of my way to avoid. I skipped this one for weeks. I only gave it consideration to begin with because it came via Anthony Swinnich, a long-time Indie Gamer Chick fan, and because he put “The Switch” in it. In other words, they included an option that made this game more epilepsy friendly.

Ten hours. That’s how long I played Shutshimi the first time I booted it up. Shock doesn’t even begin to describe how I feel about this. It’s one of the best games I’ve ever played. And it did it the same way Wario Ware did: simplifying the play mechanics, and then weaponizing them by throwing them at you in fast-paced, bite-sized chunks. Because the game is randomized, you really can’t count on anything. An item that does one thing will do a different thing the next time you see it. No two play-throughs are the same. The lightning-fast approach is only detrimental because the writing is so damn funny, you’ll want to read it all and simply can’t.

Oh, that’s not the only fault here. Shutshumi is one of those games that is so good, the mistakes it makes frustrates me to a greater degree, because they’re so fundamental they shouldn’t exist. The top of the list for me is the lack of variety of enemies. The opening enemies, the sharks and squids, are too easy to dispose of. It takes too long for newer, more challenging baddies to appear. It’s also too easy to get a feel for enemy patterns. I wish the ordering of enemies had been every bit as random as the items. If Shutshumi had gone for full-on random wackiness like Super Amazing Wagon Adventure, I think it would have made the game stronger. Despite the awesome randomness of the items (which often determine the effects of the next stage instead of giving you a power-up), because the levels unfold more or less in a linear way, Shutshimi almost becomes too easy.

Not that I know how good I am. There’s no online leaderboards as of yet. When the game gets Greenlit on Steam, they’ll come, but that’s no help as of yet. My top score is in the 9,000 point range. I’m not especially skilled at this, but I don’t have to be good at stuff to enjoy it. If that were the case, I wouldn’t still be golfing. But without those leaderboards, the ceiling of addictiveness for Shutshimi is significantly smaller. I’m also annoyed that only the PC version contains the epilepsy switch, meaning I couldn’t play the XBLIG version. Me, Indie Gamer Chick! If you look up XBLIG in the dictionary, there’s a picture of me urinating on Sententia. I mean, I appreciate the switch’s presence, but why did only one platform get it? Epileptics play consoles too, you know.

The lack of variety in enemies (along with the lack of online leaderboards) is the only thing that finally got me to put the controller down. As Brian pointed out, maybe that's a good thing.

The lack of variety in enemies (along with the lack of online leaderboards) is the only thing that finally got me to put the controller down. As Brian pointed out, maybe that’s a good thing.

My other concerns are nit-picky. There’s no variety in the backdrops, except stuff caused by random item pick-ups that result in party effects or for the game to be shrouded in darkness (I’m guessing with epilepsy mode turned off, there’s lightning flashes for that section). And some of the items are just stupid. One of them eliminates enemies altogether for a single stage. Technically that helps you advance an extra wave for free, but it also means you score no points. Just a really bad idea. I also think the shotgun weapon is now my choice for least favorite item in a good game. Fucking thing is worthless.

I’m sure shmup fans will be appalled that this game, which is admittedly overly simplistic, is the only game of its breed to capture my imagination. But it did. For all of its flaws (most of which, oddly enough, seem to be due to lack of ambition), it’s the first game in a long while that I had trouble putting down. It took me an extra couple days to get this review up because I would go back to check something about it and end up putting in an extra hour or two of playtime. Shutshumi is such a breath of fresh air. A great idea, something that will hopefully kickstart a new era of creativity for a genre that often lacks it. It also proves that the best ideas are often the simplest. Shutshumi has not a single mechanic that hasn’t been done before. Every part of it is tired. But it’s how it used its mechanics that makes it special. They should show it off in game design classes. I commend the developers at Neon Deity Games. And I only call them developers because I think it might be slanderous to call them what they really are: a drug cartel.

Yep, I ran that joke into the ground.

xboxboxartShutshimi was developed by Neon Deity Games
Point of Sale: Xbox Live Indie GamesIndie Game StandHumble Store

IGC_Approved$1 noted that “the wacky smoking animal” stuff is getting tired. First the pipe smoking cat from Aqua Kitty and now a cigar-smoking goldfish? Give it a fucking rest, guys in the making of this review.

Shutshimi is Chick-Approved and Ranked on the Indie Gamer Chick Leaderboard.

 

 

Escape Goat 2

From July 1, 2012 to July 26, 2013, the top ranked game on the Indie Gamer Chick Leaderboard was Escape Goat, an incredible platform-puzzler by Ian Stocker. I’ve played dozens upon dozens of puzzlers since starting Indie Gamer Chick, and it stood out. It didn’t have the most difficult puzzles, but the ingenuity of the puzzle design left a big impression on me. It was one of the first games I played that made me realize that indies in many ways have eclipsed big studios in terms of creativity and intelligence of design. But, what impressed me most of all about Escape Goat was how this was a puzzler that anyone could play. Compare it to something like Gateways, which is probably the most brainy puzzler ever created. Less than 1% of all people who purchase that game ever finish it, even on it’s “easy” mode. Which is not a knock on it. As of this writing, it ranks #9 on my Leaderboard. The game is genius. The problem is, the learning curve is so steep that you practically have to be a genius to get the most out of it. Escape Goat was challenging enough to give anyone making their way through it a sense of satisfaction, but not so smart that anyone would be likely to walk away and never return. Sort of like what I’ve been known to do with punishers. Damn you 1001 Spikes, you refried bastard of a game, you.

Escape Goat 2 isn’t a revolutionary upgrade on the original by any means. It’s still built around single-screen puzzles that are solved by activating a series of switches that alter the layout of each stage. You still have a mouse helper that you use to squeeze through narrow passageways, transfer places with, or to activate switches. And it still contains equal parts platforming and puzzling, a balance that many of its genre cousins have trouble maintaining. It’s safe to say that Escape Goat 2 is more of an evolutionary step. When this is the case, I typically find the sequel to be satisfactory, but leaving less of an impression on me. Mario Galaxy 2, Kingdom Hearts II, and Arkham City all left me feeling that. That’s what makes Escape Goat 2 such a surprise. It not only feels fresh, but that sense of awe and discovery that hooked me with the original happened to me again and again, as I watched floors and walls shift around to reveal the pathway to victory stage after stage. It reminded me the staircases at Hogwarts, or the some of the elaborate boobytraps from the Indiana Jones franchise. In this sense, Escape Goat and Escape Goat 2 hold a unique distinction for me on the indie scene: they’re the only games that made me totally revert back to my childhood. Not even Journey managed to accomplish this. For this reason, Escape Goat 2 is the first game since Journey that made me debate whether it should go on top of the Indie Gamer Chick Leaderboard.

No, my mascot making a cameo did not influence my feelings. Truth is, I'm a little insulted by the lack of stature it was given. It should have been a miniboss, at least.

No, my mascot making a cameo did not influence my feelings. Truth is, I’m a little insulted by the lack of stature it was given. It should have been a miniboss, at least.

As an evolutionary version of Escape Goat, the sequel features new styles of puzzles. Sometimes you’ll acquire the ability to manipulate four mouses at once. Other times, you’ll have to turn the mouse into a block, either to act as a shield or to smash platforms below you. Unlike the first game, levels unfold in a slightly more linear way. One of the fatal weaknesses of the original game was that the levels could be tackled in any order. For this reason, the difficulty couldn’t be scaled. The sequel not only fixed this, but it contains one of the finest difficulty curves the indie puzzle scene has ever seen. Even when you later open up new stages that link off the opening levels, those new levels feature the proper scaling of difficulty. Is it perfect scaling? Of course not. Even big budgeted games by some of the biggest names in gaming rarely nail the curve, and indies never do. Having said that, Escape Goat 2 comes the closest. Considering how bad the first one screwed the pooch in this area, I thought it was worth mentioning.

Like the first Escape Goat, I found the controls to be exceptional. I was actually shocked to learn that people are complaining about them. I’ve reviewed 472 indies as of today, with the highest percentage of them being platformers. Proper platforming controls are among the most difficult things to get right. I never once felt the controls failed me. If I died, it’s because I fucked up, not the controls. The jumping is so natural that your limitations become instinctive almost immediately. Maybe I had an easier time because I enjoyed Escape Goat 2 with an Xbox One controller, but really, even some very good indie platformers struggle with controls. I would rank my experience with Escape Goat 2 second only to Super Meat Boy in terms of how instinctive they become. I can think of no higher praise.

I don’t want this to sound like a digital blowjob. Believe me, I have some bones to pick with Escape Goat 2. My biggest gripe: the lighting effects. Many of the stages are lit in a way where you have to explore them to get a proper lay of the land. It sounds great in theory, but I felt it took away from the majesty of discovery, which is where Escape Goat really shines. It’s the same thrills that make movies like National Treasure and Tomb Raider bearable to watch. Unfortunately, those moments in Escape Goat 2 are often shrouded in darkness (even when you turn the image brightness up in the options), and that’s really a shame. I’m also still not a fan of when the stages center less around puzzling and more around simple precision platforming. Although I argue that Escape Goat 2 does platforming very well, it’s not the game’s calling card, and those stages feel almost phoned in.

Escape Goat 2 also does that annoying thing where one of the unlockable super powers can only be achieved by dying X amount of times (in this case, 400 god damned times). I *hate* it when games do that. Thomas Was Alone did it too. Granted, TWA did it in a way that confirmed my fucking awesomeness, but this shit is like rewarding players for incompetence. Picture if we did this in all walks of life. Did you watch the last Superbowl? Remember when the Broncos gave up a fucking safety right off the bat? Imagine if they followed that up by dousing their coach with Gatorade while the players that fucked up gave each other chest bumps and high fives, all while the beleaguered Seahawks watched on in dumbstruck awe. You wouldn’t give them a fucking achievement for that. And yet gaming now does this on a consistent basis.  STOP IT!! The point is to not die!

Unless you’re one of those games where the point actually is to die.

See what I mean about the lighting? Why is it every game has to be so damn dark and mopey these days? Do you know what the indie development scene needs most of all? A fucking psychiatrist.

See what I mean about the lighting? Why is it every game has to be so damn dark and mopey these days? Do you know what the indie development scene needs most of all? A fucking psychiatrist.

Escape Goat 2 isn’t revolutionary. It won’t change the way you feel about gaming, one way or another. So it surprises me that I actually had to stop and think about whether I enjoyed it more than Journey. It ultimately came down to this: Escape Goat 2 made me do that “revert back to a giggling, wide-eyed child” thing that games like Portal and Super Mario Galaxy did for me. I crave those moments. They’re so very rare. I give the nod to Journey because it’s the only indie I played that took me places emotionally that I never expected any game would do. I hope that doesn’t detract anyone from giving Escape Goat 2 a whirl. After all, I am comparing the best indie I’ve ever played to the second best indie I’ve ever played. Because, as of this writing, that’s exactly what Escape Goat 2 is. A magnificent title from a rare breed of talent. A game that makes me proud of what I do here at Indie Gamer Chick.

And now, if you’ll excuse me, I have to go back to the game and kill myself another 304 times. Because Ian Stocker is that much of an asshole.

Escape Goat 2 logoEscape Goat 2 was developed by Magical Time Bean

IGC_Approved$9.99 is so hungry it could eat a goat burger. I have no clue what that means, but my late partner Kevin used to say that every day in the making of this review. Do goats taste nasty or something?

Escape Goat 2 is Chick-Approved and ranked on the Indie Gamer Chick Leaderboard.

 

Spacepants

If you don’t care who this new guy is and just really need to know how good Spacepants is right the heck now, skip this paragraph. Hey guys, I’m Bernard! I’m going to be writing reviews for this fine website! Yay! I feel I should do some sort of introduction. So, hi, I’m David Bernard Houck. David means “beloved,” Bernard means “bear-hardy,” and Houck is meaningless. I think it fits: everyone loves me (yes, even you, dear reader, love me! LOVE ME!), I’m a fat gay guy, and my whole existence is meaningless. I play videogames and I write because those are the only two things I’m any good at, so I guess writing reviews makes sense! If you want to get to know me, follow me on Twitter maybe??? I retweet a lot and I am sorry. If I seem too cheerful for IGC’s hard-lovin’ style, don’t worry, I have serious vitriol for dumb games. Luckily, the first game I’m reviewing isn’t dumb, it’s a tiny, wonderful game that I think y’all should play!

SpacepantsTitle-300x42

Okay, you’re safe, no more information about a human, just the cold, hard facts of Spacepants. Spacepants became one of my favorite iOS games after playing about three rounds. But, like, Kid Games are supposed to be easy, right? So why is this game made by an actual twelve-year-old so damn hard? I play it whenever I have a couple of minutes to kill and I still can’t fucking break 60 seconds, god dammit!

Spacepants stars a ginger scientist who I guess wears spacepants, which I guess are malfunctioning such that he can’t stop moving. Ginger runs along the borders of your phone’s screen, because I guess spacepants let you walk on walls and ceilings, dodging pixel clumps that want to hurt spacepants. Tap the left half of the screen to change directions, tap the right half to jump. Collect hearts to make a bomb out of hearts and clear away the current enemies with the power of spacelove. Last as long as you can without dying because you were dumb.

SpacepantsScreen21-300x225

It’s like Super Hexagon, except not pretty or impossible. And instead of Jenn Frank’s smooth voice and Chipzel’s jammin’ tunes there’s just harsh bloops. And instead of walls there’s space caterpillars. And instead of hexagons there’s spacepants.

It really does feel a lot like Super Hexagon, I swear! But despite being very difficult, Spacepants is a much more chill, relaxing game than Super Hexagon. It’s mellow, it’s delightful, and it’s so fucking hard why can’t I get past level 2 fuck. It’s really cool to see such a fun little game come from such a young developer. I’d say it deserves a spot on the fridge, but no one would be able to get any food because I’d be standing in front of the fridge playing Spacepants all the time.

Spacepants logoSpacepants was developed by Boxface Games

IGTlogo-01$0.99 noted that Boxface Games is just a 12-year-old kid named Sam Smith who made a funner game than a lot of professional grown-ups ever have in the making of this review.

Bernard has awarded Spacepants the Indie Gamer Team Seal of Approval.

Venus Explorer

*Activate Strong Sarcasm Mode*

Team Shuriken has done it again. They’ve got a game-of-the-year, summer blockbuster of a sleeper hit on the Marketplace. It’s another classic to add into their ever increasing hall of fame of surefire winners.

Venus Explorer has everything a choose-your-own-adventure-type game needs! Boobs, semen jokes, art from their fap folder, and an actual lack of meaningful choice if you actually want to progress in the game.

You may be asking yourself why you aren’t playing this right now, and I’d have to ask the same question of you.

*Deactivate Strong Sarcasm Mode – Resuming normal levels of sarcasm…*

At the very least, these guys aren’t even trying to hide what the game is: a cash grab for suckers who see big boobs on the cover art. I can respect that and, unlike subtle sexism that is common in media, here it is front and center for us to oogle at.

"Boobies!"

“Boobies!”

The game begins with a cut-scene of you being a lonely teenage boy in the 80s looking for a game to…be thrilled by, if you catch my drift. You don’t? Okay, he’s horny.

What follows is an attempt at emulating old adventure games on the PC. “Will you go north, west, or east?” “Will you shoot the robot in the brain or torso?” “Will you try to jump into the semen bath with the buxom babe or make a comment about how it stinks?” The thing is, for most of the game, it’s all an illusion of choice layered over a direct path to the end. If you choose the route the game doesn’t want you to take, you will be killed and forced back to the checkpoint. Oh god the checkpoint system.

Imagine you’re running a 5k race. Okay, scratch that, we’re gamers. Imagine you have an extremely perilous staircase that leads to the bathroom upstairs. There are 20 stairs filled with traps and pitfalls trying to prevent you from relieving yourself in a civilized manner. Thankfully these are magical stairs that have checkpoints to revive you should you die. A fair system of checkpoints would bring you back to life say, every five stairs. You’d think that was decent while you mentally chewed out whatever being cursed your staircase.

Restarting the human race from two people is a silly notion. There has to be incest!

Restarting the human race from two people is a silly notion. There has to be incest!

Well, in Venus Explorer, those checkpoints are on stairs 1, 18, and 19. In a game that forces death upon you at every wrong turn because you aren’t following their story exactly, this is both a case of frustration and boredom. I flopped on the couch, barely paying attention to what I was lazily pressing as I made my way back to where I died so I could hopefully make the “right” choice.

Along the way to the end, there are some minigames and an arcade game to play. The minigames are halfhearted at best. One has you avoid moving objects while you fly up about 50 feet in a spacesuit. Another tries to emulate R-Type but gives you no weapons to fire, only more objects to avoid. That arcade game I mentioned? It’s a half-assed attempt at making a fighter by having you decide, “Dodge left, right, or center as your opponent comes at you with a flying kick.” You also are only allowed to play it only once every 30 minutes unless you do some fancy button-pressing that isn’t worth it. Not one bit.

Spoiler warning—I’m going to reveal the ending of the game to you. You get to make babies with the only other surviving human, a woman who saves you at the last second from certain death.

Venus Explorer was developed by Team Shuriken.

If anybody needs me, I’ll be in my bunk…regretting the loss of my $1.

Oh, and I got this screen after finishing the game. I suspect it’s a true statement as I don’t know why anyone else would bother putting the time into it that I did.

Turtle Tale

Turtle Tales comes to us from Saturnine Games, the developers of Antipole. I loved Antipole. I put it in the Indie Gamer Chick Bundle (the second bundle coming in July). And, in the interest of full disclosure, I was pretty good friends with lead programmer Ed Geronimo. Was. Ed tragically died this morning. Someone seems to have bludgeoned him to death with a 3DS XL. Cops have no leads, except that he wrote “Cat..” in blood. So clearly the perp is a giant feline. Probably a Vita fan.

Don’t look at me like that. I’m totally innocent.

Well, before I kil…….. I mean before his accident (you know those 3DSs, they’re death traps), I had a chance to play his latest last game, Turtle Tale. It’s a decidedly old-school platformer/shooter where you play as a turtle with a squirt gun. Does it do any turtle-like things? Not at all. It doesn’t use it’s shell, act timid, eat pizza, or anything. Ed pointed out to me that Sonic doesn’t do anything resembling a hedgehog either. To which I say “hedgehogs are not turtles.” Anyway, using the squirt gun, you have to traverse a variety of levels fighting off a small handful of enemies. It looks like a kiddie game, and at first, that’s pretty much what it is.

And then it gets teeth.

You can’t game over in Turtle Tale, but the sheer douchery of enemy placement and level design will have you screaming in agony. When you take damage, the hero has a Castlevania-esque recoil that often will send you off the edge of a cliff. The recoil is a bit too dramatic, but in addition, you don’t “blink” from damage for very long. Not even long enough to jump out-of-the-way. You’ll often encounter two enemies that criss-cross in their walking patterns. You’ll hit one, bounce into the other, hit it, and continue bouncing until your life is drained or you get knocked off a platform and plunge to your death. This doesn’t just happen once or twice. Hell, the last few stages of the game are designed specifically with narrow ledges so that nearly every hit against you will drop you to your doom.

Turtle Tale

The little witch doctor guys are too damn spongy. Which I guess is fitting, considering that you’re shooting them with water.

And then there’s the birds. The god damned fucking birds. They typically start out of reach from your gun (which can only shoot straight in front of you. Apparently the turtle suffers from Mega Man Arthritis), and swoop down. The seagulls won’t wait for you to do the swooping, meaning if you stand around long enough, you’ll eventually get a clear shot. There’s also toucans, which seem to always appear in pairs and won’t start to drop down until you pass by. Those people listening to me as I played assumed the names of them were “mother” and “fucker” since that’s typically what I screamed out when encountering them. And finally, there’s parrots, which are basically clones of Cheap-Cheaps from Super Mario Bros. All of these enemies are hugely annoying, especially on the final stages where all the platforms are narrow, leading to insta-kills. I don’t know what Ed was thinking when he over did these. Seriously, Ed? Why do birds suddenly appear every time you are near……….. a ledge?

I went back and forth on Turtle Tale. I didn’t like it at all at first. It’s bland, too easy, unambitious, and overly-simple. Most of those problems never resolve themselves. There’s no upgrades for your gun. There’s not a large variety of enemies. The level themes don’t really mean anything, besides a stage or two where you have deal with rising and sinking lava. There are no power-ups to collect. There’s only one boss fight and it’s unoriginal. There are 100 fruit in each stage, and collecting all of them opens a second quest, but if you’re like me, you’ll be anxious for the game to be over with by that point and a second quest won’t be in the cards. But really, Turtle Tale is so bare-bones that I honestly thought it was a game designed for very young children. So, before I made it far enough to realize the difficulty ramps up, I secured a copy for Indie Family Man to let his kids play. I also cashed in my pre-release copy on my neighbor’s 3DS. He’s seven years old, so I figured he was the right age for it. And he liked it! So did Paolo’s kids, though they chose to ignore the fruit as well.

The 3D effects impressed everyone else I showed them to. In all seriousness, while it doesn't directly affect my epilepsy, it does give me headaches and motion sickness.

The 3D effects impressed everyone else I showed them to. In all seriousness, while it doesn’t directly affect my epilepsy, it does give me headaches and motion sickness.

After one of the slowest starts for an indie I’ve encountered here, Turtle Tale does ramp up, and becomes more interesting as a result. But, it’s kind of too late by that point. Probably because Turtle Tale never strives to be unique. The levels are all so basic in design. The kind of levels you would see from a first-year game design student, and not one expected to make the honor roll. Probably the best part of Turtle Tale is the graphics. Although the characters are all fairly generic, it does make pretty good use of the 3D screen, at least from what little I could play with the feature turned on before my brain threatened to have a re-release party in my mouth with this morning’s breakfast as the guest of honor.

But seriously, what happened Ed? I mean, not that you can answer, what with your skull caved in and everything, but seriously. How do you go from making Antipole to this? Well, I guess the answer is he was also busy helping with the sublime Sportsfriends and various other projects. It didn’t leave a lot of room for creativity. The only way its memorable is how it lulls you in with its kiddie coat of paint and then utterly pulverizes you with some of the most unfair (yet still incredibly plain) level design on the 3DS. Maybe I placed too much faith on Ed because of his past accomplishments. I’ll admit, the whole losing my shit and embedding the neighbor kid’s 3DS in his skull was perhaps over-reacting a bit. I mean um………. crap, I guess that counts as a confession. Oh well, I’ll just pay the $50 fine and move along. My condolences to his family. Though really, this is kind of their fault. They should have told him the toucans were a dick move.

Turtle Tale LogoTurtle Tale was developed by Saturnine Games

$2.99 said “see, I can review games by my best buddies and still be objective” in the making of this review. Ed’s corpse totally agrees.

A pre-release code for Turtle Tales was provided to Indie Gamer Chick earlier this week. At Indie Gamer Chick, all reviews are paid for in full by the writer. Turtle Tale was released today on the 3DS eShop and a full copy was purchased by Cathy. For more on this policy, consult our FAQ.

 

Super Broken Games

This isn’t going to be my most glowing review. So before I get to the guts of this game, I want to talk about the game’s developer. His name is Daniel Navarro, and he’s a class act all the way. I stupidly downloaded Super Broken Games off the Xbox marketplace without screening it. I took a look at it and thought “oh hey, it looks like WarioWare! Fucking sold!” But, as it turns out, the game was not remotely accessible by me due to my epilepsy. I later found out that some of the effects were able to be switched off, but the way that was laid out was confusing, and it didn’t catch everything.

Daniel showed tremendous concern for me. He patched the game for myself and potentially others who live with photosensitive epilepsy (if you do, you should consult your doctor before attempting to play any game, as there is no such thing as “epilepsy safe” if you have it). Within a week, Super Broken Games had its potential triggers rendered optional. Not removed from the game. I’m not trying to activate a Jester’s Cap on developers and remove the fun stuff for everyone else.

screen1

Effects switches (or “The Switch” for short, which I’m trying to get popularized in gaming lexicon) are becoming more common, but I always get very emotional when a developer includes one. I didn’t like Super Broken Games, but I have much love and respect for Daniel. Thank you.

Now then, Super Broken Games. The idea is a series of dexterity tests that require you to move a ball (or balls) into a goal. The hook is there is some sort of control quirk in every stage that brings the difficulty level somewhere between “hard” and “homicidal rage-inducing.” The controls are awful, but it really is by design. Super loose, designed to aggravate, and maddening to a fault. Sometimes it involves the cursor moving too fast. Sometimes it can’t move in a straight line. Sometimes you’re controlling two at once with the left and right sticks. No matter what method (except maybe the dual-stick stuff, which isn’t so bad), you’re going to be screaming in emotional agony.

screen2

I appreciate Super Broken Games for its truth in advertising. Given the circumstances, I wish I could say I had fun with it, but I didn’t. I don’t know if the effects I had to turn off to avoid the epilepsy risk add a lot to the gameplay, but I found SBG to be sterile and dull. I’ve never been a fan of any game that’s only goal seems to be to cause a spike in your blood pressure. A multiplayer mode doesn’t help because finding other people willing to play a game that’s entire hook is having mangled controls is next to impossible.

I have nothing against games that are difficult, but they need to have more than just difficulty going for them. Super Broken Games only has hardness going for it. You know those things they have at carnivals where you have to take a hoop and run it across a bent piece of mental without touch it? Super Broken Games is as frustrating as one of those, only without the reward of winning a teddy bear if you succeed.

xboxboxartSuper Broken Games was developed by Feel Good Seal

$1 clubbed the feel good seal in the making of this review.

 

The Indie Gamer Chick Mailbag: April 21, 2014

I typically get a lot of questions on Twitter about random game stuff. Thoughts on the indie scene, on mainstream gaming, etc. I’m quickly learning that Twitter is a lousy place to answer any questions. It’s tough to explain complex opinions in 140 characters or less. So I figured I would start a mailbag feature. I announce it, and suddenly I go from getting questions every few minutes to getting no questions at all. Grumble. Well, a few guys did ask some stuff, so I’ll give the whole mailbag thing a try.

@LostScarf asks

Do you think Indie games would be more successful if they took the time to add Online Co-op, or it wouldn’t matter?

It depends on the game. Some titles really could have benefited from a more robust online experience. But there are roadblocks if you attempt it. On XBLIG, getting online working was overly difficult. Developers did not have access to Xbox Live when making games that would utilize Xbox Live. But even when you’re not developing for a system that actively seems to be trolling its own developers, optimizing an online co-op experience is extremely difficult. Especially if you give a shit about the emotional and psychological experience of your game. There’s almost no way to measure how effective your work is in those areas, especially if your concept involves two strangers working together. It’s a leap of faith.

Does it make a difference in a game’s sales? I’m not totally convinced. My favorite aspect of Terraria was playing it with Brian on two PS3s and two TVs. We also very much enjoyed sharing some of our extra plunder with my fans on Twitter. Hell, I met my best friend Bob that way. But, I was surprised to learn that most of the Terraria fans that follow me on Twitter never played it co-op at all. That’s not that uncommon with many indies that have an optional co-op mode. So I guess, unless a game is designed specifically with online co-op in mind, it won’t make a big enough difference that anyone should lose sleep over it.

@iilusionofchaos asks

If you could change one thing about your favorite game, what would it be?

My favorite game ever is WarioWare Inc.: Mega Microgame$ for Game Boy Advance. It just got re-released on Wii U’s Virtual Console. Easy answer here: I wish it had online leaderboards.

@TerrorSkwirl asks

Who/what do you think is the most well written character in recent memory?

Clem from Walking Dead. Her actions, speaking style, reactions to situations, and emotional state all feel like a real person. The strange thing is, there are a lot of secondary characters in the Walking Dead games that feel like lazy stereotypes, if not outright parodies. There’s just enough of those type of characters that you wouldn’t expect to see such an incredibly authentic character emerge. Clem is a real person in a real zombie apocalypse.

I’ll give a close second to Balloon from Doki-Doki Universe. Her undying love for protagonist QT3 was so moving and, again, authentic. Doki Doki was, as of yet, the only game I streamed my entire play-session on Twitch. I had some tough guys admit they were tearful as the ending between QT3 and Balloon played out. No violence. No cursing. No high-stakes. Just love and admiration between two friends, and it was more real than many of cinemas highest-paid actors are capable of delivering.

@Scott_A_Bennett asks

if you could only change one thing about the indie scene what would it be?

The perception that the community is too exclusive for newcomers to jump in. I think people expect the scene to be populated by anti-social, standoffish artsy types. They exist, but they’re very much the minority. The indie scene at large is so very welcoming and encouraging to newcomers. Hell, you don’t even have to be an active developer. I’ve never made a game, never will, and I have a site that, more often than not, doesn’t speak highly of the games I play. If the general perception of the indie scene were true, I would have been run out of town a week after I arrived. Instead, I’ve found an endless stream of new friends and fantastic relationships. And I’m certainly not alone in this type of experience with indies. That is the story that we need to make sure gets told. Unlike a lot of other things I wish would change, this one is very easily doable.

@Rabite890 asks

do you find the reports about the number of steam games that go unplayed/uninstalled to be as bad as some do?

Whenever I go grocery shopping, if I’m hungry when I go, you can bet the shopping cart is going to be overflowing full of all kinds of stuff I would normally not pick up. Then it will linger in our kitchen cabinets until it goes past the  expiration date.

That’s probably what happens with Steam, or hell, any platform when a sale hits. I have 217 PSN games on my PlayStation 3 and there’s at least 40 I’ve never booted up. I either got them with PlayStation Plus, or I bought them when they were on sale and just never got around to playing them. I do it on my Vita too, then the shitty, too small memory card fills up and I have to start deleting stuff. I can always redownload it any time, of course, but I probably won’t. It’s impulsive behavior from people with too much disposable income, but by no means indicative of any problem on the indie scene.

And finally, @Bonedwarf asks

I’ll give you a tough one. You can give 12 words of advice to all aspiring indie devs. What are they?

Nothing will go exactly as you envision, so be patient and humble.

(points at the screen and counts the words silently)

Damn, I’m good.

Well, I had fun doing this. If you guys had fun reading it, just send me a tweet with the hashtag #IGCMailbag and we’ll do it again. It will help keep the content on this site going when I’m post seizure and unable to get my game on.

Like my new logo? The gentleman who designed it, Kenneth Seward Jr., is for hire! Visit his site and check him out on Twitter. Reasonable rates, awesome work!

Still here? Cool. I have a new blog that will contain my non-gaming related ravings.

 

Bad Bunny

Approximately nine hours ago, I started watching the new Hobbit movie with Brian. Weirdly enough, the counter on the television indicates that we only began watching it one and a half hours ago. I tried to alert scientists of the world of the bizarre vortex in space and time emanating from our living room, but they showed little interest. Probably because checking it out would require them to watch the Hobbit as well.

Thankfully, I was also playing an Easter-themed XBLIG called Bad Bunny. It was a bit disappointing in one regard: the cover art made it look like it would have a lot more personality than it did. Take a look.

xboxboxart

Not bad-looking. I figured it would be like an XBLIG version of Naughty Bear. Which, granted, was one of the worst games of the last generation, but at least it had an interesting concept. So I ponied up a dollar and fired it up. Needless to say, it was not Naughty Bear.

screen1

Yeah. So instead it’s another fixed-position wave shooter, only this time the enemies are rabbits firing Easter eggs at you. Honestly though, Bad Bunny not bad at all. It’s not good or memorable either, but it didn’t feel like a complete waste of a dollar. There’s not a whole lot for me to comment on. The projectiles fired at your stationary turret could stand out a little more, so that you could better defend yourself. And they could have really used more power-ups to keep things interesting. And online leaderboards as opposed to just a local one. And it could have used more than one ordinary play mode. Bad Bunny isn’t remotely ambitious and you’ve played a million games like this before.

BUT, it is fun for an hour, and fun is all that has ever mattered in my books. Bad Bunny is a totally harmless, borderline charming arcadey throwback and yes, I do like it a little bit. Let people moan that I enjoyed this half-assed shooter and didn’t like something ambitious and thoughtful, like Deadlight. Am I saying Bad Bunny is better than Deadlight? I guess technically I am, though that seems somehow wrong. How about “I personally enjoyed the overall experience of one hour with Bad Bunny more than I did several hours with Deadlight.” Besides, it’s just one person’s opinion. It’s not like it’s notarized by the Pope or anything. I actually did try to get it notarized but he stopped taking my calls when I wouldn’t stop calling him “Super Mario.”

xboxboxartBad Bunny was developed by Game Play You

IGC_Approved$1 Has no clue how we got from Jesus being beaten, executed by crucifixion, then returning from the dead to bunnies and colored eggs in the making of this review.

Bad Bunny is Chick-Approved and ranked on the Indie Gamer Chick Leaderboard.

Like my new logo? The gentleman who designed it, Kenneth Seward Jr., is for hire! Visit his site and check him out on Twitter. Reasonable rates, awesome work!

Footage via the unsung hero of the XBLIG scene, Splazer Productions

 Still here? Cool. I have a new blog that will contain my non-gaming related ravings. Header

 

 

 

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